<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/420">
    <dcterms:title><![CDATA[Jean-Casimir-Félix Guyon holding up a gall-stone in a bottle after performing a lithotrity on a male patient, other doctors monitor the patient&#039;s condition]]></dcterms:title>
    <dcterms:creator><![CDATA[Heliogravure by Dujardin after E. Bisson, 1890]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/jamxsckt]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/326">
    <dcterms:title><![CDATA[L&#039;ange Gardien<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[An attractive, naked, young woman patient sits up in bed while a physician performs a direct or immediate auscultation. Another woman stands next to the bed.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : 32 x 45 cm.<br />
Provenance:<br />
Purchase; 1968.<br />
Technique:<br />
lithograph, color]]></dcterms:description>
    <dcterms:creator><![CDATA[Hoffman, Gaston, 1883- ?, artist]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101393226<br />
Gaston Hoffmann; Source: Record; Research date: 20160325]]></dcterms:source>
    <dcterms:date><![CDATA[193-]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/230">
    <dcterms:title><![CDATA[The Surgeon at Work at the Rear During an Engagement<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[<br />
At a field medical station a physician treats the wounded brought back from the front lines; in the background, an ambulance races by, and in the distance smoke rises above the battlefield.<br />
<br />
1 print : 40 x 29 cm.<br />
Technique:<br />
wood engraving]]></dcterms:description>
    <dcterms:creator><![CDATA[Homer, Winslow, 1836-1910, artist]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101392740]]></dcterms:source>
    <dcterms:publisher><![CDATA[[New York: Harper &amp; Brothers] , July 12, 1862]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/387">
    <dcterms:title><![CDATA[William Cullen M.D]]></dcterms:title>
    <dcterms:subject><![CDATA[Half-length, right pose. Painted by W. Cochrane, engraved by William Howison.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : image 24 x 15 cm., on sheet 39 x 29 cm.<br />
Technique:<br />
engraving]]></dcterms:description>
    <dcterms:creator><![CDATA[Howison, William, 1798-1850, engraver<br />
Contributor(s):<br />
Blackie &amp; Son.]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101412262]]></dcterms:source>
    <dcterms:publisher><![CDATA[<br />
Glasgow : Blackie &amp; Son, [17--]]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/68">
    <dcterms:title><![CDATA[Saint Agatha]]></dcterms:title>
    <dcterms:creator><![CDATA[Israhel van Meckenem<br />
German]]></dcterms:creator>
    <dcterms:date><![CDATA[1465]]></dcterms:date>
    <dcterms:contributor><![CDATA[National Gallery of Art, D.C.<br />
Rosenwald Collection<br />
(William Schab, New York); purchased by Lessing J. Rosenwald [1891-1979], 1940; gift to NGA, 1943.]]></dcterms:contributor>
    <dcterms:relation><![CDATA[1908<br />
Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederlandischen und franzosischen Kupferstichs im XV. Jahrhundert. 9 vols. and 1 plate vol. Vienna: Gesellschaft fur vervielfaltigende Kunst, 1908-1934.<br />
1949<br />
Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. 8 vols. Amsterdam: Menno Hertzberger, 1954-1868. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. Vols. I-XV, XVIII, XIX. Amsterdam: Menno Hertzberge<br />
1967<br />
Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1967: no. 156.]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/29">
    <dcterms:title><![CDATA[&#039;The ludicrous operator, or blacksmith turn&#039;d tooth drawer&#039;]]></dcterms:title>
    <dcterms:creator><![CDATA[J. Dixon]]></dcterms:creator>
    <dcterms:date><![CDATA[1768]]></dcterms:date>
    <dcterms:contributor><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/y2zq23vy]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/135">
    <dcterms:title><![CDATA[Legenda aureau]]></dcterms:title>
