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                <text>Series: Series: Imagini di molte SS Vergini Rom.e nel martirio</text>
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                <text>St Agatha; kneeling to left in front of a prison, with one severed breast, praying to a vision of St Peter standing blessing her; behind to left she is roasted alive on hot coals; within an oval frame and with a vertical panel of ornamental scrollwork to left and to right.&#13;
Etching&#13;
Height: Height: 74 millimetres&#13;
Width: Width: 117 millimetres&#13;
Inscription content: Lettered within image with saint's name and feast day</text>
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                <text>Print made by: Antonio Tempesta&#13;
Published by: Giovanni Antonio de Paoli</text>
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                <text>Bartsch / Le Peintre graveur (XVII.138.398)</text>
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                <text>Published in: Rome (city)&#13;
Europe: Italy: Lazio: Rome (province): Rome (city)</text>
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                <text>1570-1591</text>
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                <text>Associated Title: Historia delle sante vergini Romane (Rome, 1591)&#13;
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                <text>Series: Series: Piccoli Santi (Small Saints) (Small Saints)</text>
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                <text>St Agatha standing between two trees, her left arm raised and tied to a third tree in the middle; copy in reverse after Marcantonio&#13;
Engraving&#13;
Height: Height: 87 millimetres&#13;
Width: Width: 55 millimetres&#13;
Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold&#13;
NOTE: the whole breasts where in another edition the breasts are removed&#13;
"The artist did not fully understand Marcantonio’s print and in his engraving omitted to emphasize St Agatha’s cut breasts."</text>
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                <text>After: Marcantonio</text>
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                <text>Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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                <text>1500-1527</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-124&#13;
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)&#13;
Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’)</text>
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        <name>saints</name>
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        <name>torture</name>
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                <text>Madonna and Child with saints</text>
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                <text>Madonna and Child with saints, with the Virgin sitting on an elevated throne with Christ child on her lap; below, at right, St Barbara and a monk, and at left a female saint (St Agatha?) with a dish resting on the pedestal, St Lawrence with his gridiron in the foreground with a seated angel holding a child in his arms&#13;
Etching&#13;
Height: Height: 563 millimetres&#13;
Width: Width: 306 millimetres&#13;
Inscription content: Lettered below image with production detail: 'J. B. Cignarolius pinxit - D. C. D.' and dedication to 'Clarissimo Viro D. Carolo Emanuelli Groscavalli Comiti Palatii...' (Carlo Emanuele Cavalleri di Groscavallo, 1706-1787 ?).&#13;
The engraver's monogram was described by Nagler (Die Monogramisten No.1017) as the signature of an unidentified 18th century engraver active in Italy, possibly a member of the David family.&#13;
&#13;
Professor Robert Randolf Coleman has kindly drawn our attention to his work identifying the printmaker as Angelo Ghizzardi (see R.R. Coleman, "The Ambrosiana Albums of Giambettino Cignaroli (1706-1770): A Critical Catalogue", Milan; Rome: Biblioteca Ambrosiana; Bulzoni Editori, 2011, pp. 14, 89, 91, 117, 119, fig. 55 and p. 221, no. 343). Carmen Nagel (email Dec 2022): this etching shows a painting that was made for the chapel in the Royal palace in San Ildefonso and is now in the Prado (POOOO99).</text>
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                <text>Print made by: Angelo Ghizzardi&#13;
After: Giambettino Cignaroli</text>
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                <text>c. 1720-80 </text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1951-0714-110&#13;
Purchased from: Colnaghi&#13;
Previous owner/ex-collection: Liechtenstein</text>
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                <text>Instrumenta chyrurgiae et icons anathomicae </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Surgical instruments and anatomical imagery</text>
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            <description>An account of the resource</description>
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                <text>205 unnumbered leaves (last 2 blank) ; (8vo 17 cm)&#13;
&#13;
This volume contains 202 wood engravings without text, the majority from the 'Dix livres de chirurgie' published in Paris, 1564: they have been carefully painted by hand in gold, silver, and colours&#13;
Copy 1. There are MS. signatures, and on the verso of the first leaf the title of the work as given above. On the second leaf in the same hand is the signature 'N. Rassius Desneus Chyrurgus S. Par'. Binding: late 17th century red goatskin over thin pasteboards, gold tooling with the arms of Nicolas Fouquet (Squirrel rampant) and a crown on the spine. This is typical of a group of bindings from around 1700 produced in imitation of earlier 17th century styles. For more information see Pascal Ract-Madoux and Isabelle de Conihout Reliures françaises du xviie siècle chefs-d'oeuvre du musée condé (Paris, Chantilly, 2002) - see especially no. 44. Bought on 6. 2. 1895, in the Libri Sale at Christie's, by Charles Butler, of Warren Wood, Hatfield, whose book-plate has been pasted inside the cover. Bought for the Wellcome Library at the Sotheby sale of Butler's library, 1. 6. 1911, Lot 1706.</text>
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                <text>Ambroise Paré</text>
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                <text>Wellcome Collection&#13;
https://wellcomecollection.org/works/gea92cjg   </text>
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                <text>1564</text>
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        <name>hand</name>
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        <name>surgical</name>
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              <description>A name given to the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Ludicrous Operator, or Blacksmith turn'd Tooth Drawer</text>
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            <description>An account of the resource</description>
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                <text>(For description and further comment, see impression of BM Sat. 8051: 1935,0522.1.176)&#13;
Mezzotint&#13;
Height: Height: 352 millimetres&#13;
Width: Width: 248 millimetres&#13;
Inscription content: Lettered below the image with the title, four lines of verse in two columns 'Why squeeze your Hat, and seize my Cap, ... I'm a Licentiate: Not a Quack.' and 'Designed by J. Harris &amp; Improved by drawings after the Life of J. Dixon. // Published according to Act of Parliament A.D. 1768. // Dixon fecit. // Printed for John Bowles, at No. 13 in Cornhill, London.'</text>
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                <text>Print made by: John Dixon&#13;
After: John Harris ((?))&#13;
Published by: John Bowles</text>
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                <text>Published in: London (England)&#13;
Europe: British Isles: England: London (England)</text>
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                <text>1768</text>
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            <description>A related resource</description>
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                <text>BM Satires / Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum (8051)&#13;
Chaloner Smith 1883 / British Mezzotinto portraits from the introduction of the art to the early part of the present century (undescribed)&#13;
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