6 10 414 https://www.european-mastectomy.artinterp.org/files/original/88774bae2463dd683e368b1136e02503.jpeg 7e80d04a67bb4cc6e06bf6272a5d2aad https://www.european-mastectomy.artinterp.org/files/original/2388f63ba8db09045e53455975a77dc9.jpeg 62b0ef85201ce1411c73bb28ca1d6c27 https://www.european-mastectomy.artinterp.org/files/original/008ad1b7dabc688b76b1af047d541ba7.jpeg 9a80bdd923968183d35c33f4bc8ce18f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saints Catherine of Alexandria, Barbara, Agatha, and Margaret Description An account of the resource "Together with two other female saints, these panels were originally stacked in two groups of three, one above the other, to form the piers flanking the main panels of an altarpiece. By this date Giovanni di Paolo’s work must have begun to seem out of step with the naturalism of Renaissance style. For more information about these four paintings, including the other panels of the altarpiece, visit metmuseum.org." Medium: Tempera on wood, gold ground Dimensions: (a) overall 18 3/4 x 6 in. (47.6 x 15.2 cm), painted surface 18 1/4 x 5 1/2 in. (46.4 x 14 cm); (b) overall 18 3/4 x 6 in. (47.6 x 15.2 cm), painted surface 18 3/8 x 5 5/8 in. (46.7 x 14.3 cm); (c) overall 18 3/4 x 6 in. (47.6 x 15.2 cm), painted surface 18 3/8 x 5 3/8 in. (46.7 x 13.7 cm); (d) overall 18 3/4 x 6 in. (47.6 x 15.2 cm), painted surface 18 1/4 x 5 5/8 in. (46.4 x 14.3 cm) Creator An entity primarily responsible for making the resource Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena) Date A point or period of time associated with an event in the lifecycle of the resource c. 1470 Contributor An entity responsible for making contributions to the resource The Met https://www.metmuseum.org/art/collection/search/436514 Credit Line: The Friedsam Collection, Bequest of Michael Friedsam, 1931 Alphonse Kann, Paris (in 1914); [Duveen, New York]; [Kleinberger, New York, until 1919]; Michael Friedsam, New York (1919–d. 1931) Relation A related resource F. Mason Perkins. "Dipinti senesi sconosciuti o inediti." Rassegna d'arte 14 (1914), p. 165 n. 1 [first], as Saints Catherine, Barbara, Agatha, and another saint, by Giovanni di Paolo; as in the Alphonse Kann collection, Paris. [Curt H.] Weigelt in Allgemeines Lexikon der bildenden Künstler. Ed. Ulrich Thieme and Fred C. Willis. Vol. 14, Leipzig, 1921, p. 136, erroneously as still in the Alphonse Kann collection, Paris; does not identify the fourth saint. Raimond van Marle. The Development of the Italian Schools of Painting. Vol. 9, Late Gothic Painting in Tuscany. The Hague, 1927, p. 452 n. 2, erroneously as still in the Kann collection; does not identify the fourth saint. Luitpold Dussler. "Some Unpublished Works by Giovanni di Paolo." Burlington Magazine 50 (1927), p. 36, pl. IIA, notes the influence of Sassetta and suggests that the panels may be fragments of a large altarpiece dating from the 1430s. Bernard Berenson in The Michael Friedsam Collection. [completed 1928], pp. 97a–97b, identifies the saints as Catherine of Alexandria, Barbara, Lucy, and Dorothy; dates the works to the middle of the artist's career and states that they must have formed part of the same polyptych. Bernhard Berenson. Italian Pictures of the Renaissance. Oxford, 1932, p. 246. Bryson Burroughs and Harry B. Wehle. "The Michael Friedsam Collection: Paintings." Metropolitan Museum of Art Bulletin 27, section 2 (November 1932), p. 34, no. 53, identify the fourth saint as Dorothy; state that the four panels must originally have formed part of the framework of a polyptych. Marialuisa Gengaro. "Eclettismo e arte nel Quattrocento senese." La Diana 7 (1932), p. 30. Bernhard Berenson. Pitture italiane del rinascimento. Milan, 1936, p. 212. Edward S. King. "Notes on the Paintings by Giovanni di Paolo in the Walters Collection." Art Bulletin 18 (June 1936), p. 237, includes them in a list of works that he tentatively attributes to Giovanni di Paolo's workshop or imitators. John Pope-Hennessy. Giovanni di Paolo, 1403–1483. London, 1937, pp. 93, 112 n. 87, p. 172, dates them before 1450; identifies the fourth saint as Dorothy. Harry B. Wehle. The Metropolitan Museum of Art: A Catalogue of Italian, Spanish, and Byzantine Paintings. New York, 1940, p. 88, ill. Cesare Brandi. Giovanni di Paolo. Florence, 1947, p. 120, identifies the fourth saint as Dorothy. Josephine L. Allen and Elizabeth E. Gardner. A Concise Catalogue of the European Paintings in The Metropolitan