]]> 1 print : 31 x 23 cm.
Technique:
etching, color]]> http://resource.nlm.nih.gov/101393997]]> 1 print : halftone ; image 30.5 x 23.5 cm
]]> https://wellcomecollection.org/works/d237xdbm
]]> ]]> Edited by D. Cox. Cf. "Introduction"
Translated from the German original by George Wirgman]]> https://wellcomecollection.org/works/aa5yb65y
]]> ]]>
1 print : line engraving ; platemark 18.9 x 24.5 cm

Melancholicus. Anxius et niger est, timet omnia tristia, dormit, / Et violentus atro manat ab ore furor, / Insomnesque agitat violento examine curas: / Mole sua bilis quem nimis atra premit. M. de Vos inventor. Raphael Sadler scalps. Antuerpiæ.
]]> https://wellcomecollection.org/works/k8x8cn4z]]> ]]> Guy Tal, 'Skepticism and morality in Jacques de Gheyn II's Preparation for the witches' sabbath', Simiolus, 2022, 44: 5-27, p. 10 ("A figure with fingers intertwined became a standard signifier of melancholy")]]>
shears on the ground
]]> ]]> https://wellcomecollection.org/works/cc9r3rgk]]> ]]> ]]> ]]> https://wellcomecollection.org/works/px2n4qhb]]> ]]> Gentlefolk of Leeds afflicted with disease.]]> 1 painting : watercolour ; sheet 36.5 x 50.5 cm
Lettering: Entire destruction of the breast by cancerous ulceration. See Miss Moseley's case Oct 1828. Lived 6 years after
Lettering on verso: Cancer of the breast, see Miss Mosley's case]]> ]]> Technique:
engraving]]> Coypel, Charles Antoine, 1694-1752, artist
Contributor(s):
Toullain, artist]]> http://resource.nlm.nih.gov/101393076]]>