Technique:
etching]]> Manchon, G., artist]]> http://resource.nlm.nih.gov/101393045]]> ]]> Technique:
photogravure
]]> http://resource.nlm.nih.gov/101407785]]> The leaves (195mm x 140 mm) are cream laid paper, sewn into hard decorated covers (202 mm x 145 mm) with panels of small square numbered illustrations on both front and back, the spine is missing; front cover of note #11 has a surgical tool, the same used for mastectomy and torture; Height: Height: 202 millimetres
Width: Width: 145 millimetres]]>
The operation of a hernia, which Stromayr describes is extremely similar to a mastectomy of the period (non-operative) in which the surgeon would loop a thread around the maligned area and gradually strangulate it until the strangled area would scar and drop off.

There are various versions of these prints, and their authenticity is hard to ascertain ]]> ]]> ]]> "Two illustrations of Dr. Goodwin, one showing him seated at a desk with a quill in his hand, the other showing him approaching a crazed man holding a gun in front of a mantle in a room that has been ransacked."]]>
1 print : 40 x 27 cm.
Provenance:
Gift; William H. Helfand; 2003; 03-75.
Technique:
wood engraving, black and white]]> http://resource.nlm.nih.gov/101460277]]> panel
Measurements
120 x 45 cm.
Description
Full view
Formerly in the Castello di Vincigliata, Florence and then Baron Alberto Fassini collection, Rome (after 1930).
Probably part of the same polyptych as Saint Nicholas of Bari and Saint Seraphina also formerly in the Castello di Vincigliata and no]]> ]]> Extent:
1 print
Technique:
woodcut]]> http://resource.nlm.nih.gov/101435891]]> ]]> https://wellcomecollection.org/works/ey9s7mwv]]> ]]> ]]> Provenance:
Purchase; 1965.
Technique:
lithograph]]> http://resource.nlm.nih.gov/101393800]]> ]]> ]]> 1 print : 35 x 26 cm.
Technique:
etching
]]> ]]>