<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/20">
    <dcterms:title><![CDATA[Sancta Agatha Virgo Martyr]]></dcterms:title>
    <dcterms:description><![CDATA[Plate 20: St Agatha and an angel; after Guercino. St Agatha, standing on the left, clutches her mutilated breasts while on the right an angel approaches her with an ointment jar. 1706<br />
Etching and engraving<br />
Height: Height: 358 millimetres<br />
Width: Width: 274 millimetres<br />
Inscription type: inscription<br />
Inscription content: Lettered with title, production detail: &#039;le Golchin pinxit&#039; and &#039;Iac. Coelemans Sculpsit 1706&#039;. Numbered 20 on plate. Stamped: &#039;Gal. D&#039;Aguilles&#039;.]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Jacques Coelemans<br />
After: Guercino]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1855-0609-712<br />
Purchased from: A E Evans &amp; Sons in 1855]]></dcterms:source>
    <dcterms:publisher><![CDATA[Flemish; Italian]]></dcterms:publisher>
    <dcterms:date><![CDATA[1706]]></dcterms:date>
    <dcterms:relation><![CDATA[Recueil d&#039;estampes d&#039;après les tableaux des peintres les plus célèbres d&#039;Italie, des Pays-Bas et de France<br />
Series: Series: Galerie d&#039;Aguilles<br />
Associated with: Jean Baptiste Boyer d&#039;Aguilles<br />
Representation of: St Agatha]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/147">
    <dcterms:title><![CDATA[Sarcoma of the female breast : based upon a study of one hundred and fifty-six cases ]]></dcterms:title>
    <dcterms:description><![CDATA[pages 18-37 : illustrations ; 24 cm<br />
At head of title: The American Journal of the Medical Sciences, July, 1887<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Samuel W. Gross]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/fdxrbuhq]]></dcterms:source>
    <dcterms:publisher><![CDATA[[Philadelphia] : [publisher not identified], 1887.<br />
]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[This material has been provided by The Royal College of Surgeons of England. The original may be consulted at The Royal College of Surgeons of England.<br />
]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/107">
    <dcterms:title><![CDATA[Scirrhous cancer of a man&#039;s breast]]></dcterms:title>
    <dcterms:creator><![CDATA[Godart, Thomas (active 1852-61)]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/jjseykgx]]></dcterms:source>
    <dcterms:contributor><![CDATA[mid-19th c]]></dcterms:contributor>
    <dcterms:relation><![CDATA[St Barts Hospital Archives &amp; Museum]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/50">
    <dcterms:title><![CDATA[Seal-matrix for Adolf von Epstein, Archdeacon of Trier]]></dcterms:title>
    <dcterms:description><![CDATA[Seal-matrix for Adolf von Epstein, Archdeacon of Trier; bronze; circular.<br />
Obverse: Female figure standing, facing, wearing a long dress and her hands above her head grasping a cross-bar resting on side posts. On either side an executioner seizing her breast with a pair of pincers. Background sprinkled with flowers and below a shield of arms chevronée; Inscription in legend within beaded borders, disrupted by the cross bar and shield of arms.<br />
Reverse: high shaped pierced ridge<br />
With wax impression.<br />
Diameter: Diameter: 4 centimetres<br />
<br />
Inscription position: obverse, legend<br />
Inscription language: Latin<br />
Inscription script: Black Letter<br />
Inscription content: /SI.ADOLFI.DE.EPSTEI.A/RD.IN.ECCIA.TREU&#039;<br />
Inscription transliteration: /SI[GILLUM].ADOLFI.DE.EPSTEI[N].AR[CHI]D[IACO].IN.ECC[LES]IA[E].TRE[VERICA]U[RBS]<br />
Inscription translation: Seal of Adolf of Epstein, archdeacon? in the curch of Trier. Siegel des Adolf von Epstein, Erzdiakon? der Kirche von Trier.<br />
Inscription note: The Transliteration of &quot;AR&quot; as archdeacon is unsure. Orbis Latinus gives more options for the latin name of Trier, so their might be different possibilities to transliterate the last abbreviation.<br />
<br />
Two wax impressions, one on paper and one gutta percha.<br />
<br />
Identified as the Matryrdom of St. Agatha.<br />
<br />
Tonnochy Slip Catalogue says that the arms of Eppstein are argent, three chevrons gules.]]></dcterms:description>
    <dcterms:source><![CDATA[Named in inscription: Trier<br />
Europe: Germany: Rhineland-Palatinate (state): Trier]]></dcterms:source>
    <dcterms:publisher><![CDATA[Made in: Germany<br />
Europe: Germany]]></dcterms:publisher>
    <dcterms:date><![CDATA[15th century]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/H_1847-0802-7<br />
Purchased from: Curtis<br />
]]></dcterms:contributor>
    <dcterms:format><![CDATA[bronze, wax, engraved]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/16">
    <dcterms:title><![CDATA[Sketchbook of 83 leaves, mostly of studies made in Rome in preparation for various sculptures]]></dcterms:title>
    <dcterms:description><![CDATA[groups of sketches and drawings from Piranesi (f.3-17), studies for works entitled &#039;Landscape with Ruins&#039;, &#039;Ecstasy of St Agatha&#039;, &#039;Fiery Kind&#039; (f.50-60?), &#039;Flagellation&#039;, drawings from the Castello Sforzesco, studies for a series of works for the Spoleto Festival, studies from Leonardo da Vinci for a drawing exhibited at the House of Leonardo, and various studies inspired by Joseph William Mallord Turner&#039;s &#039;Hannibal Crossing the Alps&#039; (f.73-8 for a sculptural work for the Hayward Gallery, now in the Royal Festival Hall. 1982-3.<br />
The leaves (195mm x 140 mm) are cream laid paper, sewn into hard decorated covers (202 mm x 145 mm) with panels of small square numbered illustrations on both front and back, the spine is missing; front cover of note #11 has a surgical tool, the same used for mastectomy and torture; Height: Height: 202 millimetres<br />
Width: Width: 145 millimetres]]></dcterms:description>
    <dcterms:creator><![CDATA[Stephen Cox]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum, acquired 1993]]></dcterms:source>
