<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/408">
    <dcterms:title><![CDATA[Medical students observing an operation on a lantern screen via a projecting periscope located above the operating table]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;Students watching an operation at which they are not present: an attempt to abolish the hospital-theatre - the projector in surgery. ... Drawn by H. Koekkoek from a drawing in the &quot;Scientific American,&quot; by courtesy of that paper. Extensive lettering accompanies the print&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[Halftone after H.W. Koekkoek, 1909<br />
1 print : halftone ; image 30.5 x 23.5 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[after Koekkoek, Hermanus Willem, 1867-1929]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/d237xdbm<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] : The illustrated London news, 17 April 1909.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[17 April 1909]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/409">
    <dcterms:title><![CDATA[An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;One of several paintings commissioned by Henry S. Wellcome around 1912 from Richard Cooper, who was then working in Paris. Cooper was educated at Tonbridge and then trained as an artist in Paris before the First World War. In 1914 he joined the British Army and in 1916 was transferred to the Royal Engineers. His obituary in The times says that he worked on camouflage with Solomon J. Solomon RA as well as acting as official war artist for The graphic. After the war he enjoyed a flourishing career as a graphic artist designing posters: he is particularly well known for his advertisements for the London Underground&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 painting : watercolour, with gouache, bodycolour and pencil ; sheet 42.8 x 57 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Cooper, Richard Tennant, 1885-1957.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/vvuzurxb]]></dcterms:source>
    <dcterms:date><![CDATA[[approximately 1912]]]></dcterms:date>
    <dcterms:relation><![CDATA[Exhibited in &quot;Pain: passion, compassion, sensibility&quot; at The Science Museum, London, 12 February-20 June 2004<br />
Exhibited in &quot;Pijn&quot; (Pain) at Museum Dr Guislain, Ghent, 8 Oct. 2005-30 April 2006.<br />
Exhibited in &quot;Schlaf und Traum&quot; at Dresden Deutsches Hygiene Museum, 31 March-3 October 2007<br />
Exhibited in &quot;Sleeping and dreaming&quot; at Wellcome Collection, London, 29 November 2007--9 March 2008]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/410">
    <dcterms:title><![CDATA[A physician examining a bare breasted female patient, an older woman passes him a syringe, a bawdy couple are in the background]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : mezzotint ; platemark 34.6 x 29 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Mezzotint by A. de Blois after J. Steen (1626-79)]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/nubd3k9q]]></dcterms:source>
    <dcterms:publisher><![CDATA[[Place of publication not identified] : G. Valck excud cum previl.]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/411">
    <dcterms:title><![CDATA[Ernst Bumm operating on a male patient, other doctors monitor the patient&#039;s condition]]></dcterms:title>
    <dcterms:subject><![CDATA[patient described as male but no indication in the illustration that this is a male or female patient - gender ambiguous - surgery described as a lithotomy but could be another lower abdominal surgery]]></dcterms:subject>
    <dcterms:creator><![CDATA[after Huebner, Reinhard, 1881-1962<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/gggyrkkp]]></dcterms:source>
    <dcterms:publisher><![CDATA[Berlin : Gustav Schauer, [between 1920 and 1929?]<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/412">
    <dcterms:title><![CDATA[The Dutch anatomist Steven Blankaart (1650-1704) performing a dissection in an anatomy theatre, with seven observers]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;The Dutch anatomist S. Blankaart, surrounded by seven observers, retracts the skin of the cadaver he is dissecting to reveal the intestines. Directly behind him is a door leading out of the anatomy theatre and above this, in a niche, is a skeleton holding a spade. Among the surgical instruments lying next to the corpse is a pair of glasses, on the left. Blankaart is similar in features and dress to his engraved portrait at the age of thirty-six (see this catalogue no. 1159), which faces the engraved title page in the Leiden 1687 edition&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; image 16.3 x 9.3 cm<br />
Lettering<br />
S. Blancardi. Anatomia reformata]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/pc3bsnqr]]></dcterms:source>
    <dcterms:publisher><![CDATA[Ludg. Batav. [Leiden] : Cornelium Boutesteyn : Iordaanum Lughtmans, 1687.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[1687]]></dcterms:date>
    <dcterms:relation><![CDATA[References note<br />
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, no. 184, p. 259<br />
A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. ccxv]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/413">
