<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/380">
    <dcterms:title><![CDATA[Péan]]></dcterms:title>
    <dcterms:subject><![CDATA[part of a larger collection of historical portraits]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : 16 x 11 cm.<br />
Technique:<br />
black and white]]></dcterms:description>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101426160]]></dcterms:source>
    <dcterms:publisher><![CDATA[[S.l. : s.n., 19--?]]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/383">
    <dcterms:title><![CDATA[[Valentine Mott]]]></dcterms:title>
    <dcterms:description><![CDATA[Mott tracing phrenological data on a plaster head]]></dcterms:description>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101424145]]></dcterms:source>
    <dcterms:date><![CDATA[1860?]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/384">
    <dcterms:title><![CDATA[Paul Camill Hippolyte Brouardel]]></dcterms:title>
    <dcterms:subject><![CDATA[Caricature from La Tribuna Medica (Chile) with French text.]]></dcterms:subject>
    <dcterms:description><![CDATA[photoprint]]></dcterms:description>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101410989]]></dcterms:source>
    <dcterms:date><![CDATA[19--]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/394">
    <dcterms:title><![CDATA[An anatomical dissection taking place in a hall decorated with musclemen and human and animal skeletons in niches]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This anatomical dissection takes place in a hall which leads on to a library. The dissector has initiated the anatomy with a cross-section of the abdomen using a double-bladed knife. In the niches that line the hall are life-size musclemen and human and animal skeletons. The muscleman on the right is adapted from Juan de Valverde&#039;s Historia de la composicion del cuerpo humano (Rome 1556) and that on the left is the from Andreas Vesalius&#039;s De humani corporis fabrica (Basel 1543, bk ii, pl. ii), as are the skeletons in the second niches (bk i, pls i and iii). In the more distant niches there are simian and avian skeletons and suspended from the ceiling are the skeletons of four-legged animals. In the foreground there are bodies of a variety of animals: a snake, a rabbit, a pig, a lion, a dog, a bird, etc. as a further reference to comparative anatomy. The dramatic effect of the diminishing perspective is aided by the two pairs of obelisks, one at the foreground, bearing a quotation from Seneca (Epistulae morales ad Lucilium, 64) and the other pair further down the hall. The Bibliotheca anatomica, first published in 1685 with a second edition in 1699, is a compilation of works by seventeenth-century authors, edited by Daniel Le Clerc (1652-1728) and Jean-Jacques Manget (1652-1742), two Swiss physicians who collaborated on several publications. Le Clerc himself is the author of the Histoire de la medecine (Geneva 1696, and later editions) which is mainly concerned with the history of ancient medicine&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving, with etching ; image 39.9 x 21.1 cm<br />
lettering: Bibliotheca anatomica Lettering on obelisks, left and right: Multum egerūt qui a(n)te nos fuerunt, sed non peregerūt, multumque restabit, nec ulli nato per mille secula praecludetur occasio aliquid adhuc adjiciendi. Seneca.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/hw22mv6t]]></dcterms:source>
    <dcterms:publisher><![CDATA[Genevæ [Geneva] : Sumptibus Joannis Anthonii Chovet, 1685.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:relation><![CDATA[A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. ccix<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/395">
    <dcterms:title><![CDATA[An anatomical dissection by Reinier de Graaf, taking place in a room with a patient in bed]]></dcterms:title>
    <dcterms:subject><![CDATA[Reproduction, 1927, of an engraving by G. Wingendorp, 1671<br />
<br />
&quot;Description<br />
Seen through an arch, de Graaf discusses the dissection with two companions. In front of the dissecting table are the bodies of a variety of animals and a living dog. To the right of the window, surgical instruments hang on the wall. This is the title page to his 1671 work on pancreatic secretions. De Graaf is also known for his book on the sexual organs of the human female, De mulierum organis generationi inservientibus, published in Leiden 1672&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : process print ; image 16 x 9.7 cm + calendar<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/mmpvdpt8]]></dcterms:source>
    <dcterms:date><![CDATA[1927]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/402">
