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                <text>[Urine examination at a physicians' office or laboratory]</text>
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                <text>"Interior view: a woman with a young child are standing next to a physician who is holding a urine flask; in the background other physicians? are holding flasks; a satyr and a monkey at the top of the page are indicative of the fallacy of the scene."&#13;
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A woman seated clutching breast could stand for melancholy (mastectomy). Tools in the foreground reminiscent of shears.</text>
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                <text>Dueren, Johan van, fl. 1687, author</text>
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                <text>NLM&#13;
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                <text>Amsterdam: Timotheus ten Hoorn, 1688</text>
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                <text>Is part of: De ontdekking der bedriegeryen vande gemeene pis-besienders, title page.; See related catalog record: 2335001R</text>
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                <text>Engelbrecht, Martin, 1684-1756, artist&#13;
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                <text>NLM&#13;
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                <text>A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. </text>
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                <text>The three named quacks occupy the top of the shield, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it. Two pairs of crossed human thigh bones are below the shield&#13;
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Et plurima mortis imago.[on a banderole] Consultation of physicians. A facsimile of Hogarth's own engraving.&#13;
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                <text>Engraving after W. Hogarth, 1736.</text>
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                <text>London (Temple of the Muses, Finsbury Square) : Jones &amp; co.&#13;
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                <text>British Museum, Catalogue of political and personal satires, vol. III, pt. I, London 1877, no. 2299&#13;
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                <text>Ambroise Paré, as an apprentice barber-surgeon in a busy shop in Paris</text>
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                <text>series of engravings, part of a series of preeminent French men</text>
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Ambroise Paré apprenti-barbier, chirurgien a Paris. J. Ansseau. Morin.&#13;
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                <text>Allegorical and historical scenes of medicine: including a dissection and a distillation laboratory, and Hygieia receiving the organic and mineral bounty of the earth employed in remedies</text>
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                <text>"This title page to the posthumous 1660 publication of Gregor Horst's complete works is divided into three horizontal registers. A cartouche bearing the title in the central register is crowned by a smaller cartouche in which one sees a cock encircled by a serpent, both symbols of Aesculapius, around which is the motto: "Prudentia et vigilantia". The figures on either side of the title are Hippocrates, who holds a scroll on which it is written: "vita brevis ars longa" while the other figure, most likely Aristotle, holds aloft an armillary sphere in his right hand and with his left, supports a tablet that reads: "quod est superius est sicut inferius". In the central scene of the top register, the enthroned figure of Hygieia accepts a vessel from a woman who indicates a female patient in the bed before them, while another woman with clasped hands looks on. With her left hand, Hygieia grasps a cord from which is suspended a pentagram, employed here as an emblem of health, that descends by a hand that emerges through clouds that surround the tetragrammaton, the name Jehovah written in Hebrew. On either side of this room are landscape scenes. On the left a satyr bears a cornucopia of fruits of the earth before a landscape filled with a variety of animals and vegetation, birds and a swarm of bees. On the right Vulcan holds a cornucopia of the elements before a mining scene and an active volcano. Together they represent the harvest of both above and below the earth which may be used in healing. The lower register is concerned with scenes of seventeenth-century medicine. On the left a disputation is taking place, perhaps a degree defence. On the right is a distillation laboratory. In the centre, a human dissection is about to take place in an anatomical theatre. The anatomist, who touches the corpse while indicating the skeleton set up against the pier to the right, is probably Gregor Horst, who was the chief physician of Ulm, and whose portrait, designed by Andreas Schuch and engraved by Johann Friedrich Fleischberger, who also engraved this title page, is included in the book, presents him in similar dress and a square-cut beard"</text>
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                <text>1 print : engraving ; image 28.4 x 16.1 cm&#13;
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Gregorii Horstii, senioris, tou makaritou &lt;Greek&gt; opera medica Yehova [Hebrew] ; Prudentia et vigilantia. ; Vita brevis ars longa. ; Quod est superius est sicut inferius.</text>
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                <text>Norimbergæ [Nuremberg] : Impensis Ioh. And. &amp; Wolffg: Iun: Endteror: Hæred, 1660.</text>
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                <text>A husband and wife ask a quack doctor for advice about health: he suggests substituting himself for the husband in the wife's affections, and she agrees</text>
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                <text>&#13;
Description&#13;
A story described in an epigram by Jean-Baptiste Rousseau, Epigrammes, 1723, lib. I, epigram XI (from which the lettering on the present print was copied)&#13;
1 print : line engraving with etching ; image 31.8 x 25.3 cm&#13;
L'operateur Barri. ... Peint par E. Jeaurat. Gravé par Balechou 1743.&#13;
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                <text>Engraving by J.J. Balechou, 1743, after E. Jeaurat</text>
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                <text>Wellcome&#13;
https://wellcomecollection.org/works/sxfyk5ec</text>
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                <text>Paris (au coin de l'Abreuvoir du Quay des Orfevres) : Lepicié, graveur du Roi ; Paris (rue des Noyers vis a vis le mur de St. Yves) : L. Surugue aussi graveur du Roi avec Privilege du Roi, 1743.</text>
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                <text>Marcel Roux, Inventaire du fonds français, graveurs du dix-huitième siècle, Bibliothèque nationale, Cabinet des estampes, Paris 1931, pp. 413, no. 20&#13;
