13 10 414 https://www.european-mastectomy.artinterp.org/files/original/645d75414a29b0d2d0bf84fd5b287236.jpg eb90b9fc8d61772fd671e976a9ff2d56 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pietà Subject The topic of the resource death of Christ Description An account of the resource Christ in a similar position to Saint Agatha by Sebastiano Creator An entity primarily responsible for making the resource Giovanni Bellini Source A related resource from which the described resource is derived Pinacoteca di Brera, Milan Date A point or period of time associated with an event in the lifecycle of the resource c. 1460 christ death iconography painting https://www.european-mastectomy.artinterp.org/files/original/7072ef8e825df94079cbe7604e22efc9.jpg 535f0268c9dfc2aa87c072be391d02de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figure study for Saint Agatha by Sebastiano Description An account of the resource black chalk and white heightening on blue prepared paper Creator An entity primarily responsible for making the resource Sebastiano del Piombo Source A related resource from which the described resource is derived Louvre https://collections.louvre.fr/en/ark:/53355/cl020200814 chalk drawing model nude saint agatha study https://www.european-mastectomy.artinterp.org/files/original/73820d4a9ccfa5b6b63985b40ebecdad.jpg fc31958890610c661bdf469b8585f24d Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torso of Parian marble figure of Aphrodite. Description An account of the resource Hellenistic Height: Height: 28 centimetres Excavated/Findspot: Fayum, el- (historic) Africa: Egypt: Fayum, el- (historic) Source A related resource from which the described resource is derived British Museum https://www.britishmuseum.org/collection/object/G_1882-1014-2 Date A point or period of time associated with an event in the lifecycle of the resource 2nd century BC antiquity fragment model statue venus https://www.european-mastectomy.artinterp.org/files/original/d5f205fbeb3e2b7a381f98fdcfcb4de4.jpg 87799be3b572bde4034868fbcefdddc0 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drawing of a statue of Venus torso Description An account of the resource Torso of a statue of Venus, seen from the front. Mid-1520s Black chalk. Creator An entity primarily responsible for making the resource Michelangelo Date A point or period of time associated with an event in the lifecycle of the resource 1524-25 Contributor An entity responsible for making contributions to the resource Curator's comments This drawing and W44, both executed in light black chalk, represent the same antique torso seen from the front and rear. They almost certainly originate from the same side of one sheet. W44 has been so closely cut at the top that a little of the drawing itself has been lost. These drawings show clear pentimenti in the outer contours, Michelangelo's lightly drawing the chalk over the paper before thickening the chosen line. Within the forms Michelangelo uses both cross hatching and curves to convey a 'morbidezza magistrale' (de Tolnay) and a synthesis of a live model and an antique torso - in this latter respect it is interesting to note the considerable projection of the l. thigh in W43, and the elongation of the torso in relation to the upper body. Two drawings of similar character equally in black chalk in the Casa Buonarroti, CB 41 F (de Tolnay 231) and CB 16F (de Tolnay 234) show the same torso in exact profile to the l. and r. and from a rear oblique angle, and surely derive from the same sheet as W43-4, Joannides (2002) considering CB 16 F to have adjoined Wilde 43, beneath it and at right angles to it. For Joannides the two BM fragments show a concern by Michelangelo for 'epidermis', CB 41 F for structure, 'with the view in left profile registered in a manner that deliberately undermines the idealism of the antique form'. Wilde resolutely attributes W43 4 to Michelangelo, in contrast to the earlier hesitancy of Berenson and Thode. For Hirst (1988), W43 4 are 'slight drawings' which nevertheless 'reveal the instinctive response of the sculptor to a three dimensional object'. Wilde and de Tolnay consider a far earlier sheet at Chantilly, dated 1501-5 (de Tolnay 24) and in Michelangelo's characteristic pen and ink style, to represent the same antique torso. In fact the model for the Chantilly drawing is a statue formerly in the Sassi collection in Rome, see David Ekserdjian, 'Parmigianino and Michelangelo', "Master Drawings", XXXI, Winter 