Museum of Art. New York, 1954, p. 42. Bernard Berenson. Italian Pictures of the Renaissance: Central Italian and North Italian Schools. London, 1968, vol. 1, p. 178, calls them the pilasters of a polyptych. Burton B. Fredericksen and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972, pp. 90, 367, 376, 383, 392, 607. Michel Laclotte and Elisabeth Mognetti. Peinture italienne. Paris, 1976, unpaginated, under no. 90, mention Zeri's hypothesis connecting these four panels with the Avignon triptych [see Ref. Zeri and Gardner 1980]; add that Saints Barbara and Catherine would have appeared on the left and Saints Agatha and Dorothy [Margaret] on the right; date the Avignon triptych to after 1470. Federico Zeri with the assistance of Elizabeth E. Gardner. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Sienese and Central Italian Schools. New York, 1980, pp. 23–24, pls. 42, 43, identify the fourth saint as Margaret; date the panels to the artist's late period; tentatively associate them with a triptych of the Nativity now in the Musée du Petit Palais, Avignon, where they would have formed two vertical pilasters, with one saint on top of another, on either side of the central panels; cite two other intact altarpieces with the same configuration of panels: one in the church of San Pietro Apostolo at Trequanda, and one in the Walters Art Gallery, Baltimore. Michel Laclotte and Elisabeth Mognetti. Avignon, musée du Petit Palais: Peinture italienne. 3rd ed. Paris, 1987, p. 110, under no. 90. John Pope-Hennessy. "Giovanni di Paolo." Metropolitan Museum of Art Bulletin 46 (Fall 1988), p. 39, figs. 48–51 (color), mentions and illustrates two additional panels from the series, depicting Saints Mary Magdalen and Agnes (private collection); believes that these six panels formed the left and right pilasters of an altarpiece, with Saints Barbara and Agatha at the top, Saints Catherine and Margaret in the middle, and Saints Mary Magdalen and Agnes at the bottom; suggests a Nativity in the Keresztény Múseum, Esztergom, Hungary, as the central panel of this altarpiece, based on the similarity of the haloes; associates the two panels of male saints in Avignon with the Esztergom Nativity rather than with the Avignon Nativity they currently flank [see Ref. Laclotte and Mognetti 1976]. Katharine Baetjer. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. New York, 1995, p. 56, ill., as "Saints Catherine of Alexandria, Barbara, Agatha, and Margaret". Meryle Secrest. Duveen: A Life in Art. New York, 2004, p. 445. Michel Laclotte and Esther Moench. Peinture italienne: musée du Petit Palais Avignon. new ed. Paris, 2005, p. 113, under no. 106, ill. pp. 113 and 237 (reconstruction), reconstruct the altarpiece with the Esztergom Nativity in the center, the two male saints in Avignon as the wings, and the four MMA saints forming the outer vertical pilasters. Dóra Sallay. "Early Sienese Paintings in Hungarian Collections, 1420–1520." PhD diss., Central European University, Budapest, 2008, pp. 107–9, figs. 11/14 (color, with Saints Mary Magdalen and and Agnes), 11/17 (reconstruction), favors identifying the fourth saint as Martha; locates the panels depicting Saints Mary Magdalen and Agnes in the Salini collection, Siena; supports the association of the two Avignon panels and the six panels depicting female saints with the Nativity in Esztergom. Carl Brandon Strehlke in La collezione Salini: Dipinti, sculture e oreficerie dei secoli XII, XIII, XIV e XV. Ed. Luciano Bellosi. Florence, 2009, vol. 1, pp. 306, 309, ill. p. 308 (reconstruction, color), discusses them in connection with the two companion panels depicting Saints Mary Magdalen and Agnes in the Salini collection; reconstructs the altarpiece with the Esztergom Nativity in the center, flanked by the two male saints (identified as Savino or Vittorino and Ansano) in Avignon. breasts pincers saint agatha tools https://www.european-mastectomy.artinterp.org/files/original/302b8219021abe21d35dbe262d058882.jpeg 5baa48bb95c21a9842dd72da79ea2122 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ste. Agathe, vierge et martyre (St. Agatha, Virgin and Martyr), February 5th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) Subject The topic of the resource Series/Portfolio: Les Images De Tous Les Saincts et Saintes de L'Année Description An account of the resource "This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series." Medium: Etching; second state of two (Lieure) Dimensions: Sheet: 2 9/16 x 1 15/16 in. (6.5 x 5 cm) Inscription: At upper left: S. AGATHA At upper right: V. ET M. At lower left: 5. At lower left: Israel ex. At lower right: FEB. Marking: On verso at center: The Metropolitan Museum of Art stamp Creator An entity primarily responsible for making the resource Jacques Callot French Publisher Israël Henriet French Date A point or period of time associated with an event in the lifecycle of the resource 1636 Contributor An entity responsible for making contributions to the resource The Met Credit Line: Purchase, Joseph Pulitzer Bequest, 1917 Earls of Pembroke (British); Sotheby's, LondonWilton House Sale, July 1917; P. & D. Colnaghi & Co. breasts pincers pliers saint agatha tools torture https://www.european-mastectomy.artinterp.org/files/original/de1499312c0dda1eaa9c5feabed0d0de.jpeg 8c45d2730fe6ee1694743d62649b02fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Martyrdom of Saint Agatha and Saint Catherine of Alexandria Description An account of the resource hot-pokers are used to torture saint agatha Contributor An entity responsible for making contributions to the resource Wellcome Collection https://wellcomecollection.org/works/duurhum4 Format The file format, physical medium, or dimensions of the resource woodcut blacksmithing female saints hot pokers saint agatha tools torture https://www.european-mastectomy.artinterp.org/files/original/7ffe7335b1b120634defd1be61e85357.jpeg b83558c255d95db0df72d43a1c2333a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Description An account of the resource Saint Agatha holds a pair of pincers, the martyr's palm, and the Bible. In the background, a burning pyre. Saint Agatha suffered martyrdom by having her breasts torn off with pincers color lithograph Sant'Agata. Vergine e martire. On verso, prayer in Italian. 1 print : lithograph, printed in colours ; image 11 x 9.4 cm Publisher An entity responsible for making the resource available [Italy] : [publisher not identified], [between 1800 and 1899?] Date A point or period of time associated with an event in the lifecycle of the resource 19th century Contributor An entity responsible for making contributions to the resource Wellcome Collection https://wellcomecollection.org/works/h73q7j7w agatha ephemera pincers saints tools https://www.european-mastectomy.artinterp.org/files/original/230910c027fdd400700f98be55cd8df7.jpeg 307372a878709a4fd47aa6639fbb9e44 https://www.european-mastectomy.artinterp.org/files/original/c8264fe862a5820d1dbd9fa867684ea3.jpeg 9d4a09398b2f00a2deab19e56a050bb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Description An account of the resource Black ink and white gouache on blue-gray prepared antique laid paper Dimensions 19.2 x 14 cm (7 9/16 x 5 1/2 in.) Creator An entity primarily responsible for making the resource Bernhard Strigel, German (1460 - 1528) Date A point or period of time associated with an event in the lifecycle of the resource 15th-16th century Contributor An entity responsible for making contributions to the resource Fogg Art Museum https://harvardartmuseums.org/collections/object/297272?position=2 [Steinmeyer] sold; to Paul J. Sachs, Cambridge, MA (by 1927), gift; to Fogg Art Museum, 1959 Relation A related resource Sydney J. Freedberg, "A Drawing by Bernhard Strigel", Bulletin of the Fogg Art Museum (November 1938), VIII, no. 1, pp. 18-24, pp. 18-24, fig. 2 Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), no. 397, fig. 205 Allene Talmey, "The Fogg Art Museum at Harvard", Vogue, Conde Nast (New York, July 15, 1947), 15 July, pp. 44-49, 78-80, repr. p. 44 Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 260, p. 223, repr. Penley Knipe, "Grounds on Paper: An Examination of Eight Early Drawings" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1998), Unpublished, pp. 1-22 passim blacksmithing breasts pincers saint agatha tools https://www.european-mastectomy.artinterp.org/files/original/8e9fc3d07220c3fb0dd125f1f35ff6ee.jpeg fb7c4ee730e92561b4336344fe45b5b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Martyrdom of Saint Agatha; verso: Figure Study Description An account of the resource Medium Brown ink, brown and gray wash, and black chalk over graphite on cream antique laid paper (?), partial framing line in brown ink, mounted overall to cream antique laid paper with gold leaf remnants from a previous mount; verso: red chalk and black chalk or graphite Dimensions 27.3 x 17 