<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/308">
    <dcterms:title><![CDATA[Ambroise Paré]]></dcterms:title>
    <dcterms:subject><![CDATA[portrait from a series devoted to medical men that also featured Vesalius (see record 306) ]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving, with watercolour<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[C. Manigaud after E. J. C. Hamman]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/xgc5ajnk]]></dcterms:source>
    <dcterms:relation><![CDATA[References note<br />
R. Burgess, Portraits of doctors &amp; scientists in the Wellcome Institute, London 1973, hors catalogue no. 2221.15]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/155">
    <dcterms:title><![CDATA[Ambroise Paré 1517-1590]]></dcterms:title>
    <dcterms:description><![CDATA[Photograph of a painting of French barber surgeon Ambroise Paré, standing over an ailing patient with a soldier to his left and an assistant to his right.<br />
<br />
1 photograph : 26 x 21 cm]]></dcterms:description>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101673289]]></dcterms:source>
    <dcterms:date><![CDATA[Produced: [between 1940 and 1960?]]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/307">
    <dcterms:title><![CDATA[Ambroise Paré using a ligature on an artery of an amputated leg of a soldier, during the Siege of Metz, 1553]]></dcterms:title>
    <dcterms:subject><![CDATA[print of a painting of pare that featured at the Salon of 1889 ]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : photogravure ; platemark 16.8 x 24.5 cm<br />
Lettering<br />
Ambroise Paré pratiquant la ligature des artéres sur un amputé. (Siége de Metz - 1553). Salon de 1889. T. Chartran.<br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Photogravure after T. Chartran, 1889.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/v9nk4w59]]></dcterms:source>
    <dcterms:date><![CDATA[1889]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/304">
    <dcterms:title><![CDATA[Ambroise Paré, as an apprentice barber-surgeon in a busy shop in Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[series of engravings, part of a series of preeminent French men]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : wood engraving ; image 10.8 x 16 cm<br />
<br />
Lettering<br />
Ambroise Paré apprenti-barbier, chirurgien a Paris. J. Ansseau. Morin.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[engraving by J. Ansseau after Morin, Edmond, 1824-1882<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/na4pu2fc]]></dcterms:source>
    <dcterms:date><![CDATA[1800-1899]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/361">
    <dcterms:title><![CDATA[Amputation of the breast.<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;Procedure used to remove the breast by Scultetus in the 17th century. He used heavy ligatures threaded onto large needles and then transfixed the breast to exert traction before removing it with the knife. The base was then cauterised to produce haemostasis&quot; - Sakorafas]]></dcterms:subject>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/hkxja9hm]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/391">
    <dcterms:title><![CDATA[An allegorical figure wearing a large variety of surgical instruments including some on his head and hands]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : etching ; image 25.8 x 18.4 cm]]></dcterms:description>
    <dcterms:creator><![CDATA[after Larmessin, Nicolas de, II, 1638-1694.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/k8gtdk9p]]></dcterms:source>
    <dcterms:publisher><![CDATA[The original engraving is a plate to: N. de Larmessin, Costumes grotesques, 1695<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[1695]]></dcterms:date>
    <dcterms:relation><![CDATA[A. Weber, Tableau de la caricature médicale .., Paris 1936, p. 47., plate 41,]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/402">
    <dcterms:title><![CDATA[An anatomical dissection by Realdus Colombus, attended by onlookers]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This is the only illustration to Realdus Colombus&#039;s De re anatomica, published in Venice in 1559, the year of his death. It is known, however, that he had planned an illustrated text. In his letter to Duke Cosimo de&#039;Medici of 17 April 1548 he requests leave from his post as lecturer in anatomy at the University in Pisa in order to work on his busok, mentioning the assistance he is receiving from the &quot;leading painter in the world&quot; as well as how, on a previous stay in Rome, he dissected cadavers and supervised artists. This &quot;leading painter&quot; has usually been identified as Michelangelo, whose friendship with Colombus is documented in the 1553 biography of the artist by Ascanio Condivi. Colombus dispatched the body of &quot;a young and very handsome moor&quot; for Michelangelo to dissect and also treated him successfully for kidney stones. Colombus is noted for offering an early description of pulmonary circulation and for being a proponent of vivisection, the subject of the fourteenth book of De re anatomica. In the title page, the dissection is being followed by several observers, two of whom are consulting books, one of which is illustrated. At the lower left a young man is seated, taking notes or sketching on a pad.&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[Collotype after a woodcut, 1559.<br />
