<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/79">
    <dcterms:title><![CDATA[Annunciate Angel, the Apostle Andrew, a Bishop Saint (Savinus?), and Saints Dominic and Francis of Assisi [left]; Virgin Annunciate and Saints Bartholomew, Lawrence, Lucy, and Agatha [right]]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Tempera and tooled gold on enframed panels with vertical grain<br />
Dimensions:	25 1/8 x 16 7/8 inches (63.8 x 42.9 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Bartolomeo Bulgarini (Italian (active Siena), first documented 1338, died 1378)]]></dcterms:creator>
    <dcterms:date><![CDATA[c. 1355-60]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/102757<br />
Credit Line:	John G. Johnson Collection, 1917]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/404">
    <dcterms:title><![CDATA[Anthropographia et osteologia ]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;Jean Riolan, Professor of Anatomy and Botany at the Faculté de Médecine in Paris and French court physician, is best known as a Galenist who did not accept Harvey&#039;s theory of the circulation of the blood. He was skilled in dissection and in the preface to the 1626 edition of his Anthropographia et osteologia he states that he had dissected more than one hundred bodies over the last twenty-four winters. Flanking a display of surgical instruments, topped by a coat of arms, are Aesculapius and Hygieia&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; image 16.5 x 10.6 cm<br />
Lettering<br />
Encheiridium anatomicum et pathologicum adornatum a Ioanne Riolano filio cum figuris.]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;The present print is a later copy, in reverse, of the title page, designed and engraved by Crispijn de Passe the second for Jean Riolan the younger&#039;s Anthropographia et osteologia, of Paris 1626: see Wellcome Library catalogue no. 588752i. In the present print, which served as the title page to Riolan&#039;s Encheiridium anatomicum et pathologicum of 1649, the original French observers are replaced by named Dutchmen in different poses, particularly anatomists from Leiden&quot;]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[Lugduni Batavor[um] [Leiden] : Ex officina Adriani Wyngaerden, 1649.<br />
]]></dcterms:publisher>
    <dcterms:relation><![CDATA[References note<br />
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, pp. 234-236, nos 148-149<br />
G. Cordier, Paris et les anatomistes au cours de l&#039;histoire, Paris 1955, cover illustration]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/129">
    <dcterms:title><![CDATA[Antiseptic surgery : its principles, practice, history and results]]></dcterms:title>
    <dcterms:description><![CDATA[xxiv, 616 pages : illustrations ; 23 cm]]></dcterms:description>
    <dcterms:creator><![CDATA[Cheyne, William Watson, Sir, 1852-1932]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/bs5yny4e]]></dcterms:source>
    <dcterms:publisher><![CDATA[London : Smith, Elder, 1882.]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/362">
    <dcterms:title><![CDATA[Armamentarium Chirurgicum ]]></dcterms:title>
    <dcterms:subject><![CDATA[frontispiece for Scultetus treatise]]></dcterms:subject>
    <dcterms:description><![CDATA[Frontispiece of Johannes Scultetus&#039;s Armamentarium Chirurgicum shows a man&#039;s leg being set. In the background hung on the wall are the surgeon&#039;s instruments of choice, including bone nippers and other shears. This treatise is moreso catered to surgery surrounding war injuries. HOWEVER, notes include that this particular treatise gave new surgical techniques in mastectomy, c-section, hernia operations and arterial ligation (which may explain also why the leg setting on the frontispiece appears like a lithotomy) It was published by Adrian Vlacq in 1657 in Latin. First edition written in Latin with 170 pages and 43 engravings with French and German translations soon after. The later editions (like this one) expanded to 370 pages and 50 engravings. This edition has the illustrations by German engraver and painter Jonas Arnold. Jonas Arnold is the designer of the mastectomy patient with the veil and unveiled face and chest. The tumor is first tied with ligatures, strangled, then cut with a knife. The body is cauterized.  ]]></dcterms:description>
    <dcterms:creator><![CDATA[Johannes Scultetus]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Hague: Adriaan Vlacq<br />
