11 10 414 https://www.european-mastectomy.artinterp.org/files/original/ff230b8b9e268811834de336b70a12cb.jpg 96b5cd6bdb889a428b500fbba19afae9 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body Subject The topic of the resource "One of several paintings commissioned by Henry S. Wellcome around 1912 from Richard Cooper, who was then working in Paris. Cooper was educated at Tonbridge and then trained as an artist in Paris before the First World War. In 1914 he joined the British Army and in 1916 was transferred to the Royal Engineers. His obituary in The times says that he worked on camouflage with Solomon J. Solomon RA as well as acting as official war artist for The graphic. After the war he enjoyed a flourishing career as a graphic artist designing posters: he is particularly well known for his advertisements for the London Underground" Description An account of the resource 1 painting : watercolour, with gouache, bodycolour and pencil ; sheet 42.8 x 57 cm Creator An entity primarily responsible for making the resource Cooper, Richard Tennant, 1885-1957. Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/vvuzurxb Date A point or period of time associated with an event in the lifecycle of the resource [approximately 1912] Relation A related resource Exhibited in "Pain: passion, compassion, sensibility" at The Science Museum, London, 12 February-20 June 2004 Exhibited in "Pijn" (Pain) at Museum Dr Guislain, Ghent, 8 Oct. 2005-30 April 2006. Exhibited in "Schlaf und Traum" at Dresden Deutsches Hygiene Museum, 31 March-3 October 2007 Exhibited in "Sleeping and dreaming" at Wellcome Collection, London, 29 November 2007--9 March 2008 ambiguous gender anesthesia dissection gender ambiguity mastectomy nightmare patient pincers sleep tools https://www.european-mastectomy.artinterp.org/files/original/2ec682ad16617b50856960f4b4d8ebfe.jpg c51f0bf847ace6427604bbafd1ec6d36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anatomical dissection by Andreas Vesalius of a female cadaver, attended by a large crowd of onlookers Subject The topic of the resource "A print taken from the original woodblock, before lettering, of the title page for the 1555 edition of the De humani corporis fabrica libri septem. Among the differences between the recut title page of the 1555 edition and that of the 1543 edition (see this catalogue, no. 24285) is that the title in the cartouche above the skeleton, which now holds a scythe, identifies the author, Andreas Vesalius as the physician to Emperor Charles V. The portrait of Vesalius, who is seen next to the female cadaver, has been adapted to follow the frontispiece portrait of the anatomist, including the details of the mole above his right eye and his brocade cloak. Other changes are the clothing of the man gripping the column on the left of the title page, who in the 1543 edition was nude, the introduction of a goat next to the dog at the lower right for the purposes of comparative anatomy, and the use of a vivisection table to carry the privilege at the bottom of the page (see this catalogue, no. 24377). In addition to the new title page and some alterations to the text, a new type face was employed, new and larger decorated initial letters were cut and the lettering of the figures was made more distinguishable by the removal of the surrounding shading. The original woodblocks were rediscovered in the Munich University library in the late nineteenth century and were used to produce the Icones anatomicae, published by the New York Academy of Medicine in 1934-1935. Not long afterwards these woodblocks, which had survived so many centuries, were destroyed in the second world war" Description An account of the resource 1 print : woodcut ; image 35.2 x 24.3 cm Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/d3shj9wz Publisher An entity responsible for making the resource available [Basel] : [Oporinus], [1555] Date A point or period of time associated with an event in the lifecycle of the resource [1555] Relation A related resource References note H. Cushing, A bio-bibliography of Andreas Vesalius, 2nd ed., Hamden, Conn. and London 1962, pp. 90-92, no. VI.A.