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                <text>Medical students observing an operation on a lantern screen via a projecting periscope located above the operating table</text>
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                <text>"Students watching an operation at which they are not present: an attempt to abolish the hospital-theatre - the projector in surgery. ... Drawn by H. Koekkoek from a drawing in the "Scientific American," by courtesy of that paper. Extensive lettering accompanies the print"</text>
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                <text>Halftone after H.W. Koekkoek, 1909&#13;
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                <text>after Koekkoek, Hermanus Willem, 1867-1929</text>
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                <text>Wellcome&#13;
https://wellcomecollection.org/works/d237xdbm&#13;
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                <text>[London] : The illustrated London news, 17 April 1909.&#13;
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                <text>An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body</text>
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                <text>"One of several paintings commissioned by Henry S. Wellcome around 1912 from Richard Cooper, who was then working in Paris. Cooper was educated at Tonbridge and then trained as an artist in Paris before the First World War. In 1914 he joined the British Army and in 1916 was transferred to the Royal Engineers. His obituary in The times says that he worked on camouflage with Solomon J. Solomon RA as well as acting as official war artist for The graphic. After the war he enjoyed a flourishing career as a graphic artist designing posters: he is particularly well known for his advertisements for the London Underground"</text>
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                <text>Cooper, Richard Tennant, 1885-1957.&#13;
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                <text>Wellcome&#13;
https://wellcomecollection.org/works/vvuzurxb</text>
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                <text>Exhibited in "Pain: passion, compassion, sensibility" at The Science Museum, London, 12 February-20 June 2004&#13;
Exhibited in "Pijn" (Pain) at Museum Dr Guislain, Ghent, 8 Oct. 2005-30 April 2006.&#13;
Exhibited in "Schlaf und Traum" at Dresden Deutsches Hygiene Museum, 31 March-3 October 2007&#13;
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                <text>A physician examining a bare breasted female patient, an older woman passes him a syringe, a bawdy couple are in the background</text>
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                <text>Mezzotint by A. de Blois after J. Steen (1626-79)</text>
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                <text>Wellcome&#13;
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                <text>[Place of publication not identified] : G. Valck excud cum previl.</text>
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                <text>Ernst Bumm operating on a male patient, other doctors monitor the patient's condition</text>
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                <text>patient described as male but no indication in the illustration that this is a male or female patient - gender ambiguous - surgery described as a lithotomy but could be another lower abdominal surgery</text>
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                <text>after Huebner, Reinhard, 1881-1962&#13;
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                <text>Wellcome&#13;
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                <text>Berlin : Gustav Schauer, [between 1920 and 1929?]&#13;
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                <text>The Dutch anatomist Steven Blankaart (1650-1704) performing a dissection in an anatomy theatre, with seven observers</text>
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                <text>"The Dutch anatomist S. Blankaart, surrounded by seven observers, retracts the skin of the cadaver he is dissecting to reveal the intestines. Directly behind him is a door leading out of the anatomy theatre and above this, in a niche, is a skeleton holding a spade. Among the surgical instruments lying next to the corpse is a pair of glasses, on the left. Blankaart is similar in features and dress to his engraved portrait at the age of thirty-six (see this catalogue no. 1159), which faces the engraved title page in the Leiden 1687 edition"</text>
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                <text>1 print : engraving ; image 16.3 x 9.3 cm&#13;
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S. Blancardi. Anatomia reformata</text>
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                <text>Wellcome&#13;
https://wellcomecollection.org/works/pc3bsnqr</text>
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                <text>Ludg. Batav. [Leiden] : Cornelium Boutesteyn : Iordaanum Lughtmans, 1687.&#13;
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                <text>References note&#13;
G. Wolf-Heidegger and A. M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, no. 184, p. 259&#13;
A. Garosi, Inter artium et medicinae doctores, Florence 1963, tav. ccxv</text>
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                <text>An operating room in a surgery: three patients are undergoing operations</text>
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                <text>removal of facial tumor, mastectomy, leg amputation</text>
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                <text>handwritten lettering "Copyright Wellcome Historical Medical Museum" with typeset caption "A surgeon's operating room, 1690) </text>
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