    <dcterms:date><![CDATA[1982-83]]></dcterms:date>
    <dcterms:format><![CDATA[sketchbook]]></dcterms:format>
    <dcterms:language><![CDATA[English]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/22">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[St Agatha, standing full-length, heads turned in profile to left, holding a pair of shears with her breast<br />
Engraving<br />
Height: Height: 70 millimetres<br />
Width: Width: 47 millimetres<br />
Inscription type: inscription<br />
Inscription content: Lettered with a monogram in lower right corner.]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Allaert Claesz.]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1922-0612-6<br />
Purchased from: Robert Dunthorne<br />
Previous owner/ex-collection: William Bell Scott<br />
Previous owner/ex-collection: William Odling (sale Sotheby&#039;s 4.iv.1922/497)<br />
acquisitioned 1922]]></dcterms:source>
    <dcterms:publisher><![CDATA[Netherlandish]]></dcterms:publisher>
    <dcterms:date><![CDATA[1520-50]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (89)]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/39">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:subject><![CDATA[Series: Series: Piccoli Santi (Small Saints) (Small Saints)]]></dcterms:subject>
    <dcterms:description><![CDATA[St Agatha standing between two trees, her left arm raised and tied to a third tree in the middle; copy in reverse after Marcantonio<br />
Engraving<br />
Height: Height: 87 millimetres<br />
Width: Width: 55 millimetres<br />
Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold<br />
NOTE: the whole breasts where in another edition the breasts are removed<br />
&quot;The artist did not fully understand Marcantonio’s print and in his engraving omitted to emphasize St Agatha’s cut breasts.&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[After: Marcantonio]]></dcterms:creator>
    <dcterms:source><![CDATA[Bartsch / Le Peintre graveur (XIV.142.170)<br />
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d&#039;un catalogue raisonné des oeuvres du maitre (128.72)]]></dcterms:source>
    <dcterms:date><![CDATA[1500-1527]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_H-1-124<br />
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe&#039;s oval blindstamp with the initials CMC)<br />
Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’)]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/40">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:subject><![CDATA[Series: Series: Imagini di molte SS Vergini Rom.e nel martirio]]></dcterms:subject>
    <dcterms:description><![CDATA[St Agatha; kneeling to left in front of a prison, with one severed breast, praying to a vision of St Peter standing blessing her; behind to left she is roasted alive on hot coals; within an oval frame and with a vertical panel of ornamental scrollwork to left and to right.<br />
Etching<br />
Height: Height: 74 millimetres<br />
Width: Width: 117 millimetres<br />
Inscription content: Lettered within image with saint&#039;s name and feast day]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Antonio Tempesta<br />
Published by: Giovanni Antonio de Paoli]]></dcterms:creator>
    <dcterms:source><![CDATA[Bartsch / Le Peintre graveur (XVII.138.398)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Published in: Rome (city)<br />
Europe: Italy: Lazio: Rome (province): Rome (city)]]></dcterms:publisher>
    <dcterms:date><![CDATA[1570-1591]]></dcterms:date>
    <dcterms:relation><![CDATA[Associated Title: Historia delle sante vergini Romane (Rome, 1591)<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/43">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:subject><![CDATA[Object: Object: Non sunt condignae...<br />
Series: Series: Ecclesiae Militantis Triumphi (Triomphes de l&#039;Eglise Militante) (Triomphes de l&#039;Eglise Militante)]]></dcterms:subject>
    <dcterms:description><![CDATA[Plate 18: Martyrdom scenes with St Agatha being tied to a pillar in foreground, her sheared breasts lying in front of her, the Popes Fabian and Cornelius being beheaded in left background, St Tryphon hung from a tree and beaten in left background, Abdon and Senna attacked by lions in central background; letters A-D within composition indicating different scenes<br />
Engraving<br />
Height: Height: 201 millimetres<br />
Width: Width: 136 millimetres<br />
Inscription content: Titled in top margin: &quot;Non svnt condignæ passiones hvivs temporis. Rom.VIII.&quot;. Lettered and numbered &#039;18&#039; in lower margin, with explanatory key in Latin.<br />
This is one from a series of thirty-one plates (and title-page), for comment see 1863,0509.761.<br />
Representation of: St Agatha<br />
Representation of: Pope Fabian (St Fabian)<br />
Representation of: Pope Cornelius (St Cornelius)<br />
Representation of: St Tryphon<br />
Representation of: St Cyprian of Carthage<br />
Associated with: Decius<br />
Associated with: Valerian<br />
Associated with: Gallienus]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Jan van Haelbeck<br />
Published by: Jean Leclerc IV]]></dcterms:creator>
    <dcterms:source><![CDATA[Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed)<br />
IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (227-258)<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[Published in: Paris (France)<br />
Europe: France: Ile-de-France (region): Paris (France)]]></dcterms:publisher>
    <dcterms:date><![CDATA[1600-20]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1863-0509-779<br />
Purchased from: Molini (&amp; Green)]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/150">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[18th century engraving with frame from First French Empire (18041814). Discovered at Luxeuil. Pellerin (of Epinal) had near identical wood block in his possession, which he was using c. 1814. SA: Agatha of Sicily, Christian saint, d. c. 251.<br />
<br />
superimposed on top is a tool from Scultetus treatise]]></dcterms:description>
</rdf:Description></rdf:RDF>
