Provenance:
Purchase; 1967.
Technique:
aquatint and etching

note: the gender ambiguity of the 'demons']]> Woodward, G. M. (George Moutard), approximately 1760-1809., artist
Contributor(s):
Newton, Richard, 1777-1798
Hassell, J. (John), 1767-1825, artist
]]> http://resource.nlm.nih.gov/101394160]]> no illustrations

Sig. [asterisk]7 has catchword for sig. A3. The preliminary matter (sig. [asterisk]2-8 and A1-4) consists of the dedication "to Ambrose, Earle of Warwicke," the author's letter "To the friendly reader," and letters from William Goodrus and William Clowes to Banister

STC 1358
Copy 1 Note: Also reprinted with separate t.p. and pagination in his Works. 1633. Lacks preliminary pages?
Copy 1 Manuscript book-label of John, 11th Earl of Westmoreland
]]> ]]> https://wellcomecollection.org/works/b56562jg]]> ]]> Dimensions: 25 1/8 x 16 7/8 inches (63.8 x 42.9 cm)]]> https://philamuseum.org/collection/object/102757
Credit Line: John G. Johnson Collection, 1917]]> Dimensions: Sheet: 13 1/2 x 8 3/4 inches (34.3 x 22.3 cm)]]> https://philamuseum.org/collection/object/27436
The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]> ]]> Lettering continues: "If the common soft or tub soap made into a moderate strong lather, or half an ounce of liquor potassoe in twelve ounces of distill'd water - which is the late Dr. Fordyces prophylatic, or in the absence of these' th best yellow soap, were to be used as preventives of the veneral infection - there could be no longer any excuse nor even bread for one of my profession & callings."]]> Heath, William, 1795-1840
]]> https://wellcomecollection.org/works/yn2zddjt]]> 2 illustrations (frontispiece is Beckett's portrait, same he uses on another medical tract / second is an allegorical, personification of surgery with a table of tools)]]> ]]> https://wellcomecollection.org/works/nnurj4pd]]> ]]>
"I have seen it necessary for the surgeon, to put the patient to a great deal of pain, by being obliged to cut out the threads with a scalpel. But when the tenaculum is used, every risk of this kind is avoided, from the ligatures generally dropping of their own accord, in the course of the third or fourth dressing of the fore." (57)
goes on to describe how one might tie arteries and nerves to help reduce pain "for the purpose of effecting this with ease and safety, various kinds of instruments termed a forceps have been invented; with these, the arteries of a fore are laid hold of and pulled out, so as to admit of the application of ligatures" (forceps good for larger blood-vessels but the tenaculum better for smaller arteries - see plate 1; "as a hook of this form answers equally well in the larger arteries likewise, the use of the forceps may therefore be laid entirely aside. The manner of using the tenaculum is this"

6 volumes : plates ; (8vo)
Final imprint date from catalogue of Edinburgh University Library.
Copy 1 Vol. 4 Note: 1st ed.
Copy 1 Vol. 5 Note: 1st ed.
Copy 1 Vol. 6 Note: 1st ed.]]> ]]> https://wellcomecollection.org/works/y4bj8pbm]]> ]]> ]]> ]]> Extent:
1 print
Technique:
engraving]]> http://resource.nlm.nih.gov/101435346]]> ]]> ]]> Extent:
1 print
Technique:
engraving]]> http://resource.nlm.nih.gov/101435370]]> ]]> ]]> W
cutting out a tumor with ligatures pp. 395-397 with illustration zoomed in on tumor
frequent illustrations with use of hand - aesthetics - no illustrations of mastectomies]]> ]]> https://wellcomecollection.org/works/gvkbfv9p]]> ]]>