Laurie Marty de Cambiaire (ed.), Tableaux et dessins, Paris: Marty de Cambiaire, 2017, pp. 132-133, no. 6</text>
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                <text>After the painting by Jeaurat offered for sale at Sotheby's, New York, 5 June 2014, Old Master Paintings, lot 50, and subsequently with Marty de Cambiaire, Paris&#13;
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                <text>Lettering continues: "Sur leurs santés un bourgeois et sa femme, Interrogeoient l'operateur Barri, Lequel leur dit: pour vous guerir, Madame, Baume plus seur n'est que vôtre mari, Puis se tournant vers l'epoux amaigri, Pour vous, dit il, femme vous est mortelle. Las! dit alors l'epoux a sa femelle, Puis qu'autrement ne pouvons nous guerir, Que faire donc? Je n'en sçais rien dit elle, mais par Saint Jean, je ne veux point mourir. Rousseau epig."&#13;
"Opérateur" was defined by F.-S. Régnier-Desmarais (1632-1713) as follows: "Qui fait certaines opérations de chirurgie. Opérateur oculiste. Opérateur pour les dents. Opérateur pour la pierre. Fameux opérateur. Il se prend plus particulièrement pour un charlatan, qui debite ses remèdes, &amp; qui vend ses drogues en place publique" (Nouveau dictionnaire de l'Académie Françoise, Paris 1718, vol. 2 p. 168). Pierre Richelet (1626-1698) defined it as follows: "Opérateur (Empyricus). Sorte de médecin chimique, qui ordinairement vend, ou fait vendre du baume &amp; d'autres sortes de drogues sur un théatre dans les places publiques des villes (Un bon Opérateur)" (Dictionnaire de la langue françoise, ancienne et moderne, Lyon 1759, vol. 2, p. 757). Barri appears to be a proper name</text>
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        <name>stealing wife</name>
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                <text>A woman personifying anatomy looks searchingly into the light emanating from a corpse, but she is mortally threatened by the scythe of Time; representing anatomy's struggle with decay</text>
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                <text>1 print : line engraving ; platemark 46.4 x 27.4 cm&#13;
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                <text>Engraving by N-G. Dupuis, 1759, after J-B-M. Pierre.&#13;
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                <text>Wellcome&#13;
https://wellcomecollection.org/works/qjdn9f8k</text>
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                <text>Paris</text>
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                <text>1759</text>
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                <text>References note&#13;
Not found in: Marcel Roux and Edmond Pognon, Inventaire du fonds français, graveurs du XVIIIe siècle, Bibliothèque nationale, Département des estampes, Paris 1955, tome VIII (inventory of prints by N.-G. Dupuis)&#13;
G. Wolf-Heidegger &amp; A.M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel, 1967, no. 231</text>
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        <name>allegory</name>
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        <name>cupids</name>
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        <name>death</name>
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        <name>personification</name>
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      <tag tagId="478">
        <name>saw</name>
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        <name>surgery</name>
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        <name>time</name>
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      <tag tagId="73">
        <name>veil</name>
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              <description>A name given to the resource</description>
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                <text>The martyrdom of Saint Agatha</text>
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                <text>Saint Agatha is suffering martyrdom by having her breasts cut off with hot shears</text>
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            <description>An account of the resource</description>
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                <text>1 print : engraving ; platemark 25.4 x 18.3 cm; Dedicated to Prudentia, the daughter of the painter Jan van der Straet (Stradanus), who was a nun in the convent of Saint Agatha in Florence; S. Agatha, virgo et martyr. Venerabili ac religiosae virgini Prudentiae Stradanae in convento D. Agathae Florentiae professae. Hanc huius divae ab illius patre Iohanne Stradano delineatam imaginem Philippus Gallaeus in aemulationis, ad eiusdem sanctae pietatem et virtutes stimulum lubens dedicat.</text>
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              <elementText elementTextId="52">
                <text>Engraving by P. Galle after Jan van der Straet (Stradanus)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>[Antwerp] : [Ph. Galle?]</text>
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            <name>Date</name>
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                <text>[between 1500 and 1599]</text>
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            <description>A name given to the resource</description>
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                <text>Upholstery: a roll of fabric (top), tools (below)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1808">
                <text>1 print : engraving ; image and border 31.9 x 41.4 cm&#13;
&#13;
"Tapissier, façon du point glacis, et outils. ; Radel del. ; Benard fec."</text>
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                <text>Wellcome&#13;
https://wellcomecollection.org/works/gmzg54j4</text>
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        <name>crafts</name>
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        <name>pincers</name>
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        <name>tongs</name>
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      <name>Physical Object</name>
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                <text>1 print : engraving, with etching ; image 32.5 x 21 cm; Plate to: D. Diderot and J. Le R. D'Alembert, Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des metiers, Paris 1762-1773, vol. IV, p. 236; Chirurgie. Goussier del. Defehrt fecit.; Bears number: Pl. XXIX&#13;
&#13;
From Science Museum: "Lorenz Heister's (1683-1758) 'A General System of Surgery', published originally in 1743, describes a method for the removal of a tumour from a breast. The image shows the operation in progress.&#13;
&#13;
This print is from the 1780 edition of ‘Dictionnaire raisonée des sciences des arts et des métiers’, edited by Denis Diderot and Jean Le Rond D'Alembert. The title translates as Classified Dictionary of Sciences, Arts and Trades. This was the first French encyclopaedia that aimed to introduce new ideas but also create a record of existing techniques such as those in surgery."</text>
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