    <dcterms:subject><![CDATA[Saint Agatha tortured by ligatures]]></dcterms:subject>
    <dcterms:creator><![CDATA[Jacobus, de Voragine, approximately 1229-1298.]]></dcterms:creator>
    <dcterms:source><![CDATA[Huntington Library and Art Gallery<br />
https://hdl.huntington.org/digital/collection/p15150coll7/id/48746]]></dcterms:source>
    <dcterms:publisher><![CDATA[France]]></dcterms:publisher>
    <dcterms:date><![CDATA[between 1285 and 1299]]></dcterms:date>
    <dcterms:contributor><![CDATA[Notes<br />
Jacobus de Voragine&#039;s Legenda aurea written in France, perhaps in Paris, during the next to the last decade of the thirteenth century. Manuscript in England by the third or certainly the last quarter of the fourteenth century, to judge by the script of the note added on f. 11v, correcting the king&#039;s name from &quot;Edmundus&quot; to &quot;Edwardus.&quot; Span folios: ff. 1-164v. Support: Parchment. Layout: 1¹²(-1, 2, 3; this last now f. 164) 2¹² 3¹²(-1, 10, 11) 4¹²(-1, 5, 11) 5¹²(-8) 6¹²(-1; note that the 2nd, 3rd, 9th and 10th leaves-ff. 52, 53, 58, 59-are singletons, their conjuncts having evidently been cancelled, since the text runs continuously) 7¹²(-6) 8¹²(-4) 9¹²(-4, 5) 10¹² 11¹²(-2, no text missing) 12¹²(-7) 13-15¹² + one leaf (the third leaf of the first quire, misbound). Catchwords in simple yellow-washed frames through quire 5, that of quire 6 noted in a cursive hand, thereafter decorated with elaborate mouse-designs touched in red. Leaf signatures in a variety of methods: letters of the alphabet, a-h; an individual letter repeated, d, dd, ddd, dddd, vd (on quire 6); a series of horizontal slashes; letters of the alphabet surmounted by diacritical marks; a series of tangent circles. 2 columns of 59 lines, ruled in scratchy brown lead; pricking visible in the 3 outer margins. Written by two scribes in a gothic book hand: i, ff. 1-50 and 164; ii, ff. 51-163. Decoration: Extensively illuminated with 135 miniatures, usually 16 lines in height and width of 1 column (approximately 67 x 67 mm.). Written instructions to the illuminator are present for approximately one third of the miniatures; they tend to be more complex and closer to the text than the resulting miniature. Rudimentary sketches, or evidence of sketches, for the miniatures occur in about one quarter of the cases; a number of miniatures have both the written directions and the preliminary sketch. Other Decoration: Major initials, 9- to 7-line, in dull pink or blue, patterned in white against a cusped ground of the other color, infilling in a darker shade of the same color as the initial, with grotesque or leaf forms decorated with burnished gold, and marginal extensions. Initials, 4-line, to introduce the Etymologia of similar style; secondary initials, 2-line, alternating red and blue with flourishes of the other color. Line fillers in the shape of mice, the same as the decoration on the catchwords. Carefully corrected throughout by the scribe of the text, corrections in yellow boxes. Some marginalia in various hands up to 16th century. Input into Digital Scriptorium by: C. W. Dutschke, 8/2/2012. Cataloged from existing description: C. W. Dutschke with the assistance of R. H. Rouse et al., Guide to Medieval and Renaissance Manuscripts in the Huntington Library (San Marino, 1989). Bound in original[?] oak boards, quarter backed in modern mottled calf; remains of 2 fore edge straps of pink leather closing to pins on the center back; flyleaves, washed, contained a 15th century prose text in French in 2 columns, written in a Bâtarde script.<br />
<br />
Henry E. Huntington Library and Art Gallery. Manuscript. HM 3027<br />
]]></dcterms:contributor>
    <dcterms:relation><![CDATA[A modern note on f. i states that the manuscript came from Fountains Abbey, Yorkshire; rejected by Ker, MLGB, 89. Belonged to Sir Henry Ingilby, Bart., of Ripley Castle, Yorkshire and later to Lt. Col. Sir William Henry Ingilby, Bart. (1874-1950); his sale, Sotheby&#039;s, 21 October 1920, lot 172 to Sabin; at this point the current f. 164 began the volume. Purchased by the Huntington Library from the G. D. Smith Book Company in January 1927.]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/254">