    <dcterms:title><![CDATA[An anatomical dissection by Realdus Colombus, attended by onlookers]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This is the only illustration to Realdus Colombus&#039;s De re anatomica, published in Venice in 1559, the year of his death. It is known, however, that he had planned an illustrated text. In his letter to Duke Cosimo de&#039;Medici of 17 April 1548 he requests leave from his post as lecturer in anatomy at the University in Pisa in order to work on his busok, mentioning the assistance he is receiving from the &quot;leading painter in the world&quot; as well as how, on a previous stay in Rome, he dissected cadavers and supervised artists. This &quot;leading painter&quot; has usually been identified as Michelangelo, whose friendship with Colombus is documented in the 1553 biography of the artist by Ascanio Condivi. Colombus dispatched the body of &quot;a young and very handsome moor&quot; for Michelangelo to dissect and also treated him successfully for kidney stones. Colombus is noted for offering an early description of pulmonary circulation and for being a proponent of vivisection, the subject of the fourteenth book of De re anatomica. In the title page, the dissection is being followed by several observers, two of whom are consulting books, one of which is illustrated. At the lower left a young man is seated, taking notes or sketching on a pad.&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[Collotype after a woodcut, 1559.<br />
1 print : collotype ; image 28.2 x 20 cm<br />
Lettering<br />
Realdi Columbi Cremonensis, in almo gymnasio Romano anatomici celeberrimi, De re anatomica libri xv. Venetiis. Ex typographis Nicolai Bevilacquae. MDLIX]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/sfhgfs67]]></dcterms:source>
    <dcterms:date><![CDATA[1559]]></dcterms:date>
    <dcterms:relation><![CDATA[References note<br />
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, pp. 220-221, no. 133<br />
E. D. Coppola, &quot;The Discovery of the Pulmonary Circulation: A New Approach,&quot; Bulletin of the History of Medicine, xxxi, 1957, pp. 44-77<br />
J. J. Bylebyl, &quot;Realdo Colombo,&quot; Dictionary of Scientific Biography, iii, 1974, pp. 354-357]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/403">
    <dcterms:title><![CDATA[Syntagma anatomicum]]></dcterms:title>
    <dcterms:subject><![CDATA[Johannes Vesling, seated below a swag of surgical instruments, indicates illustrations of the heart in a book displayed by a skeletal corpse<br />
<br />
&quot;In this title page to the Amsterdam 1666 edition of Johannes Vesling&#039;s Syntagma anatomicum, with commentary by Gerardus Blasius, Vesling is seated next to a table covered with a cloth, decorated with two crossed bones, which bears the title of the book. He is identified by his name which appears above his hat and by the cross of the Order of the Holy Sepulchre in Jerusalem. He is depicted wearing the same cross on a chain in his engraved portrait in the Padua 1647 edition of the Syntagma anatomicum, which is the second enlarged edition with added plates by G. Giorgio (see Garosi 1963, tav cxxxiii for Vesling&#039;s portrait and this catalogue no. 25026i for the title page to the 1647 edition). Vesling indicates to four gentlemen illustrations of the heart in a book displayed by a draped skeletal corpse. Only two details of these illustrations correspond with Vesling&#039;s plate on the heart (Tab. 1, Cap. X). Suspended from two pilasters is a swag made up of surgical instruments. Through an arch topped with two angels holding a cartouche with a skull crowned with laurel leaves one sees a view of buildings&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; image 19.9 x 15.1 cm<br />
Lettering<br />
Ioannis Veslingii Mindani Syntagma anatomicum cum commentariis. Exhibente Gerardo Blasio. Medicinæ doctore, et professore. ; I. Vesling]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/bfw6bv7s]]></dcterms:source>
    <dcterms:publisher><![CDATA[Amstelodami [Amsterdam] (â Waesberge et Elizæum Weyerstraet) : Apud Joannem Jansonium, 1666.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[1666]]></dcterms:date>
    <dcterms:contributor><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/bfw6bv7s]]></dcterms:contributor>
    <dcterms:relation><![CDATA[References note<br />
J. Choulant, History and bibliography of anatomic illustration, tr. and ed. M. Frank, New York 1945, p. 243<br />
A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. cxxxiii]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/404">
    <dcterms:title><![CDATA[Anthropographia et osteologia ]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;Jean Riolan, Professor of Anatomy and Botany at the Faculté de Médecine in Paris and French court physician, is best known as a Galenist who did not accept Harvey&#039;s theory of the circulation of the blood. He was skilled in dissection and in the preface to the 1626 edition of his Anthropographia et osteologia he states that he had dissected more than one hundred bodies over the last twenty-four winters. Flanking a display of surgical instruments, topped by a coat of arms, are Aesculapius and Hygieia&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; image 16.5 x 10.6 cm<br />
