<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/83">
    <dcterms:title><![CDATA[[Saint Agatha] (from the Lombard Gradual)]]></dcterms:title>
    <dcterms:creator><![CDATA[Master of the Franciscan Breviary (Painter)]]></dcterms:creator>
    <dcterms:date><![CDATA[mid 15th c ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Repository: Division of Rare and Manuscript Collections, Cornell University Library<br />
https://digital.library.cornell.edu/catalog/ss:11177505]]></dcterms:contributor>
    <dcterms:format><![CDATA[vellum, rubricated]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/79">
    <dcterms:title><![CDATA[Annunciate Angel, the Apostle Andrew, a Bishop Saint (Savinus?), and Saints Dominic and Francis of Assisi [left]; Virgin Annunciate and Saints Bartholomew, Lawrence, Lucy, and Agatha [right]]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Tempera and tooled gold on enframed panels with vertical grain<br />
Dimensions:	25 1/8 x 16 7/8 inches (63.8 x 42.9 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Bartolomeo Bulgarini (Italian (active Siena), first documented 1338, died 1378)]]></dcterms:creator>
    <dcterms:date><![CDATA[c. 1355-60]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/102757<br />
Credit Line:	John G. Johnson Collection, 1917]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/137">
    <dcterms:title><![CDATA[Belles Heures de Jean de France, duc de Berry]]></dcterms:title>
    <dcterms:subject><![CDATA[The martyrdom of saint agatha]]></dcterms:subject>
    <dcterms:description><![CDATA[Suffrages of the Saints<br />
Saint Agatha, Folio 179r<br />
<br />
Agatha was punished for refusing the advances of the Roman governor. She is tied to a column and her breasts are removed by attackers wielding huge clippers ; one attacker raises his knee to brace himself in a pose like that in the Catherine cycle (Folio 17r), where the saint is tied to a column.]]></dcterms:description>
    <dcterms:creator><![CDATA[Paul Herman and Jean de Limbourg]]></dcterms:creator>
    <dcterms:source><![CDATA[The Metropolitan Museum of Art<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris]]></dcterms:publisher>
    <dcterms:date><![CDATA[1405-08/9]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/46">
    <dcterms:title><![CDATA[Christian apostles and saints]]></dcterms:title>
    <dcterms:subject><![CDATA[book illustration]]></dcterms:subject>
    <dcterms:description><![CDATA[The name of God in Hebraic characters, surrounded by the Apostles, and with other Christian saints standing below; illustration to an unidentified book, page 201 or 203, with letterpress text printed in red and black on verso<br />
Engraving<br />
Height: Height: 223 millimetres<br />
Width: Width: 159 millimetres<br />
Not in IFF; from the same book as 1610,0208.4.<br />
<br />
Representation of: God<br />
Representation of: Apostles<br />
Representation of: St Catherine of Alexandria<br />
Representation of: St Barbara<br />
Representation of: St Agatha<br />
Representation of: St Laurence]]></dcterms:description>
    <dcterms:publisher><![CDATA[Published by: Jaspar Isaac<br />
French]]></dcterms:publisher>
    <dcterms:date><![CDATA[1600-54]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1910-0208-5<br />
Donated by: Sydney Vacher<br />
stamp printed in blue, on verso: &#039;TH.re PETIT INStt&#039;]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/42">
    <dcterms:title><![CDATA[Church martyrs]]></dcterms:title>
    <dcterms:description><![CDATA[Church martyrs, with in the foreground St Agatha, tied to a stake and having her breasts cut by an executioner; beyond, at right, St Tryphon, hanging upside down from a tree, and Sts Fabian and Cornelius being beheaded; at left, St Abdon and Sennen being spared by the lions; after the fresco executed in San Stefano Rotondo by Niccolò Circignani<br />
Engraving<br />
Height: Height: 272 millimetres<br />
Width: Width: 172 millimetres<br />
Inscription content: Signed on plate with monogram: &#039;MP&#039;. Numbered &#039;No.20&#039; on plate. Lettered above image: &#039;Non sut condignae passiones huiu temporis ad ro. VIII&#039; and below: &#039;Decio Valeriano et Galieno Impp.&#039;, and explanatory key.<br />
Representation of: St Agatha<br />
Representation of: Pope Fabian (St Fabian)<br />
Representation of: Pope Cornelius (St Cornelius)<br />
Representation of: St Tryphon<br />
Representation of: St Abdon<br />
Representation of: St Sennen]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Monogrammist MP<br />
