Gentlefolk of Leeds afflicted with disease.]]>
2. 1st application of the caustic--3. see no. 1 caustic off-- 4 outside become darker; fresh caustic applied within the circle, the inside larger as before--5 caustic taken off [pencil:] caustic again taken off, inside large again --6 The point is healing fast--7 v healing all around; the point (??) quite healed--8. Dec 22d 1840 8 v No 8 Dec 22d 1840 Sore is healing.--9Jan 23 41 v No 9 Jan 23d 1841 The sore continues to contract]]>
https://wellcomecollection.org/works/z7pdzb8a]]>
Gentlefolk of Leeds afflicted with disease.]]>
1 painting : watercolour ; sheet 36.5 x 50.5 cm
Lettering: Entire destruction of the breast by cancerous ulceration. See Miss Moseley's case Oct 1828. Lived 6 years after
Lettering on verso: Cancer of the breast, see Miss Mosley's case]]>
https://wellcomecollection.org/works/mfwfwkj4]]>
Table XLIV Table XLV / Table XLIII]]>
https://wellcomecollection.org/works/qmudt5rg]]>
Edited by D. Cox. Cf. "Introduction"
Translated from the German original by George Wirgman]]>
https://wellcomecollection.org/works/aa5yb65y
]]>
1 drawing : pen and grey ink and watercolour over pencil ; sheet 29.5 by 43.2 cm
Medicine vessels lower right labelled "unguent balsa" and "ung. me"]]>
The artist Ramberg was born in Hanover, the son of the war secretary of the Electorate of Hanover who encouraged his son in his vocation as an artist. In 1781 he sent him to England where he was introduced to King George III for whom he made a number of humorous sketches and caricatures. He was admitted to the R.A. schools by Benjamin West and he won a silver medal for life drawing in 1784. He exhibited twelve pictures at the Royal Academy (then at Somerset House) between 1782 and 1788, including his best known work 'Portraits of their Majesties and the Royal Family viewing the Exhibition of the Royal Academy' (now in the British Museum) In 1788, he visited the Netherlands and then Italy, returning to Hanover in 1792 where he was appointed court painter and spent the rest of his life]]>
Humorous pictures. Ink drawings.
Material
india ink over pencil ;
Measurements
sheet 25.7 x 17 cm
Description
1 drawing :
The artist shows sutures where the breasts have been removed. Three Bavarian passers-by are open-mouthed with astonishment. The drawing and its pair apparently refer to the war memorial in the Marktplatz at Prien am Chiemsee, Bavaria, including a sculpture of Saint Catherine of Alexandria sculpted by Friedrich Lommel in 1923. That figure of Saint Catherine is similar to the present figure of Germania, though there are also many differences. The Lex Heinze (referred to in the lettering for the companion drawing) was a German law passed in 1900 forbidding unseemly or obscene representations in public places. The lettering implies that a Dr Casselmann spoke in favour of the law in the Bavarian parliament (Bayerischer Landtag): Dr. jur. Leopold Casselmann (1858-1930, from 1907 Ritter von Casselmann), mayor of Bayreuth 1900-1918, was minister of justice for Bavaria 1918-1919
Nach der Operation! Nach Dr Casselmann im bayerischen Landtag!]]>
https://wellcomecollection.org/works/gwyqzbsq]]>
]]>
Medium:
Tempera colors, gold leaf, and ink
Dimensions:
Leaf: 26.4 × 18.3 cm (10 3/8 × 7 3/16 in.)
manuscript folio]]>
Northeastern France, France (Place Created)
Culture:
French]]>
https://www.getty.edu/art/collection/object/103S6E#full-artwork-details
Ms. Ludwig IX 3 (83.ML.99), fol. 105v]]>
collector's mark: Lugt 240
DescriptionBlad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de Heilige Agatha wier borsten door een beul worden afgesneden, rechtsboven de Heilige Dorothea gebonden aan een paal, rechtsonder de Heilige Romuald met een wandelstok en een boek in de handen, linksonder de Heilige Paulus van Verdun met een palmtak in de hand. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.
Materialpaper
Techniqueetching
Measurementsheight 210 mm × width 122 mm
Waarschijnlijk zijn de afbeeldingen in de prentserie 'Alle heiligen en de christelijke feestdagen van het jaar' ooit bedoeld geweest als illustraties bij een hagiografie; ze zijn echter nooit in die context verschenen. Klinkert, C.]]>
print maker: Jacques Callot
after own design by: Jacques Callot
publisher: Israël Henriet (mentioned on object)]]>
publisher: Paris]]>
http://hdl.handle.net/10934/RM0001.COLLECT.40543]]>
Meaume 314-1(2)
Remark: nrs. 43-46
Lieure 848-2(2)
Lieure 849-2(2)
Lieure 850-2(2)
Lieure 851-2(2)]]>
Materialbrass (alloy)
Techniquecasting / engraving
Measurementsdiameter 3.3 cm × weight 14.49 gr]]>
http://hdl.handle.net/10934/RM0001.COLLECT.265974]]>
Atlas van platen, behoorende bij het 2e deel (Nieuwe reeks), van de Verhandelingen uitgegeven door Teylers Tweede Genootschap, Jacob Dirks, A. Martin, afb. VI.46
De Noord-Nederlandsche gildepenningen wetenschappelijk en historisch beschreven en afgebeeld, dl. 1, p. 84]]>