-3; pp. 106-9, no. VI.A.-6, figs 62; 64 J. B. de C. M. Saunders and C. D. O'Malley, The illustrations from the works of Andreas Vesalius of Brussels, Cleveland and New York 1950, pp. 44-45, pl. 3 blank breast copy female corpse frontispiece operating theatre skeleton stereotype tools touch vesalius https://www.european-mastectomy.artinterp.org/files/original/d6ad2e9ebfe06d6cb67a917195aef8e9.jpg b274fb1f92f59fabe39609706d33b408 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anatomical fugitive sheet (man) Description An account of the resource Anatomical fugitive sheet 291. Title at the top of the sheet: 'The Anathomye of the inward parts of man...', London: T. Raymalde, c. 1540. Pasted in a copy of Henri de Mondeville Chirurgia, c. 1476. Ms. 564. Seated male figure with first layer raised Original Negative is a Vinegar Negative CAN NOT BE RESCANNED Source A related resource from which the described resource is derived NLM https://wellcomecollection.org/works/ctnn3yhk Publisher An entity responsible for making the resource available London: T. Raymalde, c. 1540. anatomy flap henri de mondeville male surgery https://www.european-mastectomy.artinterp.org/files/original/f3d55162e85a4fb1c4d57d63b1da8b96.jpg 37f63589e1d614545c020e65c4b36e81 https://www.european-mastectomy.artinterp.org/files/original/03a46340c2f19de32532027edd98e176.jpg e9b06494e1e132b186fd98fd5263dce0 https://www.european-mastectomy.artinterp.org/files/original/3f81f1676a373aac8d9b5a8a511e94f7.jpg 9f731969d9132028b397c5f85551860e https://www.european-mastectomy.artinterp.org/files/original/869d989f24cd94c4a87ad9b7b2f9d062.jpg 133566b4d62c1451de7d00724e7b916b https://www.european-mastectomy.artinterp.org/files/original/fc38175af650aef2f74e2e79331eacda.jpg 233a237e2bf3a94808e291119e90b8b6 https://www.european-mastectomy.artinterp.org/files/original/58710ca6d1958061a65a847880fc71ef.jpg cfa6916beb2c47c93a0356b279745176 https://www.european-mastectomy.artinterp.org/files/original/2745ced70ab28ea1c0884498d65e369a.jpg d70aa0da494d0073d322a0f49ef2259a https://www.european-mastectomy.artinterp.org/files/original/d1437d51506ddf47c527d04e04961e3c.jpg 6a47a6c27273b230c78fae574a44070c https://www.european-mastectomy.artinterp.org/files/original/e124b2750b04d4d6d55269be98d0fa6a.jpg 1c1e5d6f5f07aa2dedb5f046bb87769f https://www.european-mastectomy.artinterp.org/files/original/aefe6152f20f0badad306ea9129943a3.jpg 836a10c1bb1a8e0a3c61838db88fffb7 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anatomical fugitive sheets Description An account of the resource anatomical fugitive sheet 291. Pasted in a copy of Henri de Mondeville Chirurgia, c. 1476 a woman, flapbook - flap is blank (seems to have faded), under side is her anatomy, there is a leaf that you can lift to see her sex - sex has worn down with age Source A related resource from which the described resource is derived NLM https://wellcomecollection.org/works/n4zhxu4j Publisher An entity responsible for making the resource available London: T. Raymalde, c. 1540 Date A point or period of time associated with an event in the lifecycle of the resource c. 1540 anatomy female flap henri de mondeville surgery https://www.european-mastectomy.artinterp.org/files/original/9cdaada927513bcbb12c422056c0cf9f.jpg 0ee3ee11a434937e4a5468bbd0093ee3 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andreas Vesalius Subject The topic of the resource portrait of anatomist Creator An entity primarily responsible for making the resource Lithograph by Minster et Wiesener (?) after A. Mouilleron, 1853, after E.J.C. Hamman, 1849 Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/h6fcuecb Date A point or period of time associated with an event in the lifecycle of the resource 1853 Contributor An entity responsible for making contributions to the resource may be part of a series that includes Pare and other well known doctors Relation A related resource References note Bibliographie de la France, 25 juin 1853, no. 1138 ("André Vésale, gravure sur cuivre en relief par Wiesener, d'après un