(Vlacq was a Dutch book publisher who moved to London in 1632 before moving to Paris at the onset of English Civil War, then moved to the Hague)]]></dcterms:publisher>
    <dcterms:date><![CDATA[1657]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/241">
    <dcterms:title><![CDATA[Assemblee des Vieux Garcons: The Assembly of Old Batchelors<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[A group of old men are sitting together in a half-circle; in the center an old man with gout is having his pulse taken by the man sitting to his right; three pictures hang on the wall in the background.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : 24 x 30 cm.<br />
Provenance:<br />
Purchase; 1967.<br />
Technique:<br />
engraving, color]]></dcterms:description>
    <dcterms:creator><![CDATA[Booth, T.<br />
Boillard, Jean, artist]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101393049]]></dcterms:source>
    <dcterms:publisher><![CDATA[London: Bowles &amp; Carver<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/302">
    <dcterms:title><![CDATA[Ausgewählte Observationes Wilhelm Fabry&#039;s von Hilden (Fabricius Hildanus) / übersetzt von Rom. Joh. Schaefer; Eingeleitet von Karl Sudhoff.]]></dcterms:title>
    <dcterms:description><![CDATA[57 pages : illustrations ; 20 cm.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Fabricius Hildanus, Wilhelm, 1560-1634<br />
]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Leipzig : Johann Ambrosius Barth, 1914.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/162">
    <dcterms:title><![CDATA[Avant L&#039;operation]]></dcterms:title>
    <dcterms:description><![CDATA[A photomechanical reproduction of the painting (heliogravure) that is pasted with a text explaining the artwork  as if for a show]]></dcterms:description>
    <dcterms:source><![CDATA[Banque d&#039;images de la Bibliothèque interuniversitaire de santé : CIPD0005]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris: Paris illustre (original photomechanical reproduction, unclear who added extra text - extra text may be paris illustre and the owner cut up the text to appear with the painting]]></dcterms:publisher>
    <dcterms:date><![CDATA[1887 (date of painting, unsure date of heliograve)]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/168">
    <dcterms:title><![CDATA[Avant l&#039;opération: salon de 1887<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[photogravure based on Gervex 1887 salon painting of Pean]]></dcterms:description>
    <dcterms:publisher><![CDATA[France : [s.n., 188-?]<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/137">
    <dcterms:title><![CDATA[Belles Heures de Jean de France, duc de Berry]]></dcterms:title>
    <dcterms:subject><![CDATA[The martyrdom of saint agatha]]></dcterms:subject>
    <dcterms:description><![CDATA[Suffrages of the Saints<br />
Saint Agatha, Folio 179r<br />
<br />
Agatha was punished for refusing the advances of the Roman governor. She is tied to a column and her breasts are removed by attackers wielding huge clippers ; one attacker raises his knee to brace himself in a pose like that in the Catherine cycle (Folio 17r), where the saint is tied to a column.]]></dcterms:description>
    <dcterms:creator><![CDATA[Paul Herman and Jean de Limbourg]]></dcterms:creator>
    <dcterms:source><![CDATA[The Metropolitan Museum of Art<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris]]></dcterms:publisher>
    <dcterms:date><![CDATA[1405-08/9]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/285">
    <dcterms:title><![CDATA[Bildersammlung aus der Geschichte der Geschichte der Medizin<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[Allegorical representation of the physician as God. Interior view with three scenes: patient in bed being treated by surgeon, nurse, and an assistant; woman drying bandages(?) at a fireplace; another bedside scene. Praying plays a prominent role.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 photomechanical print : 26 x 29 cm.<br />
Technique:<br />
halftone, black and white]]></dcterms:description>
    <dcterms:creator><![CDATA[Author(s):<br />
Panderen, Egbert van, 1581-1637?, artist<br />
Contributor(s):<br />
Gelle, Johann, 1580-1625]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101407187]]></dcterms:source>
    <dcterms:publisher><![CDATA[Leipzig : Georg Thieme, 1908]]></dcterms:publisher>
</rdf:Description></rdf:RDF>
