<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/211">
    <dcterms:title><![CDATA[Grand Duche de Toscane]]></dcterms:title>
    <dcterms:subject><![CDATA[An itinerant medicine vendor selling his wares in the square of the Grand Duke of Florence. Lithograph by Levilly after F. Pieraccini.]]></dcterms:subject>
    <dcterms:description><![CDATA[Grand duché de Toscane. Charlatan dans la place Grand duc à Florence. Jh. Pieraccini del. Levilly lith.<br />
<br />
Poster displays various images, including a scorpion (also misconstrued as a crab)<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Pieraccini, Francesco.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/qv4bf6ma]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris ([Paris] : Lith de Ducarme)<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/212">
    <dcterms:title><![CDATA[Il ciarlatane in Piazza]]></dcterms:title>
    <dcterms:subject><![CDATA[An itinerant salesman selling amulets against the bites of snakes and other animals to a crowd of people who purchase them eagerly. Etching by B. Pinelli, 1815.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; platemark 21.7 x 29.6 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Pinelli, Bartolomeo, 1781-1835<br />
Bears 43<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/r5nph7cf]]></dcterms:source>
    <dcterms:publisher><![CDATA[Roma : [publisher not identified], 1815.<br />
]]></dcterms:publisher>
    <dcterms:relation><![CDATA[David Gentilcore, Medical charlatanism in early modern Italy, Oxford 2006, pp. 44-45 (reproduced)<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/213">
    <dcterms:title><![CDATA[The Blacksmith turned Touth Drawer]]></dcterms:title>
    <dcterms:subject><![CDATA[A rustic blacksmith turned tooth-drawer extracting a tooth from an anxious woman patient, her husband observes the situation. Mezzotint after J. Harris the elder.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : mezzotint, with gouache and watercolour ; platemark 14.9 x 11. cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/jm7bu36w]]></dcterms:source>
    <dcterms:publisher><![CDATA[London (69 St. Pauls Church Yard) : Bowles &amp; Carver.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/214">
    <dcterms:title><![CDATA[In the museum of the quack doctor, the viscount Squanderfield holds out a small pill-box as a girl dabs her face with a handkerchief. Coloured aquatint after William Hogarth.<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[The pill-box probably contains remedies for venereal disease. The larger machine is for reducing a dislocated shoulder while the smaller one provides an elaborate way of drawing a cork from a bottle. The doctor polishes his spectacles beside a human skull with syphilitic perforations on the frontal bone. In a cupboard hangs a human skeleton entwined with a life-size anatomical figure (écorché). Above the cupboard, various curiosities are displayed, including armour, moccasins, a giant femur, a comb, a gaper, a model of the triple gallows (Tyburn tree), as well as a glass urinal and a brass shaving dish. A narwhal horn is attached to the cupboard. Hanging from the ceiling is a dried or stuffed crocodile. To the right are two mummy-cases, two paintings of human curiosities, and an apothecaries&#039; cabinet containing pharmacy jars (above) and drawers storing ingredients (below)<br />
1 print : aquatint, with etching, watercolour and gouache<br />
<br />
On a machine is a book open at the title page inscribed: &quot;Explication de deux machines superbes l&#039;un pour remettre l&#039;epaules l&#039;autre pour servir de tire bouchon inventes par Monsr de La Pillule. Vues et aprouveès par l&#039;Academie Royal des Sciences a Paris&quot;<br />
<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/gf99bxmc]]></dcterms:source>
    <dcterms:relation><![CDATA[R. Paulson, Hogarth&#039;s graphic works, London 1989, 3rd edition, related to 160<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/215">
    <dcterms:title><![CDATA[Doctor Bossy, a medicine vendor, selling his wares to a crowd of sick and lame people at Covent Garden, London. Pencil drawing after A. van Assen.<br />
]]></dcterms:title>
    <dcterms:creator><![CDATA[Van Assen, Benedictus Antonio, -1817<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/fk76rw85]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/216">
    <dcterms:title><![CDATA[An itinerant medicine vendor selling his wares on stage to an audience while his assistant draws a tooth from a man. Etching by Diebiey, 1767.<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : etching ; platemark 17.1 x 14.1 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/ahwnke93]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/217">