cm (10 3/4 x 6 11/16 in.) Inscriptions and Marks inscription: lower left, brown ink: L. 2461 (Thomas Thane) collector's mark: lower right, black ink, stamp: L. 2170 (Jonathan Richardson, Jr.) inscription: mount, verso, center, graphite: B. 821 [encircled] inscription: mount, verso, lower right, graphite, erased: 5 [encircled] inscription: verso, right center, ink: 116 [? as visible throught mount] watermark: in mount: VILLEDARY inscription: verso, lower right, ink: 4 inscription: verso, brown ink: Arpino [? as visible through mount] Publisher An entity responsible for making the resource available Flemish? Date A point or period of time associated with an event in the lifecycle of the resource 17th c Contributor An entity responsible for making contributions to the resource Fogg Art Museum https://hvrd.art/o/312475 blacksmithing pincers saint agatha tools torture https://www.european-mastectomy.artinterp.org/files/original/8fb624a32a4dde6a02905183919b1689.jpeg 0015b902831a7eb88990fe65862989b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Description An account of the resource engraving Creator An entity primarily responsible for making the resource Paolo Toschi, Italian (1788 - 1854) After Parmigianino, Italian (Parma, Italy 1503 - 1540 Casalmaggiore, Italy) Publisher An entity responsible for making the resource available Italian Date A point or period of time associated with an event in the lifecycle of the resource 19th c Contributor An entity responsible for making contributions to the resource Fogg Art Museum https://hvrd.art/o/279188 Francis Calley Gray, bequest to nephew, 1856. William Gray, gift to Harvard University, 1857. breasts pinchers saint agatha torture https://www.european-mastectomy.artinterp.org/files/original/8b18c2332529862381fc53a2ed7d630f.jpeg 27fd33fa8bfa4a8d565165a8757bb203 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Subject The topic of the resource Series/Book Title: Illustration from Philippus Bergomensis, De Claribus Mulieribus. Ferrara, Rossi Description An account of the resource woodcut Creator An entity primarily responsible for making the resource Anonymous Italy (Ferrara) 1497, Italian Publisher An entity responsible for making the resource available Creation Place: Europe, Italy, Emilia, Ferrara Date A point or period of time associated with an event in the lifecycle of the resource 15th c Contributor An entity responsible for making contributions to the resource Fogg Art Museum https://hvrd.art/o/252385 Philip Hofer, Cambridge, gift; to Fogg Art Museum, 1929 pincers print saint agatha tools https://www.european-mastectomy.artinterp.org/files/original/3535e5129e7d938d15fd3875ed19c541.jpg 2689da2d7f8409a2573f54741bb72650 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Martyrdom of Saint Agatha Creator An entity primarily responsible for making the resource Parmigianino Source A related resource from which the described resource is derived Location Abbazia di San Giovanni Evangelista, Parma, Italy Date A point or period of time associated with an event in the lifecycle of the resource c. 1523-24 Contributor An entity responsible for making contributions to the resource San Giovanni Evangelista Format The file format, physical medium, or dimensions of the resource fresco breasts pincers saint agatha tools torture https://www.european-mastectomy.artinterp.org/files/original/c9484cdd36c4419aa2da5464f7f3414b.jpg 00285f3ec0d36385c32dcff5b65f9d96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Creator An entity primarily responsible for making the resource Israhel van Meckenem German Date A point or period of time associated with an event in the lifecycle of the resource 1465 Contributor An entity responsible for making contributions to the resource National Gallery of Art, D.C. Rosenwald Collection (William Schab, New York); purchased by Lessing J. Rosenwald [1891-1979], 1940; gift to NGA, 1943. Relation A related resource 1908 Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederlandischen und franzosischen Kupferstichs im XV. Jahrhundert. 9 vols. and 1 plate vol. Vienna: Gesellschaft fur vervielfaltigende Kunst, 1908-1934. 1949 Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. 8 vols. Amsterdam: Menno Hertzberger, 1954-1868. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. Vols. I-XV, XVIII, XIX. Amsterdam: Menno Hertzberge 1967 Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1967: no. 156. breasts pincers saint agatha