<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/167">
    <dcterms:title><![CDATA[Le docteur Péan<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[View of a half naked woman on a table surrounded by physicians. Dr. Péan is in the foreground.<br />
photogravure]]></dcterms:description>
    <dcterms:publisher><![CDATA[Paris, France : Schwartzweber, [1887?]<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/168">
    <dcterms:title><![CDATA[Avant l&#039;opération: salon de 1887<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[photogravure based on Gervex 1887 salon painting of Pean]]></dcterms:description>
    <dcterms:publisher><![CDATA[France : [s.n., 188-?]<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/170">
    <dcterms:title><![CDATA[A seated female figure with a dissected abdomen. Photograph after a woodcut, ca. 1525-1530.]]></dcterms:title>
    <dcterms:description><![CDATA[1 photograph ; image 29.2 x 16.2 cm<br />
Lettering<br />
Hec est tabula de matrice mulierum et impregnatione<br />
References note<br />
L. Crummer, &quot;Early anatomical fugitive sheets,&quot; Annals of Medical History, 5, no. 3, 1923, p. 198, fig. 7<br />
J. G. de Lint, &quot;Fugitive anatomical sheets,&quot; Janus, 28, 1924, pp. 89-90, fig. 7<br />
C. Singer, The fasciculo di medicina (Venice 1493), Florence 1925, pp. 22-26<br />
<br />
&quot;This fugitive sheet was in the collection of the medical historian Dr LeRoy Crummer, who dated it to ca. 1525-153. It is based on a Gravida figure, showing the dissection of a owman with a pregnant uterus, in Johannes de Ketham&#039;s Fasciculo de medicina, published in Venice in Italian in 1493 (Roberts and Tomlinson 1992, p. 42, pl. 8). Although the 1493 plate is radically different in its naturalism from the schematic, squatting Gravida figure which appeared in the first De Ketham edition in Latin in Venice 1491, the information given in the lettering to the plate is essentially the same and is repeated in the lettering on the fugitive sheet&quot;]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/b34jepm6]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/173">
    <dcterms:title><![CDATA[Les Indiscrétions De Lavater]]></dcterms:title>
    <dcterms:description><![CDATA[A woman, half-length, full face, is holding a diaphanous cloth up under her chin; there are several numbers on her face which correspond to various signs as explained in a table below the image.<br />
Is part of: Les indiscrétions de Lavater.; See related catalog record: 60310190R<br />
lithograph]]></dcterms:description>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101449102]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris: Blaisot, [181-?]]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/180">
    <dcterms:title><![CDATA[Hans Buling (?), an itinerant medicine vendor selling his wares with the aid of a monkey and a performer dressed as Harlequin]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : line engraving and etching ; platemark 16.3 x 11.7 cm<br />
The infallible mountebank or quack doctor. ...<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[Attached is a later copy of this print  - the engraving supposedly by I.R. Cruikshank (which would be after this one) after a Delft plate created by B.S. in 1750]]></dcterms:abstract>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/ren868zs<br />
https://wellcomecollection.org/works/y9r265v8]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/186">
    <dcterms:title><![CDATA[An audience of people throwing handkerchiefs (containing money?) onto a stage where an itinerant medicine vendor has been successfully selling his wares.]]></dcterms:title>
    <dcterms:subject><![CDATA[(people actually throwing their gloves, not handkerchiefs)]]></dcterms:subject>
    <dcterms:description><![CDATA[Lettering continues: &quot;T is geen diogenes die hier staatvoor syn ton, die gemelyke vent, die gisper van de zeden, die gek, die metsyn bek geen enkele stuyver won, &#039;t is Tiatjeron, messieurs, begaast met taal en reden, die salf en oly venten vrolyk lagt en liegt, en nimand als die wil bedrogen syn bedriegt, en menig schellinkjen ontsangt voor zulke prulle, en die weer ligt ver bruyt met pronken en met smullen.&quot;<br />
<br />
1 print : line engraving and etching ; image 24.6 x 16.8 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/hxnfcpqz]]></dcterms:source>
