4 10 414 https://www.european-mastectomy.artinterp.org/files/original/e57459f8b1b4080278f0769e90cd17b0.jpg 15da7cf51676f4699e8e4500148cc638 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of St Agatha Description An account of the resource The saint tied to a tree at centre, two men shearing her breasts with large tongs, hills and a city in background; copy in reverse after Cornelis Cort who engraved after Giulio Clovio Inscription type: inscription Inscription content: Signed in lower centre of impression: "Ioan. Sadl. excu.". Titled in Latin in lower margin: "S. Agatha". Creator An entity primarily responsible for making the resource After: Cornelis Cort After: Giulio Clovio Published by: Jan Sadeler I Source A related resource from which the described resource is derived British Museum https://www.britishmuseum.org/collection/object/P_Ii-5-153 Publisher An entity responsible for making the resource available Flemish Date A point or period of time associated with an event in the lifecycle of the resource 1575-1600 Contributor An entity responsible for making contributions to the resource Bequeathed by: Sir Hans Sloane (with Philipe's oval stamp and the initials HS) Acquisitioned 1753 Relation A related resource https://www.hollstein.com/new_dutch-en-flemish.html Format The file format, physical medium, or dimensions of the resource engraving Height: Height: 277 millimetres (trimmed) (trimmed) Width: Width: 202 millimetres https://www.european-mastectomy.artinterp.org/files/original/ecbf5dde7303a39c4820d38c49cf5bdc.jpg 6fe7ff70832e209c26d7fac44feb89ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of St Agatha Description An account of the resource The Martyrdom of St Agatha; centre, St Agatha tied to a column with her breasts exposed, to the left and r, an excutioner approaches with a pair of shears; in the foreground, another man kindles a fire, a crown and veil lie on the ground Engraving Height: Height: 253 millimetres Width: Width: 184 millimetres Inscription type: inscription Inscription content: Lettered in cartouche within image: 'S. AGATHA VIRGO / ET MARTYR.' Lettered below image: 'VENERABILI AC RELIGIOSAE VIRGINI PRVDENTIAE...PHILIPPVS GALLEAUS, IN AEMVLATIONIS, AD EIVSDEM / SANCTAE PIETATEM ET VIRTVTES STIMVLVM LVBENS DEDICAT.' Creator An entity primarily responsible for making the resource After: Jan van der Straet Print made by: Antonius Wierix Published by: Philips Galle Source A related resource from which the described resource is derived British Museum https://www.britishmuseum.org/collection/object/P_1957-0413-224 Previous owner/ex-collection: Elizabeth, Duchess of Northumberland (Courtier. In 1750 succeeded her father, Algernon Seymour as Baroness Percy while her husband, Sir Hugh Smithson (q.v.) succeeded him as Earl of Northumberland and assumed the name Percy; in 1766, he was created Duke of Northumberland.) for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120 acquisitioned 1957 Publisher An entity responsible for making the resource available Flemish Published in: Antwerp (city) Europe: Belgium: Flemish Region: Antwerp (province): Antwerp (city) Date A point or period of time associated with an event in the lifecycle of the resource 1604 Contributor An entity responsible for making contributions to the resource New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (228.I) Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752) Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I) https://www.european-mastectomy.artinterp.org/files/original/b13a5b9905a8ae8e038044e8305fc1e3.jpg 94748a48ff49ac4174db85852c3a2785 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Subject The topic of the resource Piccoli Santi (Small Saints) (Small Saints) Description An account of the resource St Agatha tied to a tree with her left arm raised; a landscape at her right; copy in reverse after Marcantonio Etching and engraving Height: Height: 64 millimetres Width: Width: 38 millimetres Inscription content: Collector's initials 'JB' in pen and ink on verso (Lugt 1419) Creator An entity primarily responsible for making the resource After: Marcantonio Source A related resource from which the described resource is derived British Museum https://www.britishmuseum.org/collection/object/P_H-1-125 Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC) Previous owner/ex-collection: John Barnard (L.1420) acquisitioned 1799 Publisher An entity responsible for making the resource available Italian Date A point or period of time associated with an