<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/401">
    <dcterms:title><![CDATA[A periscope being used above an operation which is projected onto a lantern screen for a lecture in the adjoining room]]></dcterms:title>
    <dcterms:creator><![CDATA[Gouache painting by W.R. Seton.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/ux83b3dr]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/400">
    <dcterms:title><![CDATA[A surgeon performing a suprapubic lithotomy on a boy]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : lithograph ; image 23.3 x 33 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Lithograph by R. Lemoine, 1899.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/b58tqug9]]></dcterms:source>
    <dcterms:date><![CDATA[1899]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/399">
    <dcterms:title><![CDATA[An elderly anatomist contemplates the heart that he has excised from the corpse of a beautiful, young woman]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This photogravure is after an oil painting, now in the Museo de Belles Artes in Malaga, Spain, painted by the Spanish artist Enrique Simonet y Lombardo, while he was in Rome, in 1890. Its original title is ¡Y tenía corazón!, or &quot;She had a heart&quot;. An elderly anatomist is shown holding the heart of the corpse of a beautiful, young woman which is laid out, half-draped, on a table before him, bathed in light entering through the window on the facing wall. In his right hand he holds the blood-stained scalpel which he has used to remove the heart. On the wall behind him, next to the lantern, is the lower half of a crucifixion - an indication that the scene takes place in a hospital under religious administration. On the window ledge are arranged distillation bottles and on a table in the right foreground are two scalpels, a large sponge and a bowl. The theme of the contemplation of death, the apparently living corpse, and youthful, feminine beauty is also the subject of catalogue nos 25532 and 25570. For another example of this print, see catalogue no. 25615&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[lettering: L&#039;anatomie du coeur ; E. Simonet Rom&lt;a &#039;90&gt; ; E. Simonet pinx. ; Rud. Schuster, Heliogr. The artist&#039;s name appears twice: signature and date at the lower left of the image on the wooden stretcher; at the lower left of the sheet, below the image<br />
<br />
1 print : photogravure ; image 31 x 54 cm<br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Photogravure by R. Schuster, 1907, after a painting by E. Simonet (1864-1927), 1890]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/vd38basb]]></dcterms:source>
    <dcterms:publisher><![CDATA[Berlin : Rud. Schuster, 1906.<br />
***check for distribution***]]></dcterms:publisher>
    <dcterms:date><![CDATA[1906]]></dcterms:date>
    <dcterms:relation><![CDATA[References note<br />
G. Wolf-Heidegger and A. M. Cetto, Die Anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, no. 89, p. 183<br />
C. Reyero and M. Freixa, Pintura y escultura en España, 1800-1910, Madrid 1995, p. 236, fig. 139<br />
K. Linker, Love for sale. The words and pictures of Barbara Kruger, New York 1990, &quot;No radio&quot;, p. 39<br />
D.J. Rothman, S. Marcus and S. Kiceluk, Medicine and western civilization, New Brunswick 1995, p. 422]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/398">
    <dcterms:title><![CDATA[A surgeon opening an abscess on the arm of a reclining man who is leaning on the lap of the surgeon&#039;s assistant]]></dcterms:title>
    <dcterms:subject><![CDATA[patient of an ambiguous sex]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : stipple engraving, printed in rust<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Colour stipple engraving by S. Mulinari, 1796, after G.F. Barbieri, il Guercino (1591-1666)]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/tg6f82de]]></dcterms:source>
    <dcterms:date><![CDATA[1796]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/397">
    <dcterms:title><![CDATA[De mulierum organis generationi inservientibus tractatus novus. Demonstrans tam homines &amp; animalia caetera omnia, quae vivipara dicuntur, haud minus quam ovipara ab ovo originem ducere ... ]]></dcterms:title>
    <dcterms:subject><![CDATA[female reproductive system treatise]]></dcterms:subject>
    <dcterms:description><![CDATA[[24], 334, [16] p. (last blank) : add. engr. t.p., engr. front. (port.), ill., plates (some folded)<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Graaf, Reinier de, 1641-1673. ]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[Leiden: Hackius, Jacobus, 1663-1698, 1672.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1672]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/396">
    <dcterms:title><![CDATA[Opera omnia]]></dcterms:title>
    <dcterms:subject><![CDATA[male reproductive system]]></dcterms:subject>
    <dcterms:description><![CDATA[11 unnumbered leaves, 537 pages, 37 leaves of plates (some folded) : illustrations, frontispiece (portrait) ; (8vo)<br />
Contents<br />
De virorum organis generationi inservientibus -- Epistola ad virum clarissimum Lacam Schacht ... de partibus genitalibus mulierum -- De mulierum organis generationi inservientibus -- Partium genitalium defensio -- De succi pancreatici natura &amp; usu -- De clysteribus -- Vopiscum Fortunatum Plempium -- De usu siphonis in anatomia.]]></dcterms:description>