dessin de Mouilleron, d'après E. Hamman. Imp. lithog. de Minster et Wiesener, à Paris. A Paris, chez Méquignon-Marvis, éditeur")—Image of France database no. 49615 R. Burgess, Portraits of doctors & scientists in the Wellcome Institute, London 1973, no. 3051.13 Maurits Biesbrouck, Luc Missotten and Omer Steeno, 'De Vesalius-schilderijen van E.J.C. Hamman (1819-1888)', Heel-meesters: Cahiers GdG - Geschiedenis van de Geneeskunde en Gezondheidszorg, nr. 2, edited by Bob Van Hee and Cornelis van Tilburg, 2013, pp. 19- anatomy christian iconography instruments modernity portrait shears surgery surgical table tools vesalius https://www.european-mastectomy.artinterp.org/files/original/a6a18cc04ea0f5f61f30b0195290c8e5.jpg 04e18732d63a88e5cab8caea34bc8ff9 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andreas Vesalius Subject The topic of the resource A posthumous portrait of Andreas Vesalius by Pierre Poncet. Vesalius holds the flayed arm of a (presumably) hanging corpse with androgynous features. Two portraits of physicians flank the lower corners Creator An entity primarily responsible for making the resource Pierre Poncet (1574-1640) Source A related resource from which the described resource is derived Musee des Beaux-Arts, Orleans, France Date A point or period of time associated with an event in the lifecycle of the resource 1514-64 anatomist anatomy androgyny corpse female flayed model painting physician portrait vesalius https://www.european-mastectomy.artinterp.org/files/original/dd362f44a1365f778d57d8b6d9a16962.jpg c729665091a24fa2f2b2baf29c26e33b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andreas Vesalius Subject The topic of the resource Portrait of Vesalius from his De humani corporis fabrica. Description An account of the resource "In 1543, Vesalius asked Johannes Oporinus to publish the book De Humani Corporis Fabrica Libri Septem (On the fabric of the human body in seven books), a groundbreaking work of human anatomy he dedicated to Charles V and which many believe was illustrated by Titian's pupil Jan Stephen van Calcar." The figure is much more masculine in the print than in the painting. Unclear which came first. See Pierre Poncet. Most likely print first (commissioned by Vesalius). Painting done afterwards not affiliated with Vesalius. Creator An entity primarily responsible for making the resource Attributed to Jan van Calcar (circa 1499 –1546/1550 Date A point or period of time associated with an event in the lifecycle of the resource 1543 androgyny flayed portrait print sculpture tools vesalius https://www.european-mastectomy.artinterp.org/files/original/2756c182eeae99a75b3fef3d23b4c603.jpg 4711ff3afeb766e1c36c5c414a412c77 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ange-Bernard Imbert-Delonnes Subject The topic of the resource portrait of a surgeon Description An account of the resource 1 drawing : black chalk heightened with white gouache ; sheet 62.5 x 47.8 cm Lettering Chasselat L'an 8. De son art bienfaisant il agrandit la sphère. Esculape conduit sa main, Minerve sa pensée. Il réunit enfin L'art de guérir et l'art de plaire. Palissot Creator An entity primarily responsible for making the resource P. Chasselat Source A related resource from which the described resource is derived Wellcome \Wellcome Collection 729420i, acquired with the assistance of the MLA/V&A Purchase Grant Fund (http://www.vam.ac.uk/resources/purchasegrantfund ) and The Art Fund ( http://www.artfund.org ) https://wellcomecollection.org/works/rvs38nj9 Date A point or period of time associated with an event in the lifecycle of the resource 1799-1800 Relation A related resource References note Not in: Jacques Robert, La vie et l'oeuvre du chirurgien Imbert-Delonnes (1747-1818), Thesis--Univ. Claude Bernard, Lyons, 1976 Ulrich Leben, Molitor: ébéniste from the Ancien Régime to the Bourbon restoration, London 1992 ("Portrait by C. Pallissat [sic] showing an unknown 'man of science', 1798 [sic]. The attitude, clothes, historical references and modern furniture are clearly intended to reveal the sitter as a man following the ideals of his time. Private collection") Marc Fecker and William Schupbach, 'A recently discovered portrait of the surgeon Ange Bernard Imbert-Delonnes (1747-1818) by Pierre Chasselat', The Burlington magazine, April 2012, 154: 236-240. 