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                <text>Syntagma anatomicum</text>
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                <text>Johannes Vesling, seated below a swag of surgical instruments, indicates illustrations of the heart in a book displayed by a skeletal corpse&#13;
&#13;
"In this title page to the Amsterdam 1666 edition of Johannes Vesling's Syntagma anatomicum, with commentary by Gerardus Blasius, Vesling is seated next to a table covered with a cloth, decorated with two crossed bones, which bears the title of the book. He is identified by his name which appears above his hat and by the cross of the Order of the Holy Sepulchre in Jerusalem. He is depicted wearing the same cross on a chain in his engraved portrait in the Padua 1647 edition of the Syntagma anatomicum, which is the second enlarged edition with added plates by G. Giorgio (see Garosi 1963, tav cxxxiii for Vesling's portrait and this catalogue no. 25026i for the title page to the 1647 edition). Vesling indicates to four gentlemen illustrations of the heart in a book displayed by a draped skeletal corpse. Only two details of these illustrations correspond with Vesling's plate on the heart (Tab. 1, Cap. X). Suspended from two pilasters is a swag made up of surgical instruments. Through an arch topped with two angels holding a cartouche with a skull crowned with laurel leaves one sees a view of buildings"</text>
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Ioannis Veslingii Mindani Syntagma anatomicum cum commentariis. Exhibente Gerardo Blasio. Medicinæ doctore, et professore. ; I. Vesling</text>
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                <text>Wellcome&#13;
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                <text>Amstelodami [Amsterdam] (â Waesberge et Elizæum Weyerstraet) : Apud Joannem Jansonium, 1666.&#13;
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                <text>1666</text>
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                <text>References note&#13;
J. Choulant, History and bibliography of anatomic illustration, tr. and ed. M. Frank, New York 1945, p. 243&#13;
A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. cxxxiii</text>
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                <text>"First published in 1641, the second enlarged edition of Vesling's Syntagma anatomicum to which illustrations were added, engraved by the same artist responsible for the title page, G. Georgi, appeared in 1647. This title page is from the reset variant of the 1647 edition and it has been re-engraved with minor changes. In the background a dissection is about to take place in a crowded anatomy theatre, which may be identified as the one in the University of Padua, where Vesling was a professor of anatomy and surgery, and it is likely that the figure with a short pointed beard conducting the dissection is Vesling himself. Vesling was also a botanist and was responsible for renovating the botanical garden at Padua. The two female figures on either side of the cloth that bears the title of the work hold attributes which suggest an identification of them as practical and theoretical anatomy (Wolf-Heidegger and Cetto 1967, no. 155, p. 240)"</text>
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                <text>1 print : engraving ; image 19.9 x 14.4 cm&#13;
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Ioannis Veslingii Mindani, Syntagma anatomicum ; Jo. Georgius sculp.</text>
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                <text>Patavii [Padua] : Typis Pauli Frambotti Bibliopolæ, 1647.&#13;
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                <text>L. Choulant, History and bibliography of anatomic illustration, tr. and ed. M. Frank, New York 1945, p. 243&#13;
T. Quirico and V. Lindon, eds, Les siècles d'or de la médecine. Padoue XVe-XVIIIe siècles, exh. cat., Paris, Jardin des plantes, 1989, pp. 138-139&#13;
G. Wolf-Heidegger and A. M. Cettto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, no. 155, pp. 240-241</text>
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                <text>"This photogravure by Gebbie &amp; Husson Co. Ltd. reproduces Thomas Eakins' painting known as The Agnew Clinic (or The Clinic of Dr. Agnew). Eakins was commissioned by the University of Pennsylvania Medical Class of 1889 to paint a portrait of Dr. David Hayes Agnew (1818-1892), who was retiring as professor that year. Dr. Agnew is depicted lecturing during a partial mastectomy before an audience of medical students, being assisted by Penn professors Dr. J. William White (1850-1916) and Dr. Joseph Leidy (the nephew of famed professor Joseph Leidy) and by Hospital of the University of Pennsylvania physician Dr. Ellwood R. Kirby. The work also includes nurse Mary Clymer (who was an 1889 graduate of the Hospital of the University of Pennsylvania), and behind her on the far right, another HUP physician, Frederick H. Milliken, is in conversation with Eakins himself.&#13;
&#13;
This painting depicts Joseph Lister’s discoveries that had led to the promotion of antiseptic surgery by Agnew and others, which contributed to Eakins’ depiction of Agnew and his team of doctors as wearing clean white gowns, using sterilized instruments in a covered case, and benefiting from the services of a nurse."</text>
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[London, England] : Thomas Tegg, [1811]</text>
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                <text>The anatomist Felix Platter, seated at a table covered with surgical instruments in a room with two other men, below which are the figures of Hippocrates and Galen</text>
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                <text>"Felix Platter is shown seated, with two companions, at a table covered with surgical instruments, books, fruit and a bird which he touches while holding a scalpel in his other hand. Below this room are the figures of Hippocrates and Galen, set before niches, on either side of a flayed human skin. (For a similar arrangement, see this catalogue 24939.) On the right base, below Galen is the image of a swan around whose neck is entwined a snake and a crown. On the left base, below Hippocrates, is the image of a crane holding a stone in the claw of its raised leg, an allegory of Vigilance. After studying in Montpellier, Felix Platter returned to Basel to lecture on medicine at the University and be appointed the principal physician of the city. During his student years, he kept a journal that described his experiences and medical education, as well as capturing daily sixteenth-century student-life. In addition to being an anatomist and physician, he was also a collector"</text>
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Felicis Plateri quondam archiatri et profess. Basil. ord. praxeos medicæ, tomi tres, cum centuria posthuma emedati et aucti, à Felice Platero, nunc archiatro et profess. Basileen. Fel. Nep. Hippocrates ; Galenus</text>
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