    <dcterms:publisher><![CDATA[[Place of publication not identified] : K.H. exc.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/187">
    <dcterms:title><![CDATA[Quackery Unmasked. Or, Empiricism displayed]]></dcterms:title>
    <dcterms:subject><![CDATA[Quackery unmask&#039;d, or, empiricism display&#039;d. Dedicated to Doctor Chiron riding master to Achilles, and Æsculapius physician extraordinary to the dead. ...<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[A large table in a lecture hall with many commercial medicine vendors and practitioners seated around it: in the background are many tiers of spectators<br />
1 print : line engraving and etching ; platemark 20.1 x 32.8 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/uj59e8xf]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] : Sold in May&#039;s Building Covent Garden &amp; 100 more, According to Act of Parliament. 1748.]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. III pt. I, London 1877, no. 3019<br />
]]></dcterms:contributor>
    <dcterms:relation><![CDATA[Doctor Rock (Richard Rock 1690-1777) was a medicine vendor who frequented the London areas of Tower Hill, St. Paul&#039;s Cathedral and Covent Garden. He offered for sale his &quot;anti-venereal, grand, specifick pill&quot;. He was represented in several caricatures: William Hogarth referred to him in A harlot&#039;s progress pl. V; The march to Finchley; and The four times of the day, morning]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/188">
    <dcterms:title><![CDATA[A itinerant medicine vendor demonstrating a deceptive illusion to an audience, he is pretending to burn a man&#039;s back and then use ointment to clear up the burns, in order to sell his wares]]></dcterms:title>
    <dcterms:subject><![CDATA[the exposure of the &#039;man&#039;s&#039; back in a feminized position, recalling greco-roman statuary and martyrdom]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; platemark 31.8 x 23.3 cm<br />
Lettering continues: &quot;Allen staenden, leuten, die es am wenigsten glauben, Leuten, die von der Betrügerey leben, diesen ist die Ehr lichkeit, oder welches einerley ist, der Schein der Ehr lichkeit am unentbehrlichsten. Auf der 92 sten seite des vierten Theils Siche Antons Paussa von Mancha abhandlung von Sprüchwörtern.&quot;<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/dfkssd3f]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/195">
    <dcterms:title><![CDATA[The Quacks]]></dcterms:title>
    <dcterms:subject><![CDATA[James Graham and Gustavus Katterfelto in combat using electrotherapy machines as weapons]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; platemark 24.7 x 34.8 cm<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;Two of the most colourful entrepreneurs of Georgian London are shown in combat: on the left the Scot James Graham and on the right the Prussian Gustavus Katterfelto. Both are shown using the fashionable electro-therapeutic machinery as part of their restorative and edifying products, Graham in sex-therapy and Katterfelto in the marvels of nature. Graham (left), in profile to the right, is standing on an E.O. table (similar to a roulette wheel), circular and surrounded by the letters E.O. (his establishment in Pall Mall was used for gambling on E.O. tables). He stands astride a long phallic electrical conductor, supported on a vase-shaped electrical insulator; each foot rests on a glass insulator. The conductor is inscribed &#039;Prime conductor, gentle restorer largest in the world&#039;, and the insulator supporting it is inscribed &#039;insulated&#039;. In his left hand Graham holds up a phial or cylinder inscribed &#039;Medicated tube&#039;, he points at Katterfelto, saying, &quot;That round vigour! that full-toned juvenile virility which speaks so cordially and so effectually home to the female heart, Conciliating its favour &amp; friendship, and rivetting its Intensest affections away thou German maggot killer, thy fame is not to be compar&#039;d to mine&quot;. He wears a physician&#039;s full-curled wig, a ruffled shirt, and a laced waistcoat<br />
<br />