'Pierre Chasselat--Wellcome Library, London', Art quarterly, 2012 (winter), pp. 82-83 Abstract A summary of the resource. "The tall figure of Ange-Bernard Imbert Delonnes (1747-1818) is shown sitting in a lordly pose with a chair, table and inkwell in neoclassical style, holding his pen as if putting the finishing touches to the "Progress of the art of healing" Ange-Bernard Imbert Delonnes (1747-1818) is known from his writings, and from writings about him, as a fearless surgeon, reproached for his boldness but defiant of criticism and proud of his achievements, whose career in France under the Ancien Régime, the Revolution and the Empire took many twists and turns. Many details in the drawing have led to the identification of the sitter as Imbert Delonnes, and together they form part of his reply to his critics: an Apologia pro vita sua. The manuscript on his desk is of a work on the Progress of the art of healing. In the bottom left corner is a portrait painting (within the portrait) of one of his famous patients, Perier de Gurat. In the top right corner is another portrait, this time of Imbert Delonnes's role model, the French surgeon Ambroise Paré (1510?-1590), and books by Paré are shown in the bottom left. The verses inscribed beneath the portrait praising Imbert Delonnes's contributions to the arts of surgery ("De son art bienfaisant il agrandit la sphère") and of literature are by Charles Palissot de Montenoy (1730-1814), a playwright and Imbert Delonnes's father-in-law. Imbert Delonnes's library and statue of Aesculapius are represented in the left background. Finally, most conspicuous of all is the object displayed in a huge glass jar: the giant testicular tumour removed by Imbert Delonnes from Charles Delacroix (1741-1805), French Foreign Minister and legally father of the painter Eugène Delacroix (1798-1863), though probably not his biological father, owing to this very tumour (the painter Delacroix's biological father was believed to be Talleyrand) Propped up in the left foreground is a portrait painting of the subject of one of Imbert Delonnes's two most remarkable and controversial operations: Perier de Gurat, mayor of Angoulême. Perier de Gurat suffered from a huge facial tumour which Imbert Delonnes successfully removed, after which he reconstructed his nose. Imbert Delonnes published this operation in his work Nouvelles considérations sur le cautère actuel; apologie de ce puissant remède comparé avec les caustiques; réflexions critiques sur le cautère habituel, les exutoires, la saignée, les sangsues, Avignon: F. Seguin, Snr., 1812, which includes before-and-after engravings of Perier de Gurat (the "before" portrait is the one shown in the drawing). We know from the Nouvelles considérations that Imbert Delonnes wanted to preserve the "curious image" of Perier de Gurat in his study and that he commissioned the painter Joseph Boze from Marseilles (1744-1826) to paint it (pp. 416-417): this is the one shown in the drawing. The Wellcome Library has a copy of the Nouvelles considérations with an autograph inscription by Imbert Delonnes Leaning against the portrait of Perier de Gurat in the lower left corner is a volume of the works of Ambroise Paré, answering the portrait of Paré in the opposite corner of the drawing. Imbert Delonnes admired and emulated Paré (along with "Harvée" Harvey) for their bold disregard of opposition and their refusal to go along with the conventional practices of their times (Imbert Delonnes, Opération de sarcocèle, Paris 1797, pp. 29-31, and elsewhere) In the glass jar on the right is displayed testimony to the second of Imbert Delonnes's greatest surgical feats: the colossal testicular tumour removed by Imbert Delonnes from Charles Delacroix (1741-1805), a French Minister of Foreign Affairs and subsequently the Republic's ambassador in the Netherlands. Again, Imbert