    <dcterms:creator><![CDATA[Graaf, Reinier de, 1641-1673]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/x86f6rw6]]></dcterms:source>
    <dcterms:publisher><![CDATA[Amstelædami : Ex officina Wetsteniana, 1705.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/395">
    <dcterms:title><![CDATA[An anatomical dissection by Reinier de Graaf, taking place in a room with a patient in bed]]></dcterms:title>
    <dcterms:subject><![CDATA[Reproduction, 1927, of an engraving by G. Wingendorp, 1671<br />
<br />
&quot;Description<br />
Seen through an arch, de Graaf discusses the dissection with two companions. In front of the dissecting table are the bodies of a variety of animals and a living dog. To the right of the window, surgical instruments hang on the wall. This is the title page to his 1671 work on pancreatic secretions. De Graaf is also known for his book on the sexual organs of the human female, De mulierum organis generationi inservientibus, published in Leiden 1672&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : process print ; image 16 x 9.7 cm + calendar<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/mmpvdpt8]]></dcterms:source>
    <dcterms:date><![CDATA[1927]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/394">
    <dcterms:title><![CDATA[An anatomical dissection taking place in a hall decorated with musclemen and human and animal skeletons in niches]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This anatomical dissection takes place in a hall which leads on to a library. The dissector has initiated the anatomy with a cross-section of the abdomen using a double-bladed knife. In the niches that line the hall are life-size musclemen and human and animal skeletons. The muscleman on the right is adapted from Juan de Valverde&#039;s Historia de la composicion del cuerpo humano (Rome 1556) and that on the left is the from Andreas Vesalius&#039;s De humani corporis fabrica (Basel 1543, bk ii, pl. ii), as are the skeletons in the second niches (bk i, pls i and iii). In the more distant niches there are simian and avian skeletons and suspended from the ceiling are the skeletons of four-legged animals. In the foreground there are bodies of a variety of animals: a snake, a rabbit, a pig, a lion, a dog, a bird, etc. as a further reference to comparative anatomy. The dramatic effect of the diminishing perspective is aided by the two pairs of obelisks, one at the foreground, bearing a quotation from Seneca (Epistulae morales ad Lucilium, 64) and the other pair further down the hall. The Bibliotheca anatomica, first published in 1685 with a second edition in 1699, is a compilation of works by seventeenth-century authors, edited by Daniel Le Clerc (1652-1728) and Jean-Jacques Manget (1652-1742), two Swiss physicians who collaborated on several publications. Le Clerc himself is the author of the Histoire de la medecine (Geneva 1696, and later editions) which is mainly concerned with the history of ancient medicine&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving, with etching ; image 39.9 x 21.1 cm<br />
lettering: Bibliotheca anatomica Lettering on obelisks, left and right: Multum egerūt qui a(n)te nos fuerunt, sed non peregerūt, multumque restabit, nec ulli nato per mille secula praecludetur occasio aliquid adhuc adjiciendi. Seneca.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/hw22mv6t]]></dcterms:source>
    <dcterms:publisher><![CDATA[Genevæ [Geneva] : Sumptibus Joannis Anthonii Chovet, 1685.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:relation><![CDATA[A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. ccix<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/393">
    <dcterms:title><![CDATA[An anatomist, &quot;Mr Le Professeur C...&quot;, dissecting a cadaver laid out on a trestle table, while a seated man looks on]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;An anatomist, identified by an inscription below the etching only as &quot;Mr Le Professeur C....&quot;, stands by a cadaver on a trestle table. He is wearing an apron and a top hat and holds a scalpel. In front of a door behind him sits a man, probably an assistant, who is also wearing an apron. From the table two buckets are suspended, in easy reach for the disposal of dissection waste. Between the legs of the cadaver is another waste receptacle, a transparent bowl&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; image 23.4 x 16.1 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Rousseau, Jean-Jacques, 1861-1911.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/rnn7ekx2]]></dcterms:source>
    <dcterms:date><![CDATA[1889]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/392">
    <dcterms:title><![CDATA[The medical practitioner as Christ, angel, man and devil]]></dcterms:title>
    <dcterms:description><![CDATA[4 prints : engravings ; sight 54.5 x 76 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Coloured engravings by J. Gelle after E. van Panderen]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/kzn5a247]]></dcterms:source>
    <dcterms:relation><![CDATA[Set of four prints. Four other sets on the same subject are also recorded: see C.E. Daniels, &quot;Docteurs et malades&quot;, Janus, vol. 5, 1900, pp. 20-26<br />
<br />
F.W.H. Hollstein, Dutch and Flemish etchings engravings and woodcuts, vol. VII, Amsterdam [19--], p. 97, nos 7-10 (set of four)<br />
<br />
]]></dcterms:relation>
</rdf:Description></rdf:RDF>