1993, pp.390-4. Wilde notes that the technique of W43 4 is consistent with Michelangelo's of the 1520s and that he may well have used such a torso as an exemplar for his first female nude sculpture: the full size clay model for the sculpted figure of 'Dawn' to be placed in the Sacrestia nuova (1524 or 1525). De Tolnay concurs. Wilde's description of the torso as being of the type of the 'Aphrodite of Cnidus' by Praxiteles is challenged by Otto Kurz (1953) but acknowledged by most subsequent scholars including Joannides (2002). To this group de Tolnay links a sheet in the Louvre (de Tolnay 230), equally representing a female nude, which he regards as deriving from the Capitoline Venus. Dussler (1959) doubts whether the torso represented in the Chantilly drawing is the same as that seen in the BM and Casa Buonarroti sheets. He regards the Chantilly sheet as autograph but not those in the BM and Casa Buonarroti, judging the execution of line in the two BM sheets to be inexpressive and the surfaces to be represented with 'eine beschrankte Skala zeichnerischer Formeln'('a restricted range of graphic form'). Watermark: Star B: star in circle with cross: large (J. Roberts, 'A Dictionary of Michelangelo's Watermarks', Milan, p. 25). Lit.: J. Wilde, 'Italian Drawings in the BM, Michelangelo and his Studio',London, 1953, no. 43, pp. 79-80 (with previous literature); O. Kurz, 'Michelangelo at the BM', 'The Burlington Magazine', XCV, 606, September 1953,p. 310; L. Dussler, 'Die Zeichnungen des Michelangelo', Berlin, 1959, no. 556, pp. 255-6 (as apocryphally attributed to Michelangelo); P. Barocchi, 'Michelangelo e la sua scuola: i disegni di Casa Buonarroti e degli Ufizzi', Florence, 1962, I, under no. 69 (= de Tolnay 234), pp. 91 2; C. de Tolnay, 'Sur des Venus dessines par Michel Ange, a propos de un dessin oublie du Musée du Louvre', "Gazette des Beaux Arts", 1967, p. 196, fig. 5; F. Hartt, 'The Drawings of Michelangelo', London, 1971, no. 241; J.A. Gere and N. Turner, in exhib. cat., London, BM, 'Drawings by Michelangelo', 1975, no. 95, p. 80; C. de Tolnay, 'Corpus dei disegni di Michelangelo', Novara, 1976, II, no. 232; M. Hirst, 'Michelangelo and his Drawings', New Haven and London, 1988, p. 61, fig. 112 3; P. Joannides, in exhib. cat. (F. Falletti and J. Katz Nelson eds), Florence, Galleria dell'Accademia, 'Venus e Amore', 2002, no. 4, pp. 150-1 fragment model study torso https://www.european-mastectomy.artinterp.org/files/original/6f882652f6e8042beb663492e6633fe3.jpeg 49a9d15b926cfc259b2de1aa4c34b40b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of Saint Agatha Description An account of the resource oil painting Source A related resource from which the described resource is derived Musée Fabre https://museefabre.montpellier3m.fr/recherche/musee%3AMUS_BIEN%3A15521?is_search_page=1&search=agathe&currentPage=1 Date A point or period of time associated with an event in the lifecycle of the resource c. 1635-40 Contributor An entity responsible for making contributions to the resource Ce superbe tableau réapparu sur le marché de l’art en 2007 est venu compléter de façon éloquente le fonds de peintures italiennes du musée. Souvent abordé par les artistes du XVIIe siècle, le sujet évoque un épisode tragique de la vie de la belle et noble Agathe, originaire de Catane, qui se consacra au Christ : refusant de céder aux avances du préfet romain Quintianus et de sacrifier aux idoles, la jeune fille est jetée en prison et suppliciée. Ramenée dans sa cellule, la poitrine mutilée, elle e st visitée par saint Pierre accompagné d’un ange qui lui restitue son intégrité. Le tableau est une parfaite illustration des tendances les plus novatrices à Naples au cours du deuxième tiers du XVIIe siècle : attirance pour le naturalisme de Caravage (1571-1610) – dont Vaccaro fut un copiste zélé – avec les figures à mi-corps, les contrastes de lumière, les détails réalistes (corps musculeux du bourreau à droite) ; réélaboration des modèles du classicisme romano-bolonais à travers la discrète idéalisation des visages et les gestes éloquents. De fait, le doux visage de la sainte, le regard extatique tourné vers le ciel, évoque l’art de Guido Reni (1575-1642) mais également celui de Massimo Stanzione (vers 1585-1656) dans sa phase la plus « rénienne ». Comme la plupart de ses contemporains – notamment Ribera –, Vaccaro se montre aussi sensible aux courants néovénitiens – diffusés par exemple par le Flamand Van Dyck (1599-1641) – qui privilégient une