    <dcterms:title><![CDATA[Le Médecin de Théâtre]]></dcterms:title>
    <dcterms:subject><![CDATA[A theatrical scene showing a physician standing tall, firm, and forceful looking in top hat and coat; he is taking the pulse of a young woman who is leaning on a cannon.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : 34 x 26 cm.<br />
Technique:<br />
lithograph, color]]></dcterms:description>
    <dcterms:creator><![CDATA[Jacque, Charles Émile, 1813-1894, artist]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101393262]]></dcterms:source>
    <dcterms:publisher><![CDATA[[Paris?] : Aubert &amp; Cie, [188-]]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/59">
    <dcterms:title><![CDATA[Ste. Agathe, vierge et martyre (St. Agatha, Virgin and Martyr), February 5th, from Les Images De Tous Les Saincts et Saintes de L&#039;Année (Images of All of the Saints and Religious Events of the Year)]]></dcterms:title>
    <dcterms:subject><![CDATA[Series/Portfolio: Les Images De Tous Les Saincts et Saintes de L&#039;Année]]></dcterms:subject>
    <dcterms:description><![CDATA[&quot;This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.&quot;<br />
<br />
Medium: Etching; second state of two (Lieure)<br />
<br />
Dimensions: Sheet: 2 9/16 x 1 15/16 in. (6.5 x 5 cm)<br />
<br />
Inscription: At upper left: S. AGATHA<br />
At upper right: V. ET M.<br />
At lower left: 5.<br />
At lower left: Israel ex.<br />
At lower right: FEB.<br />
<br />
Marking: On verso at center: The Metropolitan Museum of Art stamp]]></dcterms:description>
    <dcterms:creator><![CDATA[Jacques Callot French<br />
Publisher Israël Henriet French]]></dcterms:creator>
    <dcterms:date><![CDATA[1636]]></dcterms:date>
    <dcterms:contributor><![CDATA[The Met<br />
Credit Line: Purchase, Joseph Pulitzer Bequest, 1917<br />
Earls of Pembroke (British); Sotheby&#039;s, LondonWilton House Sale, July 1917; P. &amp; D. Colnaghi &amp; Co.]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/120">
    <dcterms:title><![CDATA[Philip Thicknesse writing at a table, surrounded by demonic apparitions representing aspects of his life]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : aquatint with etching, with watercolour ; image 49.2 x 39 cm<br />
<br />
Lettering<br />
Lieu.t Gover.r Gall-stone, inspired by Alecto; or The birth of Minerva ...<br />
References note<br />
British Museum, Catalogue of political and personal satires, vol. VI, London 1938, no. 7721<br />
William Schupbach, &#039;Il Luogotenente Governatore del Calcolo Biliare&#039;, Kos, 1984, 1(6), p. 12<br />
Lettering note<br />
Lettering continues: &quot;From his head she sprung, a goddess arm&#039;d&quot;, Milton. To the opinions of the right hon.ble Edward, Lord Thurlow, the Earls Camden, Bute, Bathurst, and Coventry, George Touchet -Baron- Audley, and Philip Thicknesse Jun.r esq.r to the literati, the Royal Society, the military, medical and obstetric bodies, this attempt to elucidate the properties of honor and courage, intelligence and philanthropy, is most respectfully submitted, by their humble servant, J.s Gillray ... [Lettering continues at great length. The full text can be found in the British Museum catalogue of political and personal satires, vol. 4, number 7721]<br />
<br />
On the table, page is open to an image of a physician feeling a woman&#039;s breast with the caption &quot;Man Midwifery Analyzed. or a new way to write Bawdy for the instruction of Modest Women with an Emblematic Frontispiece&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[James Gillray]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/wftc6zre]]></dcterms:source>
    <dcterms:publisher><![CDATA[London (18 Old Bond Street) : H. Humphrey, 15 February 1790.]]></dcterms:publisher>
</rdf:Description></rdf:RDF>