1 print : collotype ; image 28.2 x 20 cm<br />
Lettering<br />
Realdi Columbi Cremonensis, in almo gymnasio Romano anatomici celeberrimi, De re anatomica libri xv. Venetiis. Ex typographis Nicolai Bevilacquae. MDLIX]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/sfhgfs67]]></dcterms:source>
    <dcterms:date><![CDATA[1559]]></dcterms:date>
    <dcterms:relation><![CDATA[References note<br />
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, pp. 220-221, no. 133<br />
E. D. Coppola, &quot;The Discovery of the Pulmonary Circulation: A New Approach,&quot; Bulletin of the History of Medicine, xxxi, 1957, pp. 44-77<br />
J. J. Bylebyl, &quot;Realdo Colombo,&quot; Dictionary of Scientific Biography, iii, 1974, pp. 354-357]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/395">
    <dcterms:title><![CDATA[An anatomical dissection by Reinier de Graaf, taking place in a room with a patient in bed]]></dcterms:title>
    <dcterms:subject><![CDATA[Reproduction, 1927, of an engraving by G. Wingendorp, 1671<br />
<br />
&quot;Description<br />
Seen through an arch, de Graaf discusses the dissection with two companions. In front of the dissecting table are the bodies of a variety of animals and a living dog. To the right of the window, surgical instruments hang on the wall. This is the title page to his 1671 work on pancreatic secretions. De Graaf is also known for his book on the sexual organs of the human female, De mulierum organis generationi inservientibus, published in Leiden 1672&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : process print ; image 16 x 9.7 cm + calendar<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/mmpvdpt8]]></dcterms:source>
    <dcterms:date><![CDATA[1927]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/390">
    <dcterms:title><![CDATA[An anatomical dissection of the abdomen of a cadaver, seen in a foreshortened view]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;Four anatomists atending an anatomical dissection. Two of the four are carrying out the dissection while the others look on. The contents of the abdomen have been excavated and lie on the table next to the cadaver, which is seen in a foreshortened view&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : aquatint ; image 31.3 x 37.6 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Perrette, René.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/gjetpmpu]]></dcterms:source>
    <dcterms:date><![CDATA[1904]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://www.european-mastectomy.artinterp.org/items/show/394">
    <dcterms:title><![CDATA[An anatomical dissection taking place in a hall decorated with musclemen and human and animal skeletons in niches]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This anatomical dissection takes place in a hall which leads on to a library. The dissector has initiated the anatomy with a cross-section of the abdomen using a double-bladed knife. In the niches that line the hall are life-size musclemen and human and animal skeletons. The muscleman on the right is adapted from Juan de Valverde&#039;s Historia de la composicion del cuerpo humano (Rome 1556) and that on the left is the from Andreas Vesalius&#039;s De humani corporis fabrica (Basel 1543, bk ii, pl. ii), as are the skeletons in the second niches (bk i, pls i and iii). In the more distant niches there are simian and avian skeletons and suspended from the ceiling are the skeletons of four-legged animals. In the foreground there are bodies of a variety of animals: a snake, a rabbit, a pig, a lion, a dog, a bird, etc. as a further reference to comparative anatomy. The dramatic effect of the diminishing perspective is aided by the two pairs of obelisks, one at the foreground, bearing a quotation from Seneca (Epistulae morales ad Lucilium, 64) and the other pair further down the hall. The Bibliotheca anatomica, first published in 1685 with a second edition in 1699, is a compilation of works by seventeenth-century authors, edited by Daniel Le Clerc (1652-1728) and Jean-Jacques Manget (1652-1742), two Swiss physicians who collaborated on several publications. Le Clerc himself is the author of the Histoire de la medecine (Geneva 1696, and later editions) which is mainly concerned with the history of ancient medicine&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving, with etching ; image 39.9 x 21.1 cm<br />
lettering: Bibliotheca anatomica Lettering on obelisks, left and right: Multum egerūt qui a(n)te nos fuerunt, sed non peregerūt, multumque restabit, nec ulli nato per mille secula praecludetur occasio aliquid adhuc adjiciendi. Seneca.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/hw22mv6t]]></dcterms:source>
    <dcterms:publisher><![CDATA[Genevæ [Geneva] : Sumptibus Joannis Anthonii Chovet, 1685.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:relation><![CDATA[A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. ccix<br />
]]></dcterms:relation>
</rdf:Description></rdf:RDF>
