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              <name>Title</name>
              <description>A name given to the resource</description>
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                <text>Heilige Agatha, Heilige Dorothea, Heilige Romuald van Camaldoli, Heilige Paulus van Verdun (5-8 februari)</text>
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                <text>Alle heiligen en de Christelijke feestdagen van het jaar (series title)</text>
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DescriptionBlad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de Heilige Agatha wier borsten door een beul worden afgesneden, rechtsboven de Heilige Dorothea gebonden aan een paal, rechtsonder de Heilige Romuald met een wandelstok en een boek in de handen, linksonder de Heilige Paulus van Verdun met een palmtak in de hand. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.&#13;
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&#13;
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&#13;
Waarschijnlijk zijn de afbeeldingen in de prentserie 'Alle heiligen en de christelijke feestdagen van het jaar' ooit bedoeld geweest als illustraties bij een hagiografie; ze zijn echter nooit in die context verschenen. Klinkert, C.</text>
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                <text>&#13;
print maker: Jacques Callot&#13;
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publisher: Israël Henriet (mentioned on object)</text>
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                <text>Rijskmuseum&#13;
http://hdl.handle.net/10934/RM0001.COLLECT.40543</text>
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                <text>Catalogue reference&#13;
Meaume 314-1(2)&#13;
Remark: nrs. 43-46&#13;
Lieure 848-2(2)&#13;
Lieure 849-2(2)&#13;
Lieure 850-2(2)&#13;
Lieure 851-2(2)</text>
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                <text>On this page of the Litany, a series of invocations to favored saints, the first saint appealed to is Saint Agatha: S[an]c[t]a Agatha ora pro nobis (Saint Agatha, pray for us). The pattern is followed for the prayers to Agnes, Cecilia, Lucy, and Catherine of Alexandria. The images of the saints are aligned with the appropriate text on the left. Each saint is identifiable either by an action associated with her or an emblem she holds. For example, on the top right, Saint Agatha, tied to a stake, has her breasts cut off. The elegant, linear quality of the draftsmanship makes even scenes of torture appear elegant.&#13;
&#13;
Medium:&#13;
Tempera colors, gold leaf, and ink&#13;
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Leaf: 26.4 × 18.3 cm (10 3/8 × 7 3/16 in.)&#13;
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manuscript folio</text>
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Northeastern France, France (Place Created)&#13;
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French</text>
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                <text>Getty Museum&#13;
https://www.getty.edu/art/collection/object/103S6E#full-artwork-details&#13;
&#13;
Ms. Ludwig IX 3 (83.ML.99), fol. 105v</text>
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                <text>A statue of Germania whose prominent breasts have been removed in accordance with the "Lex Heinze" law on censorship</text>
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                <text>Work Type&#13;
Humorous pictures. Ink drawings.&#13;
Material&#13;
india ink over pencil ;&#13;
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sheet 25.7 x 17 cm&#13;
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1 drawing :&#13;
The artist shows sutures where the breasts have been removed. Three Bavarian passers-by are open-mouthed with astonishment. The drawing and its pair apparently refer to the war memorial in the Marktplatz at Prien am Chiemsee, Bavaria, including a sculpture of Saint Catherine of Alexandria sculpted by Friedrich Lommel in 1923. That figure of Saint Catherine is similar to the present figure of Germania, though there are also many differences. The Lex Heinze (referred to in the lettering for the companion drawing) was a German law passed in 1900 forbidding unseemly or obscene representations in public places. The lettering implies that a Dr Casselmann spoke in favour of the law in the Bavarian parliament (Bayerischer Landtag): Dr. jur. Leopold Casselmann (1858-1930, from 1907 Ritter von Casselmann), mayor of Bayreuth 1900-1918, was minister of justice for Bavaria 1918-1919&#13;
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                <text>Wellcome Collection&#13;
https://wellcomecollection.org/works/gwyqzbsq</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Credit: A statue of Germania whose prominent breasts have been removed in accordance with the "Lex Heinze" law on censorship. Drawing, ca. 1923. Wellcome Collection. In copyright&#13;
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                <text>An horrific omnium gatherum of the "heroic" medical and surgical treatments typical of establishment medicine around the time of the French Revolution. Two amputations are taking place. A friar holds a crucifix before the patient on the right. Near the middle, a woman with one exposed breast has a pair of amulets dangled before her eyes by a theurgist friar: perhaps she is portrayed as the next candidate for surgery (mastectomy). The setting is a hospital of the grandest kind: Christine Stevenson's 'Medicine and magnificence : British hospital and asylum architecture, 1660-1815', New Haven: Yale University Press, 2000, discusses the rationales in Britain of such palatial buildings&#13;
&#13;
1 drawing : pen and grey ink and watercolour over pencil ; sheet 29.5 by 43.2 cm&#13;
&#13;
Medicine vessels lower right labelled "unguent balsa" and "ung. me"</text>
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                <text>Johann Heinrich Ramberg&#13;
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                <text>xxxii, 708 page, folded plates. ; (4to)&#13;
Edited by D. Cox. Cf. "Introduction"&#13;
Translated from the German original by George Wirgman</text>
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