23 10 414 https://www.european-mastectomy.artinterp.org/files/original/a1e901beac8e41f06fdbdbb8be9e8fe5.jpg 484ec860306be08c853c4e9b090ff800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The martyrdom of Saint Agatha Description An account of the resource Oil painting by a follower of C. F. Nuvolone. sight 82.5 x 72 cm Creator An entity primarily responsible for making the resource Nuvolone, Carlo Francesco Date A point or period of time associated with an event in the lifecycle of the resource 1608 or 1609-1651 or 1661 Contributor An entity responsible for making contributions to the resource Wellcome Collection https://wellcomecollection.org/works/rabcprjg Relation A related resource Related to, and possibly after, a painting offered for sale at Christie's, London, on 7 July 1995, lot 338 and 3-5 July 1996, lot 407, 118.2 x 101.6 cm breasts pincers saint agatha soldiers tools torture https://www.european-mastectomy.artinterp.org/files/original/d4353910ef5bb2fa502fdbfeebd1b26f.tiff 35baf7bb3f5e18ba9b74e33335dae03c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Ships Bay Before The Days Of Ether And Asepsis Subject The topic of the resource Interior view showing wounded soldiers receiving treatment. Description An account of the resource Extent: 1 print : 44 x 33 cm. Technique: color Creator An entity primarily responsible for making the resource Ortiz, G., artist Source A related resource from which the described resource is derived NLM http://resource.nlm.nih.gov/101392751 caricature military surgery tools https://www.european-mastectomy.artinterp.org/files/original/2756c182eeae99a75b3fef3d23b4c603.jpg 4711ff3afeb766e1c36c5c414a412c77 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ange-Bernard Imbert-Delonnes Subject The topic of the resource portrait of a surgeon Description An account of the resource 1 drawing : black chalk heightened with white gouache ; sheet 62.5 x 47.8 cm Lettering Chasselat L'an 8. De son art bienfaisant il agrandit la sphère. Esculape conduit sa main, Minerve sa pensée. Il réunit enfin L'art de guérir et l'art de plaire. Palissot Creator An entity primarily responsible for making the resource P. Chasselat Source A related resource from which the described resource is derived Wellcome \Wellcome Collection 729420i, acquired with the assistance of the MLA/V&A Purchase Grant Fund (http://www.vam.ac.uk/resources/purchasegrantfund ) and The Art Fund ( http://www.artfund.org ) https://wellcomecollection.org/works/rvs38nj9 Date A point or period of time associated with an event in the lifecycle of the resource 1799-1800 Relation A related resource References note Not in: Jacques Robert, La vie et l'oeuvre du chirurgien Imbert-Delonnes (1747-1818), Thesis--Univ. Claude Bernard, Lyons, 1976 Ulrich Leben, Molitor: ébéniste from the Ancien Régime to the Bourbon restoration, London 1992 ("Portrait by C. Pallissat [sic] showing an unknown 'man of science', 1798 [sic]. The attitude, clothes, historical references and modern furniture are clearly intended to reveal the sitter as a man following the ideals of his time. Private collection") Marc Fecker and William Schupbach, 'A recently discovered portrait of the surgeon Ange Bernard Imbert-Delonnes (1747-1818) by Pierre Chasselat', The Burlington magazine, April 2012, 154: 236-240. 'Pierre Chasselat--Wellcome Library, London', Art quarterly, 2012 (winter), pp. 82-83 Abstract A summary of the resource. "The tall figure of Ange-Bernard Imbert Delonnes (1747-1818) is shown sitting in a lordly pose with a chair, table and inkwell in neoclassical style, holding his pen as if putting the finishing touches to the "Progress of the art of healing" Ange-Bernard Imbert Delonnes (1747-1818) is known from his writings, and from writings about him, as a fearless surgeon, reproached for his boldness but defiant of criticism and proud of his achievements, whose career in France under the Ancien Régime, the Revolution and the Empire took many twists and turns. Many details in the drawing have led to the identification of the sitter as Imbert Delonnes, and together they form part of his reply to his critics: an Apologia pro vita sua. The manuscript on his desk is of a work on the Progress of the art of healing. In the bottom left corner is a portrait painting (within the portrait) of one of his famous patients, Perier de Gurat. In the top right corner is another portrait, this time of Imbert Delonnes's role model, the French surgeon Ambroise Paré (1510?