After: Niccolò Circignani]]></dcterms:creator>
    <dcterms:source><![CDATA[Associated with: Rome (S. Stefano Rotondo)<br />
Europe: Italy: Lazio: Rome (province): Rome (city)<br />
Topographic representation of: Colosseum<br />
Europe: Italy: Lazio: Rome (province): Rome (city): Colosseum]]></dcterms:source>
    <dcterms:date><![CDATA[1580-1630 (c) (c)]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1869-0410-1576<br />
Purchased from: José de Salamanca y Mayol, Marquis of Salamanca<br />
Purchased through: Sotheby&#039;s (24-7.ii.1869/435)<br />
Purchased through: Edward Daniell<br />
Previous owner/ex-collection: José de Madrazo<br />
]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/48">
    <dcterms:title><![CDATA[Die Heyligen Junckfrawen unnd Mertirerin inn dem Himlischen Rosengartten]]></dcterms:title>
    <dcterms:description><![CDATA[Broadside on the heavenly rose garden; with a stencil-coloured woodcut from eight (?) blocks of virgin saints and the Holy Kinship seated on benches in front of rose bushes arranged in four horizontal strips; below 30 lines of German letterpress verse in eight columns describing the Christian path to the rose garden. (Nuremberg: n.d.)<br />
<br />
Height: Height: 1005 millimetres (Borderline) (Borderline)<br />
Height: Height: 1061 millimetres (Sheet size) (Sheet size)<br />
Width: Width: 704 millimetres (Borderline) (Borderline)<br />
Width: Width: 704 millimetres (Sheet size) (Sheet size)<br />
<br />
Inscription content: Publication line: &#039;Gedruckt zu Nürnberg, bey Hans Wolff Glaser.&#039;<br />
<br />
Representation of: St Lucy<br />
Representation of: St Christina<br />
Representation of: St Mary Magdalene<br />
Representation of: St Elizabeth of Hungary<br />
Representation of: St Apollonia<br />
Representation of: St Ursula<br />
Representation of: St Margaret of Antioch<br />
Representation of: St Martha<br />
Representation of: St Agatha<br />
Representation of: St Agnes<br />
Representation of: St Dorothea<br />
Representation of: St Barbara<br />
Representation of: St Catherine of Alexandria<br />
Representation of: St Joseph<br />
Representation of: Virgin Mary<br />
Representation of: Jesus Christ<br />
Representation of: St Anne<br />
Representation of: St Joachim<br />
Representation of: God]]></dcterms:description>
    <dcterms:creator><![CDATA[Printed by: Hans Wolfgang Glaser]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Printed in: Nuremberg<br />
Europe: Germany: Bavaria (state): Mittelfranken (region): Nuremberg]]></dcterms:publisher>
    <dcterms:date><![CDATA[1550-70]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1930-0617-37<br />
Purchased from: C G Boerner (sale Leipzig, 6/9 May 1930/637)<br />
Previous owner/ex-collection: Friedrich August II, King of Saxony (Lugt 971)]]></dcterms:contributor>
    <dcterms:format><![CDATA[woodcut, letterpress, stencil printing]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/82">
    <dcterms:title><![CDATA[Enthroned Madonna and Christ Child with Angels, Saints Paula and Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[MEDIUM tempera on panel<br />
DIMENSIONS 55 3/4 x 43 1/8 in. (141.6 x 109.5 cm) frame: 69 × 56 3/4 × 4 1/2 in. (175.3 × 144.1 × 11.4 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[ Michele Ciampanti, formerly called Stratonice Master, Italy, 1463 - 1500]]></dcterms:creator>
    <dcterms:date><![CDATA[c. 1500]]></dcterms:date>
    <dcterms:contributor><![CDATA[Birmingham Museum of Art<br />
https://www.artsbma.org/collection/enthroned-madonna-and-christ-child-with-angels-saints-paula-and-agatha/<br />
PROVENANCE John Watkins Brett (1805-1863), London, by 1857; his estate sale, Christie, Manson &amp; Woods, London, April 5-18, 1864, no. 820, as Filippo Lippi; with P &amp; D Colnaghi, London [see note 1]. John Francis Austen (1817-1893), London, by 1877; by descent to Mrs. Austen, London; by descent to John Francis Austen, Capel Manor, Horsmonden, Kent; auctioned by Christie, Manson &amp; Woods, London, March 18, 1921, 19 no. 82, as Filippo Lippi [unsold]; remained with Trustees of Austen Estate [see note 2]; auctioned by Christie, Manson &amp; Woods, London, July 10, 1931, p. 15, no. 64, as Filippo Lippi; purchased by Francis Howard, London [see note 3]. With Count Alessandro Contini-Bonacossi (1878-1955), Florence; purchased by Samuel H. Kress Foundation, New York, June 7, 1954 as Master of the Stratonice Cassone; on loan to the Birmingham Museum of Art, Alabama, 1959; gift of the Samuel H. Kress Foundation to the Birmingham Museum of Art, Alabama, 1961]]></dcterms:contributor>
