<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/178">
    <dcterms:title><![CDATA[A troupe of quack medicine vendors crying up their wares, representing Opposition politicians advertising their policies to the Prince Regent, but he, represented as a horse ridden by R.C. Wellesley, gallops away from them]]></dcterms:title>
    <dcterms:description><![CDATA[The Opposition politicians are represented as quacks beguiling the people with advocacy of reform and clamour against corruption in high places. Samuel Whitbread stands on a platform holding a placard inscribed &quot;Infallible panacea-Reform&quot;; in his coat pockets are medicine bottles, one of them labelled &quot;Whitbreads intire&quot;. On the left Sheridan plays the part of the zany<br />
1 print : etching, with aquatint and watercolour ; image 18.5 x 48.2 cm<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[The personification of death holds a pair of shears]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Coloured etching by G. Cruikshank after &quot;Nathaniel NoParty&quot;]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum, Catalogue of political and personal satires, London 1949, vol. 9, no. 11846<br />
Wellcome Collection<br />
https://wellcomecollection.org/works/q2ga4bs2]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (5 Newgate Street) : M. Jones, 1 Feb[r]u[a]ry 1812]]></dcterms:publisher>
    <dcterms:date><![CDATA[1812]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/179">
    <dcterms:title><![CDATA[Doctor Botherum, an itinerant medicine vendor (perhaps based on Doctor Bossy) selling his wares on stage with the aid of assistants to a raucous crowd]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : etching and aquatint, with watercolour<br />
<br />
Lettering continues: &quot;High oe&#039;r the gaping crowd, on market day. While Andrew drolls the blockheads pence away, see the bold rogue pretending to restore, loves long lost fountain, that must flow no more. To heal wounds, or ease the raging gum, and [cure] all ills - past, present and to come. With balm Hippocrates had neir in use, powder of post commix&#039;d, with fat of goose. Thus melts the coin obtain&#039;d by labours rules. That cunning knaves may thrive and laugh at fools thus bashless impudence provokes to give, while modest merit means the means to live.&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[Coloured etching by T. Rowlandson, 1800]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome Collection\<br />
https://wellcomecollection.org/works/pga6a4sw]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London?] : [publisher not identified], 6 March 1800]]]></dcterms:publisher>
    <dcterms:relation><![CDATA[J. Grego, Rowlandson the caricaturist, London 1880, vol. 2, pp. 3-5 (detailed description of the scene)]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/190">
    <dcterms:title><![CDATA[A rustic farrier turned tooth-drawer extracting a tooth from a standing man, a woman looks on]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : mezzotint, with watercolour and gouache ; platemark 13.2 x 11.2 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Coloured mezzotint after J. Harris the elder]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/crjw4ems]]></dcterms:source>
    <dcterms:publisher><![CDATA[London (69 St. Pauls Church Yard) : Bowles &amp; Carver.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/426">
    <dcterms:title><![CDATA[Two human figures illustrating the reduction of dislocations of the foramen ovale and the dorsum ilii]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;Represents the positions for the reduction of dislocations in the foramen ovale, an on the dorsum ilii. ... G.E.B. delt 1831. From Sir A Cooper on dislocations. Lettering continues: &quot;Fig. 1st. a. The belt which fires the pelvis. b. The pulley fixed above the knee. c. Head of the thigh bone on the dorsum ilii. d. Acetabulum. Fig. 2nd a. The belt which fires the pelvis. b. The pulley for the belt which passes between the thighs. c. The hand of the surgeon grashing the leg to bring it across. d. The head of the thigh bone. e. Acetabulum.&quot;&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[After plate to: Astley Cooper, A treatise on dislocations and fractures of the joints<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Coloured pen drawing by G.E. Blenkins, 1831]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/nfvenfvw]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/386">
    <dcterms:title><![CDATA[William Cullen]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : image 27 x 17 cm., on sheet 39 x 29 cm.<br />
Technique:<br />
engraving]]></dcterms:description>
    <dcterms:creator><![CDATA[Contributor(s):<br />
Martin, David, 1737-1797, artist<br />
Holl, Francis, 1815-1884, engraver]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101412257]]></dcterms:source>
    <dcterms:publisher><![CDATA[London : Whittaker &amp; Co., 1839]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/409">
    <dcterms:title><![CDATA[An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;One of several paintings commissioned by Henry S. Wellcome around 1912 from Richard Cooper, who was then working in Paris. Cooper was educated at Tonbridge and then trained as an artist in Paris before the First World War. In 1914 he joined the British Army and in 1916 was transferred to the Royal Engineers. His obituary in The times says that he worked on camouflage with Solomon J. Solomon RA as well as acting as official war artist for The graphic. After the war he enjoyed a flourishing career as a graphic artist designing posters: he is particularly well known for his advertisements for the London Underground&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 painting : watercolour, with gouache, bodycolour and pencil ; sheet 42.8 x 57 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Cooper, Richard Tennant, 1885-1957.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/vvuzurxb]]></dcterms:source>
    <dcterms:date><![CDATA[[approximately 1912]]]></dcterms:date>
    <dcterms:relation><![CDATA[Exhibited in &quot;Pain: passion, compassion, sensibility&quot; at The Science Museum, London, 12 February-20 June 2004<br />
Exhibited in &quot;Pijn&quot; (Pain) at Museum Dr Guislain, Ghent, 8 Oct. 2005-30 April 2006.<br />
Exhibited in &quot;Schlaf und Traum&quot; at Dresden Deutsches Hygiene Museum, 31 March-3 October 2007<br />
Exhibited in &quot;Sleeping and dreaming&quot; at Wellcome Collection, London, 29 November 2007--9 March 2008]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/73">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Oil on canvas<br />
Dimensions:	23 1/2 x 13 1/8 inches (59.7 x 33.3 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Copy after Giovanni Battista Tiepolo (Italian (active Venice, Udine, Würzburg, and Madrid) 1696–1770)<br />
]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Geography:	Made in Italy, Europe]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1750-1800]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
Credit Line:	The William L. Elkins Collection, 1924]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/77">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Engraving<br />
Dimensions:	Sheet: 10 13/16 x 8 1/8 inches (27.5 x 20.7 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Cornelis Cort (Dutch, 1533?–1578) After Giorgio Giulio Clovio (Croatian (active Italy), 1498–1578)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Netherlands]]></dcterms:publisher>
    <dcterms:date><![CDATA[1567]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/79081<br />
	The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/75">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Engraving with plate tone<br />
Dimensions:	Plate: 8 7/16 × 5 9/16 inches (21.5 × 14.2 cm) Sheet: 8 15/16 × 6 1/8 inches (22.7 × 15.5 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Cornelis Galle II (Flemish, 1615–1678) After Anthony van Dyck (Flemish (active Italy, Antwerp, and England), 1599–1641)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[	Made in Antwerp, Southern Netherlands (modern Belgium), Europe]]></dcterms:publisher>
    <dcterms:date><![CDATA[1635-70]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/79908<br />
The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/76">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Engraving<br />
Dimensions:	Sheet (cut within platemark): 7 13/16 × 5 5/8 inches (19.9 × 14.3 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Cornelis Galle II (Flemish, 1615–1678) After Anthony van Dyck (Flemish (active Italy, Antwerp, and England), 1599–1641)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[	Made in Antwerp, Southern Netherlands (modern Belgium), Europe]]></dcterms:publisher>
    <dcterms:date><![CDATA[1635-70]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/79909<br />
The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]></dcterms:contributor>
</rdf:Description></rdf:RDF>