-1590), and books by Paré are shown in the bottom left. The verses inscribed beneath the portrait praising Imbert Delonnes's contributions to the arts of surgery ("De son art bienfaisant il agrandit la sphère") and of literature are by Charles Palissot de Montenoy (1730-1814), a playwright and Imbert Delonnes's father-in-law. Imbert Delonnes's library and statue of Aesculapius are represented in the left background. Finally, most conspicuous of all is the object displayed in a huge glass jar: the giant testicular tumour removed by Imbert Delonnes from Charles Delacroix (1741-1805), French Foreign Minister and legally father of the painter Eugène Delacroix (1798-1863), though probably not his biological father, owing to this very tumour (the painter Delacroix's biological father was believed to be Talleyrand) Propped up in the left foreground is a portrait painting of the subject of one of Imbert Delonnes's two most remarkable and controversial operations: Perier de Gurat, mayor of Angoulême. Perier de Gurat suffered from a huge facial tumour which Imbert Delonnes successfully removed, after which he reconstructed his nose. Imbert Delonnes published this operation in his work Nouvelles considérations sur le cautère actuel; apologie de ce puissant remède comparé avec les caustiques; réflexions critiques sur le cautère habituel, les exutoires, la saignée, les sangsues, Avignon: F. Seguin, Snr., 1812, which includes before-and-after engravings of Perier de Gurat (the "before" portrait is the one shown in the drawing). We know from the Nouvelles considérations that Imbert Delonnes wanted to preserve the "curious image" of Perier de Gurat in his study and that he commissioned the painter Joseph Boze from Marseilles (1744-1826) to paint it (pp. 416-417): this is the one shown in the drawing. The Wellcome Library has a copy of the Nouvelles considérations with an autograph inscription by Imbert Delonnes Leaning against the portrait of Perier de Gurat in the lower left corner is a volume of the works of Ambroise Paré, answering the portrait of Paré in the opposite corner of the drawing. Imbert Delonnes admired and emulated Paré (along with "Harvée" Harvey) for their bold disregard of opposition and their refusal to go along with the conventional practices of their times (Imbert Delonnes, Opération de sarcocèle, Paris 1797, pp. 29-31, and elsewhere) In the glass jar on the right is displayed testimony to the second of Imbert Delonnes's greatest surgical feats: the colossal testicular tumour removed by Imbert Delonnes from Charles Delacroix (1741-1805), a French Minister of Foreign Affairs and subsequently the Republic's ambassador in the Netherlands. Again, Imbert Delonnes considered this operation one of his masterpieces, and wrote it up with two large folding plates of the tumour in his Nouvelles considérations. In accordance with its importance to Imbert Delonnes, it is displayed on a mighty stone column. Delacroix's eight medical advisers had formed a consultation in which seven of them argued that the tumour should not be touched, or in Imbert Delonnes's phrase it was "une de celles qu'on a désignées sous le nom pusillanime et barbare Noli me tangere". Imbert Delonnes was the one against seven, and after reading Imbert Delonnes's Traité sur l'hydrocèle, Delacroix agreed to go along with him, much to the disgust of the other consultants. The glass jar containing the tumour is described by Imbert-Delonnes as "l'immense bocal qui la renferme" (Progrès de la chirurgie en France, an. VI, p. 25) "Jamais coups de bistouris n'eurent une publicité pareille" (Gayet, Talleyrand 1754-1838, Paris 1928-1930, vol. 1 p. 251). The tumour weighed 32 pounds in its natural state, and was removed in a two and a half hour operation The verses inscribed beneath the portrait are attributed in the drawing to Charles