event in the lifecycle of the resource 1500-27 Contributor An entity responsible for making contributions to the resource The artist added the landscape, which does not appear in the original print, and omitted the trees on the sides. Bartsch / Le Peintre graveur (XIV.142.170) Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72) https://www.european-mastectomy.artinterp.org/files/original/8ec11d0be3eb6fe2465bcf86f97526fa.jpg 7ddb5dfc3d5f539764ab024fa73e575a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Agatha Subject The topic of the resource Series: Series: Piccoli Santi (Small Saints) (Small Saints) Description An account of the resource St Agatha standing between two trees, her left arm raised and tied to a third tree in the middle; copy in reverse after Marcantonio Engraving Height: Height: 87 millimetres Width: Width: 55 millimetres Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold NOTE: the whole breasts where in another edition the breasts are removed "The artist did not fully understand Marcantonio’s print and in his engraving omitted to emphasize St Agatha’s cut breasts." Creator An entity primarily responsible for making the resource After: Marcantonio Source A related resource from which the described resource is derived Bartsch / Le Peintre graveur (XIV.142.170) Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72) Date A point or period of time associated with an event in the lifecycle of the resource 1500-1527 Contributor An entity responsible for making contributions to the resource British Museum https://www.britishmuseum.org/collection/object/P_H-1-124 Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC) Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’) breasts saint agatha saints torture https://www.european-mastectomy.artinterp.org/files/original/6054d13db623f469be8ffaf96c9b472a.jpg eec4d8dde7b573428d9aae8ec0dc0e3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of a lady Subject The topic of the resource Object: Object: Giulia Gonzaga Series: Series: The National Gallery of Pictures by the Great Masters Description An account of the resource Plate 63: Portrait of a lady traditionally identified as Giulia Gonzaga, half-length, turned to right; after Sebastiano del Piombo. c.1836 Etching and engraving Height: Height: 271 millimetres Width: Width: 214 millimetres Inscription content: Lettered in lower margin with title and production details: "Engraved by L. Stocks" and "From the original Picture by Sebastiano del Piombo in / The National Gallery / No.63" and "Jones & Co. Temple of the Muses, Finsbury Square, London.". After Sebastiano del Piombo's "Portrait of a lady with the attributes of Saint Agatha" of c. 1540 in the National Gallery (inv. NG 24), thought at the time to represent Giulia Gonzaga. Creator An entity primarily responsible for making the resource After: Sebastiano del Piombo Print made by: Lumb Stocks Published by: Jones & Co Publisher An entity responsible for making the resource available Italian / British Published in: London (England) Europe: British Isles: England: London (England) Date A point or period of time associated with an event in the lifecycle of the resource 1836 Contributor An entity responsible for making contributions to the resource British Museum https://www.britishmuseum.org/collection/object/P_1861-1214-66 Purchased from: Willis & Sotheran female subject female subjectivity portrait saint agatha https://www.european-mastectomy.artinterp.org/files/original/6e660857f99aae37f499f5f3ba991d1b.jpg f3a669de34cce11cfc68910ae827d933 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personifications of medicine, pharmacy and surgery Subject The topic of the resource "In the centre, raised on a dais, stands a physician representing Medicine. He wears academic dress, and his gown is composed of some of the ancient and mediaeval books in which traditional western medicine has been transmitted. They include works by the ancient Greek authors Hippocrates (5th-4th century BC) and Galen (AD 129-200); the Byzantine Paul of Aegina (AD 625-690?); the eastern mediaeval authors Avicenna (980-1037), Rhazes (Abū Bakr Muḥammad ibn Zakarīyā Rāzī, 865?