touche moelleuse, exaltant les belles matières tactiles, une palette claire et une coloration précieuse et raffinée Rights Information about rights held in and over the resource Achat de la Communauté d'Agglomération de Montpellier avec la participation du FRAM Languedoc-Roussillon, 2013 intervention pale saint agatha scissors tools torso torture https://www.european-mastectomy.artinterp.org/files/original/2ef97830a8e9c7b87c813780858b1fa3.jpeg 01831e07f4635747c3c2d2b2fc0f4451 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Legenda aureau Subject The topic of the resource Saint Agatha tortured by ligatures Creator An entity primarily responsible for making the resource Jacobus, de Voragine, approximately 1229-1298. Source A related resource from which the described resource is derived Huntington Library and Art Gallery https://hdl.huntington.org/digital/collection/p15150coll7/id/48746 Publisher An entity responsible for making the resource available France Date A point or period of time associated with an event in the lifecycle of the resource between 1285 and 1299 Contributor An entity responsible for making contributions to the resource Notes Jacobus de Voragine's Legenda aurea written in France, perhaps in Paris, during the next to the last decade of the thirteenth century. Manuscript in England by the third or certainly the last quarter of the fourteenth century, to judge by the script of the note added on f. 11v, correcting the king's name from "Edmundus" to "Edwardus." Span folios: ff. 1-164v. Support: Parchment. Layout: 1¹²(-1, 2, 3; this last now f. 164) 2¹² 3¹²(-1, 10, 11) 4¹²(-1, 5, 11) 5¹²(-8) 6¹²(-1; note that the 2nd, 3rd, 9th and 10th leaves-ff. 52, 53, 58, 59-are singletons, their conjuncts having evidently been cancelled, since the text runs continuously) 7¹²(-6) 8¹²(-4) 9¹²(-4, 5) 10¹² 11¹²(-2, no text missing) 12¹²(-7) 13-15¹² + one leaf (the third leaf of the first quire, misbound). Catchwords in simple yellow-washed frames through quire 5, that of quire 6 noted in a cursive hand, thereafter decorated with elaborate mouse-designs touched in red. Leaf signatures in a variety of methods: letters of the alphabet, a-h; an individual letter repeated, d, dd, ddd, dddd, vd (on quire 6); a series of horizontal slashes; letters of the alphabet surmounted by diacritical marks; a series of tangent circles. 2 columns of 59 lines, ruled in scratchy brown lead; pricking visible in the 3 outer margins. Written by two scribes in a gothic book hand: i, ff. 1-50 and 164; ii, ff. 51-163. Decoration: Extensively illuminated with 135 miniatures, usually 16 lines in height and width of 1 column (approximately 67 x 67 mm.). Written instructions to the illuminator are present for approximately one third of the miniatures; they tend to be more complex and closer to the text than the resulting miniature. Rudimentary sketches, or evidence of sketches, for the miniatures occur in about one quarter of the cases; a number of miniatures have both the written directions and the preliminary sketch. Other Decoration: Major initials, 9- to 7-line, in dull pink or blue, patterned in white against a cusped ground of the other color, infilling in a darker shade of the same color as the initial, with grotesque or leaf forms decorated with burnished gold, and marginal extensions. Initials, 4-line, to introduce the Etymologia of similar style; secondary initials, 2-line, alternating red and blue with flourishes of the other color. Line fillers in the shape of mice, the same as the decoration on the catchwords. Carefully corrected throughout by the scribe of the text, corrections in yellow boxes. Some marginalia in various hands up to 16th century. Input into Digital Scriptorium by: C. W. Dutschke, 8/2/2012. Cataloged from existing description: C. W. Dutschke with the assistance of R. H. Rouse et al., Guide to Medieval and Renaissance Manuscripts in the Huntington Library (San Marino, 1989). Bound in original[?] oak boards, quarter backed in modern mottled calf; remains of 2 fore edge straps of pink leather closing to pins on the center back; flyleaves, washed, contained a 15th century prose text in French in 2 columns, written in a Bâtarde script. Henry E. Huntington Library and Art Gallery. Manuscript. HM 3027 Relation A related resource A modern note on f. i states that the manuscript came from Fountains Abbey, Yorkshire; rejected by Ker, MLGB, 89. Belonged to Sir Henry Ingilby, Bart., of Ripley Castle, Yorkshire and later to Lt. Col. Sir