    <dcterms:title><![CDATA[An operating room in a surgery: three patients are undergoing operations]]></dcterms:title>
    <dcterms:subject><![CDATA[removal of facial tumor, mastectomy, leg amputation]]></dcterms:subject>
    <dcterms:description><![CDATA[handwritten lettering &quot;Copyright Wellcome Historical Medical Museum&quot; with typeset caption &quot;A surgeon&#039;s operating room, 1690) ]]></dcterms:description>
    <dcterms:creator><![CDATA[Pen drawing by Z.S. after an engraving, 1690]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/z88w2xtu]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/414">
    <dcterms:title><![CDATA[Allegorical and historical scenes of medicine: including a dissection and a distillation laboratory, and Hygieia receiving the organic and mineral bounty of the earth employed in remedies]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This title page to the posthumous 1660 publication of Gregor Horst&#039;s complete works is divided into three horizontal registers. A cartouche bearing the title in the central register is crowned by a smaller cartouche in which one sees a cock encircled by a serpent, both symbols of Aesculapius, around which is the motto: &quot;Prudentia et vigilantia&quot;. The figures on either side of the title are Hippocrates, who holds a scroll on which it is written: &quot;vita brevis ars longa&quot; while the other figure, most likely Aristotle, holds aloft an armillary sphere in his right hand and with his left, supports a tablet that reads: &quot;quod est superius est sicut inferius&quot;. In the central scene of the top register, the enthroned figure of Hygieia accepts a vessel from a woman who indicates a female patient in the bed before them, while another woman with clasped hands looks on. With her left hand, Hygieia grasps a cord from which is suspended a pentagram, employed here as an emblem of health, that descends by a hand that emerges through clouds that surround the tetragrammaton, the name Jehovah written in Hebrew. On either side of this room are landscape scenes. On the left a satyr bears a cornucopia of fruits of the earth before a landscape filled with a variety of animals and vegetation, birds and a swarm of bees. On the right Vulcan holds a cornucopia of the elements before a mining scene and an active volcano. Together they represent the harvest of both above and below the earth which may be used in healing. The lower register is concerned with scenes of seventeenth-century medicine. On the left a disputation is taking place, perhaps a degree defence. On the right is a distillation laboratory. In the centre, a human dissection is about to take place in an anatomical theatre. The anatomist, who touches the corpse while indicating the skeleton set up against the pier to the right, is probably Gregor Horst, who was the chief physician of Ulm, and whose portrait, designed by Andreas Schuch and engraved by Johann Friedrich Fleischberger, who also engraved this title page, is included in the book, presents him in similar dress and a square-cut beard&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; image 28.4 x 16.1 cm<br />
Lettering<br />
Gregorii Horstii, senioris, tou makaritou &lt;Greek&gt; opera medica Yehova [Hebrew] ; Prudentia et vigilantia. ; Vita brevis ars longa. ; Quod est superius est sicut inferius.]]></dcterms:description>
    <dcterms:creator><![CDATA[Engraving by J.F. Fleischberger, 1660]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
https://wellcomecollection.org/works/ktyycrm5]]></dcterms:source>
    <dcterms:publisher><![CDATA[Norimbergæ [Nuremberg] : Impensis Ioh. And. &amp; Wolffg: Iun: Endteror: Hæred, 1660.]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/415">
    <dcterms:title><![CDATA[A surgeon shows a gentleman his surgery: the room contains a human skeleton, écorché figures, rows of jars and a variety of medical instruments]]></dcterms:title>
    <dcterms:subject><![CDATA[A surgery with a representation and explication of the chirurgical instruments ; Printed according to Act of Parliamt. for ye Universal Magazine Bears hand-written number: P. 99<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; platemark 19.5 x 22.7 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/ynxmbyzz]]></dcterms:source>
    <dcterms:publisher><![CDATA[London (at the Kings Arms in St Pauls Church-yard) : J. Hinton, [1748?]<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/416">
    <dcterms:title><![CDATA[Surgical apparatus: a chair used for surgery. Engraving with etching.<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : engraving, with etching ; image 20 x 32.5 cm<br />
Chirurgie Bears number: Suppl. pl.5, 148<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/wrrfcaha]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/417">
    <dcterms:title><![CDATA[Surgical instruments: 91 figures, including an operating table and an adjustable bed]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : line engraving ; image, border and lettering 21.1 x 26 cm<br />
lettering: I ; Taf. 140 ; B.8. ; G. Heck dirt. ; Henry Winkles sculpt.<br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[ Line engraving by H. Winkles under the direction of J.G. Heck, 1830/1845.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/qj2a9ydc]]></dcterms:source>
</rdf:Description></rdf:RDF>