-925?), Avenzoar (ʻAbd al-Malik ibn Abī al-ʻAlāʼ Ibn Zuhr, d. 1162), Moses Maimonides (1135-1204), Haly Rodoan (ʻAli ibn Riḍwān, d. ca. 1068), Haly Abbas (ʻAlī ibn al-ʻAbbās Majūsī, 10th/11th cent.), and Mesue (Yūḥannā Ibn Māsawayh, d. 857 or 858); and the western mediaeval authors Bernard of Gordon (ca. 1260-ca. 1318), Arnold of Villanova (d. 1311), and the modern preserver of mediaeval knowledge Laurent Joubert (1529-1583). Elevated by his learning, which ranges over the whole spectrum of subjects relevant to medicine, the physician gives six instructions to the two subordinate figures whose qualifications cover a narrower range.The first three commands (clysters, bloodletting, cupping) are directions to the surgeon, the second three (laxatives, juleps, emetics) to the apothecary. On a table on the left are medical instruments: a vertical urine flask containing urine with sediment from a kidney or bladder stone; a horizontal urine flask; a bowl containing a steaming liquid; and a prescription ("Ordonnance") containing a list of plants (senna, cassia, tamarind, rhubarb, manna) to be used as a medicine or medicines. On his head he wears an academic beret on which sits an owl Below, on the left is the apothecary, composed of items of pharmaceutical equipment. His hat is an alembic or distilling flask. Bags of oil of lilies and oil of bay cover his chest. Various other ointments, creams and syrups form other parts of his body On the right is the surgeon, whose body is composed of surgical instruments. His hat is a cranial elevator (for removing pieces of bone when the skull has been fractured). In his right hand he holds a vaginal speculum, in his left an oral speculum. Trusses hang from his right forearm, tourniquets from his left. On his breasts he has shaving bowls. From his waist hang saws, knives and drills" Description An account of the resource 1 painting : oil on canvas ; canvas 141.5 x 124 cm Creator An entity primarily responsible for making the resource after(?) Larmessin, Nicolas de, II, 1638-1694. "The individual figures were probably devised by the French engraver Nicolas de Larmessin, ca. 1695. The arrangement of the three figures in a single composition with an ornate colonnade open to a mountainous backdrop seems to be unique to this painting" Abstract A summary of the resource. "The lettering on each figure is transcribed as follows, with the aid of the lettering on the corresponding engravings by Larmessin where the painted ones are indistinct. The physician emits commands which are represented as thunder and lightening issuing from his mouth: Lauemens [clysters] ; Saignées [bloodletting] ; Ventouzes [cupping] ; Purgations [laxatives] ; Iuleps (juleps, similar to syrups) ; Emétiques [emetics]. His collar is formed by an open book inscribed: Auicenne [Avicenna]. On his right arm is a book inscribed: Hipocrate [Hippocrates]. On his left arm is a book inscribed: Galien [Galen]. Four horizontal bands around his tunic, where fur bands would be on academic dress, are lettered with the names of authors of scholarly books. On the topmost band, P. Æginette [Paul of Aegina] ; Rhasis [Rhazes]. On the second band, Auerrois [Averroes] ; Auenzoar [Avenzoar] ; Rabby Moyse [Moses Maimonides]. On the third band: Azaram [not identified] ; Rodoan [Ali ibn Riḍwān] ; Aliabbas [Haly Abbas, ʻAlī ibn al-ʻAbbās Majūsī] ; Musue [Mesue, Yūḥannā Ibn Māsawayh] ; Dyn [presumably an Arabic name including al-Dīn, not identified]. On the fourth and bottom band: Gordon [Bernard of Gordon] ; Arnaud [Arnold of Villanova] ; Joubert [presumably Laurent Joubert]. On the table on the left, items inscribed as follows: Urine graueleuse ; Urinal ; Bille Eschaufée; Ordonnance / Senné / Casse / Tamarin / Rheubarbe / Manne Inscriptions on the pharmaceutical equipment which forms the costume of the apothecary are as follows. On the alembic on his head: Alambic. On his chest, two bags inscribed Hle de lys [Huile de lys] and Hle de Laurier [Huile de Laurier]. On the jar forming is left arm, Vng. Rosatū [Unguentum rosatum]. Above the cup held in his left hand, Medecine. On two of the flasks forming his midriff, Ceral. and Vng. [Caeruleum unguentum]. Around his pelvis, five flasks of which the front one is lettered B. Raisin. On his left hip: H dambre [Huile d'ambre]. Of the mortars which make up his thighs, the one on the right thigh is inscribed Creme de tartre; the mortar on the left thigh is inscribed Scamonée. Of the small flasks which form his knees, the one in the centre of his right knee is inscribed Sirop de Mon; the one in the centre of his left knee is inscribed Sirop de Capillaire. His shins are formed of drug-jars inscribed Album Rasis (right shin) and Pōpholigos Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: Bec de Corbin. On the instrument in his right hand: Miroir Matrical ou Uterin. On the trusses hanging round his