At Graham&#039;s feet stands a duck, on a label coming from its beak are the words &quot;Quack. Quack. Quack&quot;, and a thistle indicating his Scottish origin. Other objects on the platform are the model of a cannon inscribed &#039;Coelestial musick&#039; and two jars, one inscribed &#039;Leyden vial charg&#039;d with load stones aromatic spices, &amp;c. &amp;c. &amp;c&#039;; the other &#039;Tin foil or antidote&#039;<br />
<br />
Above the further side of Graham&#039;s table (left) appear the heads and shoulders of two gigantic porters who were part of Graham&#039;s establishment. One (left) labelled Gog stands full-face, a placard round his neck: &#039;Temple of Health &amp; of Hymen&#039;, the name of Graham&#039;s establishment at Schomberg House, Pall Mall, in allusion to his &#039;celestial bed&#039; for the cure of sterility. The other footman, &#039;Magog&#039;, is in profile to the right. Attached to the wall above their heads is a stuffed alligator inscribed &#039;Cured of the dropsey &amp; gout in the stomach&#039;. Beneath this is a shelf, on it are a pestle and mortar, a bust, perhaps of Galen, and a monkey seated in profile to the right holding up a phial in imitation of Graham<br />
<br />
Katterfelto&#039;s stage is a flimsy rectangular structure supported on thin planks, with cross planks, one decorated with a skull and cross-bones, the other by insects, &amp;c. (a butterfly, centipede, moth, and worm). He crouches over a cylindrical conductor supported on a pillar, similar to, but not identical with, that of his rival; it is inscribed, &#039;Positively charg&#039;d&#039;; his feet rest on the base of its pillar, a trident on its other end touches a barrel-shaped electrostatic generator which is being turned by a devil with horns and breasts, who says, &quot;Away with it my dear son I&#039;ll find fire eternally for you&quot;. Katterfelto embraces his electrical conductor with one arm, while his right hand points at Graham; sparks come from his thumb, forefinger, and wig, from a spike on the front of his conductor, and also drop from his chin. He is saying &quot;Dare you was see de vonders of the varld, which make de hair stand on tiptoe, Dare you was see mine tumb and mine findgar, fire from mine findger and feaders on mine tumb - dare you was see de gun fire viddout ball or powder, dare you was see de devil at mine A[rs]e-- O vonders! Vonders! Vonderfull vonders!&quot;<br />
<br />
The chain of sparks from Katterfelto&#039;s chin drops on to the touch-hole of a toy cannon at his feet so as to fire it in the direction of Graham. His attitude and profile express intense excitement, and his whole person appears charged with electricity; the hair on his forehead stands up, his long pigtail queue flies out behind him as do his coat-tails. Other objects on his platform, besides the electrical appliance which he is grasping, the devil&#039;s generator and the cannon, are a Leyden jar, a small rectangular box inscribed &#039;Arcanum sublimum&#039; and &#039;Mask&#039;d battery&#039;, a toy windmill, a square bottle inscribed &#039;Tinctr Aurum Vivae&#039;, a thunder-house, raised above its base, inscribed &#039;Thunder house&#039;, a bag or small sack inscribed &#039;Aurora Borealis&#039;, and an insect resembling a scorpion (one of the wonders of nature). Beneath the platform is a &#039;Reservoir for dead insects destroy&#039;d by Dr Katterf[elto]&#039;; insects are indicated carved on the plank&quot;]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[[London] (227 Strand) : W. Humphrey, 17 March 1783.<br />
]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. V, London 1935, no. 6325<br />
Exhibited in &quot;Seduction and Celebrity: The Spectacular Life of Emma Hamilton&quot; at the National Maritime Museum, London, 1 November 2016 - 1 April 2017<br />
Exhibited in &quot;Medicine Man&quot; at Wellcome Collection, 15 April - 7 October 2019]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/197">
    <dcterms:title><![CDATA[An Itinerant Doctor at Tien-sing]]></dcterms:title>
    <dcterms:subject><![CDATA[An itinerant medicine vendor selling his wares with the aid of assistants and snakes to a captivated audience, Tianjin, China. Engraving by P. Lightfoot, 1858, after T. Allom.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : line engraving and etching ; image 12.5 x 19.2 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/pcmnzd8t]]></dcterms:source>
    <dcterms:publisher><![CDATA[London ; Paris : Fisher, Son &amp; Co.<br />
]]></dcterms:publisher>
</rdf:Description></rdf:RDF>