Palissot de Montenoy (1730-1814), a playwright and the father-in-law of Imbert Delonnes. They also appear below a portrait engraving of Imbert Delonnes, which is a head and shoulders copy of the present portrait. They praise Imbert Delonnes's contributions to surgery and to other arts Showing that an educated surgeon like Imbert Delonnes was far removed from the unlettered surgeons of the lower class, the library and statue of Aesculapius in the left background demonstrate his standing on a level with the learned physicians of the Aesculapian tradition. Imbert Delonnes's two major monographs Traité de l'hydrocèle, 1785, and Nouvelles considérations sur le cautère actuel, 1812, both review the literature from Galen and Paul of Aegina to Pott and Pringle. The library looks like a real library: it has the heavy folios at floor level, then quartos and octavos on progressively higher shelves, with the lightest books, a mixture of octavos and duodecimos, placed so that they can be easily prised from the top shelf" - Wellcome body parts cancer fragment jar oeuvres pare patient potrait surgeon tumor https://www.european-mastectomy.artinterp.org/files/original/9e78f86698e1ba5afdb5b52920287390.jpg 6bbc5333203018e87e43ed38d59f465a Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [The Physician as God] Description An account of the resource Allegorical representation of the physician as God. Interior view with three scenes: patient in bed being treated by surgeon, nurse, and an assistant; woman drying bandages(?) at a fireplace; another bedside scene. Praying is a prominent motif. 1 print : 30 x 37 cm. engraving Creator An entity primarily responsible for making the resource Panderen, Egbert van, 1581-1637?, artist (after Golztius?) Date A point or period of time associated with an event in the lifecycle of the resource 1609 Contributor An entity responsible for making contributions to the resource Laurens, Henr, artist Gelle, Johann, 1580-1625, artist Source A related resource from which the described resource is derived NLM copy god physician surgery tools https://www.european-mastectomy.artinterp.org/files/original/8fb624a32a4dde6a02905183919b1689.jpeg 0015b902831a7eb88990fe65862989b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Description An account of the resource engraving Creator An entity primarily responsible for making the resource Paolo Toschi, Italian (1788 - 1854) After Parmigianino, Italian (Parma, Italy 1503 - 1540 Casalmaggiore, Italy) Publisher An entity responsible for making the resource available Italian Date A point or period of time associated with an event in the lifecycle of the resource 19th c Contributor An entity responsible for making contributions to the resource Fogg Art Museum https://hvrd.art/o/279188 Francis Calley Gray, bequest to nephew, 1856. William Gray, gift to Harvard University, 1857. breasts pinchers saint agatha torture https://www.european-mastectomy.artinterp.org/files/original/4610fa52a9e83c9f8fe3b79aeaf21fc0.tiff a127e93c24d3e71cc4643773f669bcae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Sixteenth century medical clinic] Subject The topic of the resource Interior view: head surgery in progress on a man sitting in a chair; to the right an injured man is brought in on a stretcher; in the background is a man walking with canes; on the left is a dog, a table with instuments and shelves of various containers. Description An account of the resource Is part of: Erster[-dritte] Theil der grossen Wundartzney; title page.; See related catalog record: 2273065R Extent: 1 print Technique: woodcut book illustration Creator An entity primarily responsible for making the resource Paracelsus, 1493-1541 Source A related resource from which the described resource is derived NLM http://resource.nlm.nih.gov/101435390 Publisher An entity responsible for making the resource available [Franckfurt am Mayn: Weygand Han and Georg Raben, 1562?] medicine patient physician shears surgeon surgery tract https://www.european-mastectomy.artinterp.org/files/original/ea953d8e4bba385d41a621069d302050.jpeg df424bb884eb27889edac5383e6a45c3 