Lettering<br />
Encheiridium anatomicum et pathologicum adornatum a Ioanne Riolano filio cum figuris.]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;The present print is a later copy, in reverse, of the title page, designed and engraved by Crispijn de Passe the second for Jean Riolan the younger&#039;s Anthropographia et osteologia, of Paris 1626: see Wellcome Library catalogue no. 588752i. In the present print, which served as the title page to Riolan&#039;s Encheiridium anatomicum et pathologicum of 1649, the original French observers are replaced by named Dutchmen in different poses, particularly anatomists from Leiden&quot;]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[Lugduni Batavor[um] [Leiden] : Ex officina Adriani Wyngaerden, 1649.<br />
]]></dcterms:publisher>
    <dcterms:relation><![CDATA[References note<br />
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, pp. 234-236, nos 148-149<br />
G. Cordier, Paris et les anatomistes au cours de l&#039;histoire, Paris 1955, cover illustration]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/405">
    <dcterms:title><![CDATA[&quot;Theatri anatomici academiae lugduno-batavae delineatio&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This engraving of the anatomist and botanist Pieter Pauw performing an anatomical dissection in the Leiden Anatomy theatre was first published in 1615, entitled &quot;Theatri anatomici academiae lugduno-batavae delineatio&quot;. It bore a dedication by Pauw to the Magistrates of Leiden and was framed by two columns of the text of a poem by P. Scriverius (Schrijver), dated 1615, in which the presence in the audience of Scaliger, Dousa the younger and Lipsius is singled out. These are posthumous portraits as all had died several years before the print was published. This view of the Leiden Anatomy theatre is much sparer than that of the prints after the design of J. Woudanus of c. 1609, in which one sees an elaborate display of articulated human and animal skeletons, disposed about the tiers of the theatre. In the De Gheyn design there is only a single skeleton bearing a staff with a banner that reads: &quot;Mors ultima linea rerum&quot;. This could be a portrayal of the anatomy theatre once the skeletons had been removed in preparation for the anatomy and its audience, but it also reflects the influence of the title page of Vesalius&#039;s De humani corporis fabrica (1543), seen from a similar low viewpoint with a skeleton holding a staff in a direct line above the dissection (see this catalogue, no. 24285) Other contemporary views show a theatre of six tiers that accommodated a larger audience than the more intimate scene De Gheyn has chosen with a theatre of apparently only two tiers. De Gheyn&#039;s association with Pauw can be dated back to 1596-1598, when he made drawings of aborted foetuses and deformities which were once displayed in the Leiden Anatomy theatre&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; image 28.4 x 22 cm<br />
Lettering<br />
I.D. Gheyn inv. Andr. Stoc. scul.]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/ev88gcwy]]></dcterms:source>
    <dcterms:publisher><![CDATA[Leiden : Petrus Pauw, 1615.<br />
]]></dcterms:publisher>
    <dcterms:relation><![CDATA[I. Q. van Regteren Altena, Jacques de Gheyn. Three Generations, 3 vols, The Hague, Boston and London 1983, i, p. 115; ii, no. 154<br />
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, pp. 349-350, no. 307 and 307a<br />
W. Schupbach, The paradox of Rembrandt&#039;s Ànatomy of Dr. Tulp&#039;, Medical History, Supplement no. 2, London 1982, p. 73, no. 14c; pp 96-97, no. 18b<br />
W. S. Heckscher, Rembrandt&#039;s Anatomy of Dr. Nicolaas Tulp, An iconological study, New York 1958, p. 26, fig. 2<br />
F. W. H. Hollstein, Dutch and Flemish etchings and engravings and woodcuts, ca. 1450-1700, Amsterdam, vii, p. 191, no. 61]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/406">
    <dcterms:title><![CDATA[a miniature illustration in a fifteenth-century manuscript of Guy de Chauliac&#039;s La Grande chirurgie, in Montpellier, Bibliothèque Universitaire, Ms. fr. 184.]]></dcterms:title>
    <dcterms:subject><![CDATA[after a 15th c manuscript illustration. in the gouache the women&#039;s faces are all wiped clean / deformed]]></dcterms:subject>
    <dcterms:description><![CDATA[1 painting : gouache, with watercolour, pencil, gold highlights ; image 21.4 x 26.2 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/d3wsbkaz]]></dcterms:source>
    <dcterms:relation><![CDATA[G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, p. 131, no. 8]]></dcterms:relation>
</rdf:Description></rdf:RDF>