    <dcterms:title><![CDATA[The Corn Doctors: A Fair Subject!]]></dcterms:title>
    <dcterms:subject><![CDATA[A quack and a clown on stage presenting their wares to a hostile audience; referring to various politicians reactions to the replacement of the fixed duty on corn. Coloured lithograph by J. Doyle, 1841.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : lithograph, with watercolour.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Doyle, John, 1797-1868<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/ftztmj5j]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (26 Haymarket) : T. McLean, 15 May 1841 ([London] : Printed at the General Lith. Establisht.)<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/218">
    <dcterms:title><![CDATA[Quacks from Church St: Dr Arther &amp; his man Bob giving John Bull a Bolus]]></dcterms:title>
    <dcterms:subject><![CDATA[A large John Bull being held down and force-fed by Peel and Wellington; representing the idea of the Catholic emancipation as a breach of the constitution. Coloured etching by W. Heath, 1829.]]></dcterms:subject>
    <dcterms:description><![CDATA[John Bull is crying: &quot;Murder! if you get it down it will ruin my constitution&quot;, the paper that is being forced down his throat is entitled: &quot;Catholic Emancipation&quot;. Wellington says: &quot;Hold - him fast - Bob - I&#039;ll soon make him swallow it - there it goes Johnny you will be quite a different man after this.&quot; The mortar is inscribed: &quot;Dose for 40s Free&quot;.<br />
<br />
1 print : etching, with watercolour ; platemark 26 x 37.3 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Heath, William, 1795-1840<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/rv8jnmrf<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (26 Haymarket) : T. McLean. Political &amp; other caricatures daily pub., April 1829.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/219">
    <dcterms:title><![CDATA[The Compliments of the Season: Kibe Heels &amp; Chilblains]]></dcterms:title>
    <dcterms:subject><![CDATA[A quack doctor treating her patient&#039;s chilblains. Engraving after H.B. Bunbury.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : stipple engraving with etching<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Bunbury, Henry William, 1750-1811<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/xj823jkp]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (no. 92 Cornhill) : E. Hedges, 26 December 1782.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/220">
    <dcterms:title><![CDATA[A drunken Bacchus cavorts atop the globe, accompanied by Fortune]]></dcterms:title>
    <dcterms:subject><![CDATA[A drunken Bacchus cavorts atop the globe, accompanied by Fortune; to his right physicians and quacks fight for legitimacy; to his left the scales held by a blindfold Justice are tipped by a lawyer&#039;s money: an allegory of the world of justice and health overturned into one of chance and greed. Coloured etching by Daniël Veelwaard I after J. Smies, 1809.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[From the cornucopia next to Bacchus tumbles a mixture of money, games (including playing cards, dice and a chessboard), medicine bottles, cups and ladles. To the right, Hygieia, daughter of Asklepios, holds the latter&#039;s attributes: a cock, and a snake coiled around a staff. A larger cock strays around the bottom of the globe. To Hygieia&#039;s top-right, two commedia dell&#039;arte figures play the parts of the quack and the doctor. Below them are four men, three in black raising their hats, one in blue tending to a stove upon which he is cooking a mixture. In front of them lie a clyster, a medicine bottle and a pestle and mortar. To the left of the globe, Justice can be seen holding her sword, the Book of the Last Judgment and her scales, which are being tipped by the corrupt lawyer&#039;s money. The globe is overrun by greed and games of chance. There is a statue of Justinian wearing a judge&#039;s hat; below it, a lawyer is asking a helpless man for money. In the foreground, a fool tries to bend a crooked stick into a straight one<br />
<br />
Of the four moneybags falling from the sack, two each display the numerals 275 and 600 respectively. There is also a medicine bottle labelled &#039;KG&#039;. At the extreme left of the picture, under a large bust is the name &#039;Justiniaan&#039; and at the extreme right above a shop, is the legend &#039;Apothek...&#039;<br />
<br />
<br />
1 print : etching, with watercolour ; border 9.1 x 15 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Smies, Jacob, 1764-1833.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/fuvx96d6]]></dcterms:source>
    <dcterms:date><![CDATA[1809]]></dcterms:date>
</rdf:Description></rdf:RDF>