Delonnes considered this operation one of his masterpieces, and wrote it up with two large folding plates of the tumour in his Nouvelles considérations. In accordance with its importance to Imbert Delonnes, it is displayed on a mighty stone column. Delacroix's eight medical advisers had formed a consultation in which seven of them argued that the tumour should not be touched, or in Imbert Delonnes's phrase it was "une de celles qu'on a désignées sous le nom pusillanime et barbare Noli me tangere". Imbert Delonnes was the one against seven, and after reading Imbert Delonnes's Traité sur l'hydrocèle, Delacroix agreed to go along with him, much to the disgust of the other consultants. The glass jar containing the tumour is described by Imbert-Delonnes as "l'immense bocal qui la renferme" (Progrès de la chirurgie en France, an. VI, p. 25) "Jamais coups de bistouris n'eurent une publicité pareille" (Gayet, Talleyrand 1754-1838, Paris 1928-1930, vol. 1 p. 251). The tumour weighed 32 pounds in its natural state, and was removed in a two and a half hour operation The verses inscribed beneath the portrait are attributed in the drawing to Charles Palissot de Montenoy (1730-1814), a playwright and the father-in-law of Imbert Delonnes. They also appear below a portrait engraving of Imbert Delonnes, which is a head and shoulders copy of the present portrait. They praise Imbert Delonnes's contributions to surgery and to other arts Showing that an educated surgeon like Imbert Delonnes was far removed from the unlettered surgeons of the lower class, the library and statue of Aesculapius in the left background demonstrate his standing on a level with the learned physicians of the Aesculapian tradition. Imbert Delonnes's two major monographs Traité de l'hydrocèle, 1785, and Nouvelles considérations sur le cautère actuel, 1812, both review the literature from Galen and Paul of Aegina to Pott and Pringle. The library looks like a real library: it has the heavy folios at floor level, then quartos and octavos on progressively higher shelves, with the lightest books, a mixture of octavos and duodecimos, placed so that they can be easily prised from the top shelf" - Wellcome body parts cancer fragment jar oeuvres pare patient potrait surgeon tumor https://www.european-mastectomy.artinterp.org/files/original/57613b0c58789d299852d2f281c588ba.jpg e1b16057884945f83804737e04e80307 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anne Manning and Betty Upton Subject The topic of the resource Anne Manning, a quack doctor, outside her cottage with Betty Upton. Etching, by W.J. White, 1818, after himself. Description An account of the resource 1 print : etching ; platemark 13.1 x 9 cm Poster stuck on wall of cottage reads "Leake's pills. Mercury exploded, desperate cases cured in three days. Mortified limbs scraped with a coal shovel. Flesh regenerated on bare bones." A sheet on the ground reads "Lies told faster than a horse can gallop. Nann Manning, Lynn Regis" Creator An entity primarily responsible for making the resource White, William Johnstone, active 1804-1818. Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/y84ckk5j Publisher An entity responsible for making the resource available [London] : W.J. White, 31 March 1818. Relation A related resource https://www.britishmuseum.org/collection/object/P_1882-0411-1340 https://www.european-mastectomy.artinterp.org/files/original/5e580cdf8e76a0377f8379d1f2686530.jpeg 33a9a786138ad4d0ef694604a0eae681 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annotations de M Laurens Joubert sur toute la chirurgie de M. Guy de Chauliac Creator An entity primarily responsible for making the resource Guy de Chauliac’s Surgery - Edited and translated by Laurens Joubert Source A related resource from which the described resource is derived In the archives of NYU Dentistry https://dental.nyu.edu/aboutus/rare-book-collection/16-c/guy-chauliac.html Date A point or period of time associated with an event in the lifecycle of the resource 1584 forceps mastectomy midwifery pincers pulling surgery tenailles tongs tools tractors