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                <text>Syntagma anatomicum</text>
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                <text>Johannes Vesling, seated below a swag of surgical instruments, indicates illustrations of the heart in a book displayed by a skeletal corpse&#13;
&#13;
"In this title page to the Amsterdam 1666 edition of Johannes Vesling's Syntagma anatomicum, with commentary by Gerardus Blasius, Vesling is seated next to a table covered with a cloth, decorated with two crossed bones, which bears the title of the book. He is identified by his name which appears above his hat and by the cross of the Order of the Holy Sepulchre in Jerusalem. He is depicted wearing the same cross on a chain in his engraved portrait in the Padua 1647 edition of the Syntagma anatomicum, which is the second enlarged edition with added plates by G. Giorgio (see Garosi 1963, tav cxxxiii for Vesling's portrait and this catalogue no. 25026i for the title page to the 1647 edition). Vesling indicates to four gentlemen illustrations of the heart in a book displayed by a draped skeletal corpse. Only two details of these illustrations correspond with Vesling's plate on the heart (Tab. 1, Cap. X). Suspended from two pilasters is a swag made up of surgical instruments. Through an arch topped with two angels holding a cartouche with a skull crowned with laurel leaves one sees a view of buildings"</text>
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                <text>1 print : engraving ; image 19.9 x 15.1 cm&#13;
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Ioannis Veslingii Mindani Syntagma anatomicum cum commentariis. Exhibente Gerardo Blasio. Medicinæ doctore, et professore. ; I. Vesling</text>
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                <text>Wellcome&#13;
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                <text>Amstelodami [Amsterdam] (â Waesberge et Elizæum Weyerstraet) : Apud Joannem Jansonium, 1666.&#13;
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                <text>1666</text>
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                <text>References note&#13;
J. Choulant, History and bibliography of anatomic illustration, tr. and ed. M. Frank, New York 1945, p. 243&#13;
A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. cxxxiii</text>
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                <text>An anatomical dissection by Realdus Colombus, attended by onlookers</text>
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                <text>"This is the only illustration to Realdus Colombus's De re anatomica, published in Venice in 1559, the year of his death. It is known, however, that he had planned an illustrated text. In his letter to Duke Cosimo de'Medici of 17 April 1548 he requests leave from his post as lecturer in anatomy at the University in Pisa in order to work on his busok, mentioning the assistance he is receiving from the "leading painter in the world" as well as how, on a previous stay in Rome, he dissected cadavers and supervised artists. This "leading painter" has usually been identified as Michelangelo, whose friendship with Colombus is documented in the 1553 biography of the artist by Ascanio Condivi. Colombus dispatched the body of "a young and very handsome moor" for Michelangelo to dissect and also treated him successfully for kidney stones. Colombus is noted for offering an early description of pulmonary circulation and for being a proponent of vivisection, the subject of the fourteenth book of De re anatomica. In the title page, the dissection is being followed by several observers, two of whom are consulting books, one of which is illustrated. At the lower left a young man is seated, taking notes or sketching on a pad."</text>
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                <text>Collotype after a woodcut, 1559.&#13;
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Realdi Columbi Cremonensis, in almo gymnasio Romano anatomici celeberrimi, De re anatomica libri xv. Venetiis. Ex typographis Nicolai Bevilacquae. MDLIX</text>
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                <text>References note&#13;
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, pp. 220-221, no. 133&#13;
E. D. Coppola, "The Discovery of the Pulmonary Circulation: A New Approach," Bulletin of the History of Medicine, xxxi, 1957, pp. 44-77&#13;
J. J. Bylebyl, "Realdo Colombo," Dictionary of Scientific Biography, iii, 1974, pp. 354-357</text>
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                <text>De mulierum organis generationi inservientibus tractatus novus. Demonstrans tam homines &amp; animalia caetera omnia, quae vivipara dicuntur, haud minus quam ovipara ab ovo originem ducere ... </text>
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                <text>[24], 334, [16] p. (last blank) : add. engr. t.p., engr. front. (port.), ill., plates (some folded)&#13;
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                <text>Leiden: Hackius, Jacobus, 1663-1698, 1672.</text>
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De virorum organis generationi inservientibus -- Epistola ad virum clarissimum Lacam Schacht ... de partibus genitalibus mulierum -- De mulierum organis generationi inservientibus -- Partium genitalium defensio -- De succi pancreatici natura &amp; usu -- De clysteribus -- Vopiscum Fortunatum Plempium -- De usu siphonis in anatomia.</text>
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                <text>"This anatomical dissection takes place in a hall which leads on to a library. The dissector has initiated the anatomy with a cross-section of the abdomen using a double-bladed knife. In the niches that line the hall are life-size musclemen and human and animal skeletons. The muscleman on the right is adapted from Juan de Valverde's Historia de la composicion del cuerpo humano (Rome 1556) and that on the left is the from Andreas Vesalius's De humani corporis fabrica (Basel 1543, bk ii, pl. ii), as are the skeletons in the second niches (bk i, pls i and iii). In the more distant niches there are simian and avian skeletons and suspended from the ceiling are the skeletons of four-legged animals. In the foreground there are bodies of a variety of animals: a snake, a rabbit, a pig, a lion, a dog, a bird, etc. as a further reference to comparative anatomy. The dramatic effect of the diminishing perspective is aided by the two pairs of obelisks, one at the foreground, bearing a quotation from Seneca (Epistulae morales ad Lucilium, 64) and the other pair further down the hall. The Bibliotheca anatomica, first published in 1685 with a second edition in 1699, is a compilation of works by seventeenth-century authors, edited by Daniel Le Clerc (1652-1728) and Jean-Jacques Manget (1652-1742), two Swiss physicians who collaborated on several publications. Le Clerc himself is the author of the Histoire de la medecine (Geneva 1696, and later editions) which is mainly concerned with the history of ancient medicine"</text>
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                <text>Wellcome&#13;
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                <text>Genevæ [Geneva] : Sumptibus Joannis Anthonii Chovet, 1685.&#13;
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                <text>Frontispiece of Johannes Scultetus's Armamentarium Chirurgicum shows a man's leg being set. In the background hung on the wall are the surgeon's instruments of choice, including bone nippers and other shears. This treatise is moreso catered to surgery surrounding war injuries. HOWEVER, notes include that this particular treatise gave new surgical techniques in mastectomy, c-section, hernia operations and arterial ligation (which may explain also why the leg setting on the frontispiece appears like a lithotomy) It was published by Adrian Vlacq in 1657 in Latin. First edition written in Latin with 170 pages and 43 engravings with French and German translations soon after. The later editions (like this one) expanded to 370 pages and 50 engravings. This edition has the illustrations by German engraver and painter Jonas Arnold. Jonas Arnold is the designer of the mastectomy patient with the veil and unveiled face and chest. The tumor is first tied with ligatures, strangled, then cut with a knife. The body is cauterized.  </text>
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                <text>Hague: Adriaan Vlacq&#13;
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                <text>"Procedure used to remove the breast by Scultetus in the 17th century. He used heavy ligatures threaded onto large needles and then transfixed the breast to exert traction before removing it with the knife. The base was then cauterised to produce haemostasis" - Sakorafas</text>
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                <text>Wellcome&#13;
https://wellcomecollection.org/works/k2v2tuaj&#13;
NLM&#13;
http://resource.nlm.nih.gov/101435690</text>
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Francofurti ad Moenum : Typis ac sumptibus Balth. Christophori Wustii, jun, 1682. (reprint with the same contents)&#13;
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