William Henry Ingilby, Bart. (1874-1950); his sale, Sotheby's, 21 October 1920, lot 172 to Sabin; at this point the current f. 164 began the volume. Purchased by the Huntington Library from the G. D. Smith Book Company in January 1927. early ligatures manuscript middle ages saint agatha torture https://www.european-mastectomy.artinterp.org/files/original/adcb03c1797ef65ecaa5324ea8b35eae.png 5fa2fca7baf3513850cd77e7ee4eb88b https://www.european-mastectomy.artinterp.org/files/original/521bb411a33b761c93421a04ab955d2c.png adb92c1bcaaac35110357fba252b8dd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Mary Psalter Subject The topic of the resource Scenes from the Garden of Gethsemane; marginal scene of the torture of St. Agatha Description An account of the resource MS Royal 2 B VII, fol. 242r. Source A related resource from which the described resource is derived British Library https://www.bl.uk/collection-items/the-queen-mary-psalter Publisher An entity responsible for making the resource available London Date A point or period of time associated with an event in the lifecycle of the resource 1310-20 breasts pincers saint agatha tools torture https://www.european-mastectomy.artinterp.org/files/original/4ea4d0aa704dbcc41150a6ccd7c4549e.jpeg 31e7c6f58ae3dbea7a4599f3ff021a49 https://www.european-mastectomy.artinterp.org/files/original/76454a5334f0e57d9ce3144e5fcfdbd7.jpeg 433f43d83c1871479044032ff27cb0ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Belles Heures de Jean de France, duc de Berry Subject The topic of the resource The martyrdom of saint agatha Description An account of the resource Suffrages of the Saints Saint Agatha, Folio 179r Agatha was punished for refusing the advances of the Roman governor. She is tied to a column and her breasts are removed by attackers wielding huge clippers ; one attacker raises his knee to brace himself in a pose like that in the Catherine cycle (Folio 17r), where the saint is tied to a column. Creator An entity primarily responsible for making the resource Paul Herman and Jean de Limbourg Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available Paris Date A point or period of time associated with an event in the lifecycle of the resource 1405-08/9 book of hours breasts eroticism meditation saint agatha tools torture https://www.european-mastectomy.artinterp.org/files/original/0a43ee9972d8e35e298781a1434c1698.jpeg 4d9aeae82302d698479bcac0c5ba32b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mastectomy Description An account of the resource Illustration shows the excision of a cancerous growth from a woman's breast, an operation which Hanaoka Seishu first carried out in 1804 using general anasthetic Kamata Keishu, a pupil of the renowned surgeon Hanaoka Seishu (1760 - 1835), published a treatise in 1851 called 'Geka kihai'. In it, he made public the surgical techniques pioneered by his teacher and provided illustrations demonstrating his technique. These illustrations were empirically based on European examples. The use of colour in them functions mainly to distinguish flesh from clothing and to demonstrate the flow of blood. This image shows an operation which Hanaoka Seishu first carried out in 1804 using general anaesthetic. Creator An entity primarily responsible for making the resource Kamata Keishu Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/ngg2kxv7 blood eastern female patient japanese mastectomy surgery https://www.european-mastectomy.artinterp.org/files/original/acef61a579328eae318a3d6ff3fb9e59.jpeg d90f1d11e57a87e6341e96c0d23d3abd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mediaeval torturers torture a gout-sufferer; representing the view attributed to Fabricius von Hilden that gout could be cured by torture. Subject The topic of the resource Part of: Les médications anti-goutteuses Description An account of the resource 1 print : half-tone, printed in colour ; image 14.8 x 12.3 cm. La torture est-elle bonne pour les goutteux?... Page 5. de Losques. Éditée par la "Pipérazine Midy" Creator An entity primarily responsible for making the resource after Losques, Daniel Thouroude de Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/kbvyc8aw Publisher An entity responsible for making the resource available Paris (140, Rue du Faubourg St. Honoré) : La Pipérazine Midy, 1910 (Imprimerie Crété Corbeil) Date A point or period of time associated with an event in the lifecycle of the resource 1910 Fabry gout Hildanus Hilden operation torture