right arm: Bandages pōr Rupt[ure]. On the instrument on his left shoulder: Dauiez. On the toothed forceps below that instrument: Tenette. On the tourniquets hanging from his left arm: Ligature. On the instrument in his left hand: Miroir po' la [Bouche]" france knives medicine pincers royal society shears surgery tools https://www.european-mastectomy.artinterp.org/files/original/49421e7013b75bb2ec6dd36dbb7d2cb4.jpg 8dbc743d1ca03773f73a844cf32e0543 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of Saint Agatha Description An account of the resource oil on canvas Location: Chiesa dei Santi del Crocifisso, Borgo Creator An entity primarily responsible for making the resource Alessandro Allori (1535-1607) Date A point or period of time associated with an event in the lifecycle of the resource 1585 agatha dress othering pincer portrait religious shears torture https://www.european-mastectomy.artinterp.org/files/original/104be4f1fc63b5b3c02d85a55d6df362.tiff 655280af0c11587bc6c992b7ec954466 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Venesection on the hand of a female patient] Description An account of the resource A woman, sitting in a chair, is having her left hand bled. Is part of: Nuova et utlilssima prattica di tutto quello ch'al diligente barbiero s'appartiene, opp. p. 55.; See related catalog record: 2302032R Extent: 1 print Technique: woodcut Creator An entity primarily responsible for making the resource Amato, Cintio d', 17th cent., author Source A related resource from which the described resource is derived NLM http://resource.nlm.nih.gov/101448293 Publisher An entity responsible for making the resource available Napoli: Appresso Geronimo Fasulo, 1671 bloodlet dress female patient hair covering knife lancet surgery https://www.european-mastectomy.artinterp.org/files/original/3402caeb674590d95eced4b6d592e128.jpeg 4aa2e29dc62e649df2680c9337c0b113 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mastectomy Tools Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Instrumenta chyrurgiae et icons anathomicae Subject The topic of the resource Surgical instruments and anatomical imagery Description An account of the resource 205 unnumbered leaves (last 2 blank) ; (8vo 17 cm) This volume contains 202 wood engravings without text, the majority from the 'Dix livres de chirurgie' published in Paris, 1564: they have been carefully painted by hand in gold, silver, and colours Copy 1. There are MS. signatures, and on the verso of the first leaf the title of the work as given above. On the second leaf in the same hand is the signature 'N. Rassius Desneus Chyrurgus S. Par'. Binding: late 17th century red goatskin over thin pasteboards, gold tooling with the arms of Nicolas Fouquet (Squirrel rampant) and a crown on the spine. This is typical of a group of bindings from around 1700 produced in imitation of earlier 17th century styles. For more information see Pascal Ract-Madoux and Isabelle de Conihout Reliures françaises du xviie siècle chefs-d'oeuvre du musée condé (Paris, Chantilly, 2002) - see especially no. 44. Bought on 6. 2. 1895, in the Libri Sale at Christie's, by Charles Butler, of Warren Wood, Hatfield, whose book-plate has been pasted inside the cover. Bought for the Wellcome Library at the Sotheby sale of Butler's library, 1. 6. 1911, Lot 1706. Creator An entity primarily responsible for making the resource Ambroise Paré Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/gea92cjg Publisher An entity responsible for making the resource available Paris Date A point or period of time associated with an event in the lifecycle of the resource 1564 hand operation surgical tools https://www.european-mastectomy.artinterp.org/files/original/8b18c2332529862381fc53a2ed7d630f.jpeg 27fd33fa8bfa4a8d565165a8757bb203 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Subject The topic of the resource Series/Book Title: Illustration from Philippus Bergomensis, De Claribus Mulieribus. Ferrara, Rossi Description An account of the resource woodcut Creator An entity primarily responsible for making the resource Anonymous Italy (Ferrara) 1497, Italian Publisher An entity responsible for making the resource available Creation Place: Europe, Italy, Emilia, Ferrara Date A point or period of time associated with an event in the lifecycle of the resource 15th c Contributor An entity responsible for making contributions to the resource Fogg Art Museum https://hvrd.art/o/252385 Philip Hofer, Cambridge, gift; to Fogg Art Museum, 1929 pincers print saint agatha tools