    <dcterms:relation><![CDATA[1. Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection, Italian Schools XIII-XV Century (London: Phaidon Press, 1966), p. 139.<br />
2. Ibid.<br />
3. According to an annotation in an auction catalogue at The Frick Art Reference Library. See object file.<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/44">
    <dcterms:title><![CDATA[Female saints]]></dcterms:title>
    <dcterms:description><![CDATA[Six female saints; St Mary Magdalene, St Rosalia, St Apollonia, St Agnes, St Dorothy, St Agatha; six roundels aligned in three rows; sheet four of the series; second state<br />
Engraving<br />
Diameter: Diameter: 43 millimetres (c., each roundel) (c., each roundel)<br />
Height: Height: 171 millimetres (plate) (plate)<br />
Width: Width: 120 millimetres<br />
Inscription content: Signed below &quot;Israhel V M&quot;.<br />
Part of a series of designs for goldsmiths, consisting of eight engravings (L 445-452) with forty-eight circular scenes with religious subjects (each plate containing six roundels).<br />
<br />
According to Lehrs, Meckenem copied the designs, at least in regards to the alignment of the roundels, after the Master ES.<br />
<br />
The majority of the roundels have been cut out; an entire set of eight intact sheets is not known to exist.<br />
<br />
Representation of: St Mary Magdalene<br />
Representation of: St Rosalia<br />
Representation of: St Apollonia<br />
Representation of: St Agnes<br />
Representation of: St Dorothea<br />
Representation of: St Agatha]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Israhel van Meckenem]]></dcterms:creator>
    <dcterms:source><![CDATA[Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (IX.353.448)<br />
Bartsch / Le Peintre graveur (VI.260.153)<br />
Hollstein / German engravings, etchings and woodcuts c.1400-1700 (448.II)]]></dcterms:source>
    <dcterms:publisher><![CDATA[German]]></dcterms:publisher>
    <dcterms:date><![CDATA[1480-90]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1925-0406-87Purchased from: Albertina]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/49">
    <dcterms:title><![CDATA[Female saints]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteen female saints; half-length figures with their respective attributes, arranged in four rows.<br />
Woodcut<br />
Height: Height: 216 millimetres<br />
Width: Width: 166 millimetres<br />
Inscription content: Lettered with the names of the individual saints on banderoles below the figures.<br />
Forming a pair with E,8.175, the style corresponds closely with Wechtlin&#039;s scenes from the life of the Virgin and of Christ (Passavant III.331-2, II.53) but there is no printing on the versos and it is unclear whether they were designed as book illustrations or not. See Röttinger p.1 note 1; manuscript catalogue by Karl Parker (compiled in the 1920s) for a proposed sequel to Campbell Dodgson&#039;s &#039;Catalogue of Early German Woodcuts in the British Museum&#039; [and British Library], vol.2, woodcuts by Wechtlin, no. 30.<br />
<br />
Representation of: St Anne<br />
Representation of: St Mary Magdalene<br />
Representation of: Virgin Mary<br />
Representation of: St Martha<br />
Representation of: St Ursula<br />
Representation of: St Catherine of Alexandria<br />
Representation of: St Barbara<br />
Representation of: St Margaret of Antioch<br />
Representation of: St Dorothea<br />
Representation of: St Agatha<br />
Representation of: St Lucy<br />
Representation of: St Agnes<br />
Representation of: St Cecilia<br />
Representation of: St Catherine of Siena<br />
Representation of: St Otilia<br />
Representation of: St Elizabeth of Hungary]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Hans Wechtlin]]></dcterms:creator>
    <dcterms:source><![CDATA[Passavant 1860-64 / Le Peintre-Graveur (Undescribed)]]></dcterms:source>
    <dcterms:publisher><![CDATA[German]]></dcterms:publisher>
    <dcterms:date><![CDATA[1500-26]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_E-8-176]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/131">
    <dcterms:title><![CDATA[Figure study for Saint Agatha by Sebastiano]]></dcterms:title>
    <dcterms:description><![CDATA[black chalk and white heightening on blue prepared paper]]></dcterms:description>
    <dcterms:creator><![CDATA[Sebastiano del Piombo]]></dcterms:creator>
    <dcterms:source><![CDATA[Louvre<br />
https://collections.louvre.fr/en/ark:/53355/cl020200814]]></dcterms:source>
</rdf:Description></rdf:RDF>