https://www.european-mastectomy.artinterp.org/files/original/6471f88196c2c5cb104a188f4db0cc5a.jpeg 5d871f6cba8f141fa2979f65ccff668e https://www.european-mastectomy.artinterp.org/files/original/355d52c333e4af8c5794bb4bbe75dd08.jpeg c875acada40f37a10b60aae5ce126efc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les œuvres d'Ambroise Paré ... Diuisees en vingt huict liures, auec les figures et portraicts, tant de l'anatomie, que des instruments de chirurgie, et de plusieurs monstres. Reueuës et augmentees par l'autheur. Description An account of the resource 26 unnumbered pages, VICIIII [i.e. 604], 4 unnumbered pages, VICV-MCCXLV [i.e. 605-1,245], 168 unnumbered pages : illustrations (woodcut), portrait ; (folio) Includes index (unpaged). Copy 2. Lacks title page. Bound in 16th century calf, blind tooled, initials H. A. C. around gilt tooled stamp on each board, remains of metal clasps, rebacked in parchment. 16th century manuscript inscription upside-down at foot of first leaf. 4th edition Creator An entity primarily responsible for making the resource Paré, Ambroise Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/js7px29b Publisher An entity responsible for making the resource available Paris : Gabriel Buon, 1585. pincers sheers surgery tools https://www.european-mastectomy.artinterp.org/files/original/07c9b46111f81e8f8c73ec75ab95fdcc.jpeg 6ab146cdd1759dce1990950617ff5eb9 https://www.european-mastectomy.artinterp.org/files/original/e3b312adac343cf17723b2a02ea1ed4d.jpeg ae1be17c5a6ef8a3b365cbce3ba7f877 https://www.european-mastectomy.artinterp.org/files/original/73f6c6b3b174293cec4658ba920238d5.jpeg a311999cd3b5e1420f33ff122f7c4da6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les œuvres de M. Ambroise Paré ... Avec les figures et portraicts tant de l'anatomie que des instruments de chirurgie, et de plusieurs monstres. Le tout divisé en vingt six livres. Description An account of the resource 9 pages, 10 unnumbered leaves, 945 pages, 2,223 unnumbered leaves (last blank) : woodcut illustrations & portraits ; (folio) Creator An entity primarily responsible for making the resource Paré, Ambroise, Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/umb8d5ru Publisher An entity responsible for making the resource available Paris : Gabriel Buon, 1575. amputation pare surgery tools tract https://www.european-mastectomy.artinterp.org/files/original/3535e5129e7d938d15fd3875ed19c541.jpg 2689da2d7f8409a2573f54741bb72650 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Martyrdom of Saint Agatha Creator An entity primarily responsible for making the resource Parmigianino Source A related resource from which the described resource is derived Location Abbazia di San Giovanni Evangelista, Parma, Italy Date A point or period of time associated with an event in the lifecycle of the resource c. 1523-24 Contributor An entity responsible for making contributions to the resource San Giovanni Evangelista Format The file format, physical medium, or dimensions of the resource fresco breasts pincers saint agatha tools torture https://www.european-mastectomy.artinterp.org/files/original/4ea4d0aa704dbcc41150a6ccd7c4549e.jpeg 31e7c6f58ae3dbea7a4599f3ff021a49 https://www.european-mastectomy.artinterp.org/files/original/76454a5334f0e57d9ce3144e5fcfdbd7.jpeg 433f43d83c1871479044032ff27cb0ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Belles Heures de Jean de France, duc de Berry Subject The topic of the resource The martyrdom of saint agatha Description An account of the resource Suffrages of the Saints Saint Agatha, Folio 179r Agatha was punished for refusing the advances of the Roman governor. She is tied to a column and her breasts are removed by attackers wielding huge clippers ; one attacker raises his knee to brace himself in a pose like that in the Catherine cycle (Folio 17r), where the saint is tied to a column. Creator An entity primarily responsible for making the resource Paul Herman and Jean de Limbourg Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available Paris Date A point or period of time associated with an event in the lifecycle of the resource 1405-08/9 book of hours breasts eroticism meditation saint agatha tools torture